Catching Up With Sigur Rós
When Kjartan Sveinsson unceremoniously quit Sigur Rós last year, his old band lost a major musical force. Over five studio albums (including 2012’s largely ambient Valtari), Sveinsson was the Icelandic post-rock band’s most versatile member (and arguably, its secret sauce)—a multi-instrumentalist with a flair for lush orchestral arrangements and angelic keyboards.
But instead of pausing to reflect on their future, the band’s remaining trio—frontman Jónsi Birgisson, bassist Georg “Goggi” Hólm, drummer Orri Páll Dýrason—pushed forward, channeling an explosive, visceral vibe for their seventh studio album, Kveikur. It isn’t a “departure album” as much as a jolting return-to-form, blending evocative soundscapes with electronic flirtations and a proggy, percussive edge.
Paste spoke with Jónsi during a break in the band’s current tour. Along the way, we discussed their sonic evolution and the experimental writing process behind their new album.
Paste: Are you back in Iceland?
Jónsi: We are—we’re back in Reykjavik. I’m at the dog park. I’m taking my dog for a walk.
Paste: Kjartan is obviously a brilliant musician, and his contributions to the last four or five Sigur Rós albums were so hugely important. When he told you he was leaving, did the three of you think for a second that you might want to break up the band, or was it immediately clear that you’d continue as a trio?
Jónsi: He’d kind of been thinking about it for many years, thinking about it on and off that he wanted to do his own thing. So it was only fair and understandable. And when he made the decisions to leave, we never thought about getting somebody else to replace him. I think we just wanted to keep on with the three of us.
Paste: I know that the traditional Sigur Rós writing style is very unconscious—everyone sitting in a room, playing instruments without speaking, waiting for some magic to happen. Did that writing process change now, since you were working as a trio?
Jónsi: I think it kind of was a little bit different. Kjartan left, and that was a big change for us. We were kind of missing his fourth dimension from our writing, so maybe we kind of started the album songwriting a little different than usual—a little more experimental, a little more adventurous, an unknown process. We were using the computer a lot, playing with plug-ins and textures and samples and stuff like that, just to play with. I think it was a little different. And we talked about it a little more than usual, actually. I think we wanted to have it a little moodier and darker, a little bit back to basics. We went to Orri’s garage, practicing and stuff.
Paste: This album is coming out so quickly after [last year’s] Valtari. Was any of this new material written during the previous tour?
Jónsi: Actually, none of the songs on Kveikur were written on tour. It was all written at home, basically, at various places: in rehearsal spaces, in Orri’s garage and in the studio. But none of it was written on tour.