Jolie Holland: The Living and the Dead
Holland enjoys herself on fourth albumJolie Holland writes songs packed like retablos with autobiographical details and Dia de los Muertos figures, but it’s her voice that animates them. She slurs her words and blurs her phrasing, chewing her consonants and creating a distinctively drunken drawl. Holland’s fourth—and perhaps best—album (featuring contributions from collaborator M. Ward and guitarist Marc Ribot) foregoes the smoky speakeasy atmosphere of 2006’s Springtime Can Kill You for a more contemporary roots sound, which provides a more evocative backdrop for her signature vocals. Despite singing such despairing lyrics, she sounds more commanding and confident than ever on... read more
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Where Have All The Weird Girls Gone?…
