The Go Rounds: The Best of What’s Next
Photos by Steven Michael HolmesGenres don’t matter much anymore, so I don’t know how worthwhile it is for me to tell you that The Go Rounds started off as twangy Americana but have lately morphed into groovy psychedelia. Is it still rock? Is it still pop? Yes and yes … and you should check out The Go Rounds latest, Don’t Go Not Changing, because this quartet out of Kalamazoo, MI is bringing a head-clearing common sense to the sometimes senseless head-banging of rock ‘n’ roll. Or maybe they’re here to exterminate cynicism.
The Go Rounds, with Graham A. Parsons, Drew Tyner, Mike Savina and Adam Danis, came of musical age in the unassumingly eclectic scene of Kalamazoo, a close-knit creative community that’s all but a buzz-less mystery when held up to other, more bustling hipster havens around the country. Kalamazoo’s scene “opened a portal,” as Parsons put it, “where we were taught about a path that had more richness, longevity and inspiration and supplemental energy … as opposed to the multitude of life-sucking aspects that can be prevalent when you work as an entertainer, like … drugs, alcohol … dirtbags.”
And before you diagnose Parsons as a small-town Michigan kid whose naivety will inevitably succumb to the Internet pandemic of cynicism, he’ll stop you right there. “Yeah, because I had a long period, before this, of just absolute pessimism, just, being cynical, negative, self-destructive. For years! That was long about but I still hold that side close to me, still, just as a reminder of the opposite of what I want to be now, and doing that can help you. Cuz during that period of cynicism, and, ya know, it’s embarrassing to think now, but, I had a hard time just being sincere. I think it’s too easy to be pessimistic or isolationist in this but if we’re going to evolve as individuals or… I don’t want to get too lofty but, man, even evolve as a species? …then, don’t things have to change? Are we too far down that (cynical) path to turn around and come back? I hope not.”
Why are Parsons and The Go Rounds thinking about all this? Because they’re humble, sure. But also because they don’t have a booking agent and this is all on them to get their own butts across the country. And also because they’re not signed to a typical label but instead are part of a local Michigan music collective called Earthwork Music, which promotes bands that are raising an awareness, “both community awareness and self-awareness” through their albums.
Oh … and because, if you think about it, music can be a pretty difficult lifestyle to explain. The Go Rounds realized this, but it can sometimes be taken for granted when it’s featured here in our music section Q&A’s. We all know that rock ‘n’ roll is ostensibly the pinnacle of coolness and unfailingly inspires the inner teenager in all of us. But rock ‘n’ roll, as a lifestyle, really isn’t relatable and The Go Rounds, coming out of a quietly cool, community-oriented corner of the Midwest, know this all too well.
Parsons, the founding member, openly talks about “not feeling ashamed to live a life of music…” Ya know, this whole Rock thing can seem, as the tired cliché goes, like a roller coaster … or something like a rocket ship , vaulted with fireball ambition towards the stratosphere of success.
Not that they’re going off on any “woe is me” rant about being the indie-musician on the road, but Parsons talks about the difficulties of elucidating a decision such as this to family, friends or even lovers … lovers who might even break up with you because your future is so uncertain. Sure, that fuels material for next week’s lyrics, but it still hurts.
“I don’t blame anyone for having that perspective,” Parsons said. “And for not wanting to live in a funky old house with a bunch of other people, to not know how you’re going to make money during the winter, for not being comfortable sleeping on stranger’s couches when you’re almost 30 and so on…It’s a tale as old as the Kalamazoo River Valley! And, while the ‘misunderstood singer’ or ‘tormented artist’ tropes are wrung out beyond dry, there’s still some petrified truth to those notions.”
Now, we write about the indie-rocker’s roller coaster only considering the mere propulsion of the metaphor, because ascension is inherently exciting. But although the Go Rounds may be in the cart, going through loop-de-loops, they’re expanding their gaze into a 360 degree surveying of their social surroundings.