The Evil Dead Remake Is Still Better than You Think

When I first saw Sam Raimi’s Evil Dead, on a rented VHS tape sometime in the early 2000s, my overriding sensation was of being overwhelmed. At that point I’d never seen another film like it, even among its many imitators and descendants, and its sheer velocity swept me away. It hit me like an avalanche of sound and light, gushing blood and swooping cameras. It became one of those benchmark horror films for me in terms of the sheer experience of it all, and it still is.
I won’t go so far as to say that Fede Alvarez’s 2013 reimagining, Evil Dead, overwhelmed me in the same way that Raimi’s film did years earlier, but I was still overwhelmed the first time I saw it. Alvarez’s version of Raimi’s kinetic camerawork and over-the-top gore effects was there, as was the auditory assault of the dark forces unleashed through the story, and I was reminded then just how influential that first film truly is across our whole cinematic landscape.
Of course, not everyone was a fan. Though it definitely earned acclaim for its focus on practical gore effects and for things like the full-on blood run at its climax, Alvarez’s Evil Dead also proved divisive among horror fans, and I personally know more than one devoted genre viewer who will still name it as one of their most frustrating viewing experiences ever. There are a lot of reasons given for this, from a predictable plot to characters who don’t make wise choices to the sheer onslaught of gruesome sequences, but while the film has plenty of defenders a decade after its release, the naysayers are still very much out in force.
With that in mind, and a new Evil Dead film on the horizon, I went back to the 2013 installment looking for answers. Was I right to be bowled over by the film years ago? Did its critics have a point that I could see more clearly with the benefit of hindsight? How has the film aged after a decade of trauma-informed horror movies, many of which have tackled the same subjects with more subtlety? What I found by the time those blood showers were over and the credits rolled was a film that still retains a certain primal potency after 10 years, and a horror journey that deserves more credit than it’s gotten over the years, even from its defenders.
You know the story of the film, even if you’ve never seen it, and while some people would call that a bad thing, I call it the launch of an exercise in executing a critical horror formula. Five friends head out to a cabin in the middle of the woods to get away from the outside world, then accidentally unleash demonic forces by reading an incantation from a creepy book. It’s a deliberate mirror of the original Evil Dead film, but with a key twist: The central figure in this journey, Jane Levy’s Mia, is trying to kick a heroin addiction, and her brother and three friends are on hand to make sure she makes it through the darkness of withdrawal without giving in to the temptations of the outside world.
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