POTUS Fights Back: The Commander in Chief on the Big Screen

The fictional tradition of a strong authority figure who can also throw down in a fight dates back to stories as old as The Epic of Gilgamesh. It might have made sense at one point in history, when kings regularly strapped on cumbersome armor and went into battle, but in the age of the firearm, putting your head of state at the head of an army regiment is a practice that’s been abandoned (mostly). Despite his position as commander in chief of the U.S. military, the president of the United States has never taken up arms while actually serving as president. Fourteen of the nation’s 44 presidents never served in uniform at all (nor, it seems, will have the next president). Yet, if your specific desire is to see the president kick ass, there’s an odd film subgenre that’s just for you.
First, the real-life action heroes…
While they don’t feature sitting presidents, we could hardly talk about presidential action heroes without a quick run of honorable mentions to the hagiographic films celebrating the fictionalized exploits of some real presidents.
And, in the presidential pantheon, few men could reasonably be credited with ending more human life than 26th U.S. President Theodore Roosevelt, who features prominently in Rough Riders, a 1997 docudrama miniseries, in which he’s portrayed by Tom Berenger. If you want four hours that include some bafflingly bloodless action from one of the most famous battles of Roosevelt’s career, then director John Milius—the man responsible for Red Dawn and other deeply silly jingoistic nonsense—was apparently happy to oblige.
Another of America’s fighting-est presidents, seventh POTUS Andrew Jackson, featured in two separate films, portrayed by Charlton Heston: The President’s Lady (1952) dramatized his long courtship of his wife, and 1958’s The Buccaneer, which dealt largely with the adventures of pirate Jean Lafitte (Yul Brynner) in the service of the United States, but also featured Heston’s Jackson fighting the British during the Battle of New Orleans. Heston’s Jackson snarls, “Let me make this very clear, gentlemen. Before I surrender this city, I will burn it to the ground.”
Released in 1963, PT 109 dramatized the naval adventures of 35th President John F. Kennedy, and is notable chiefly in that it came out while he was in office—and during the same year he was assassinated.
Presidents or other heads of state who don’t quite fight or aren’t quite president
We also must include a separate honorable mention category for action-packed films featuring pugnacious leaders who technically are in charge of America, even if we aren’t in our current democratic framework, and/or who might not heft a weapon but certainly throw themselves into wartime operations with too much enthusiasm.
The mostly forgotten 1933 film Gabriel Over the White House is widely regarded as portraying fascism in a positive light. The president, Judd Hammond (Walter Huston), suffers an automobile accident that radically alters his personality. Firing his big business cronies and dissolving Congress, he institutes a heavy-handed regime that hunts down criminals and cleans up the country. One of the pivotal plot points is the capture, court martial (not trial) and execution of an obvious Al Capone analog. All of this is played entirely straight. It isn’t that I think a movie about a strongman with dictatorial tendencies who promises a purge-like martial law has any immediate relevance in our current political climate or anything—I just thought I’d mention it.
President Snow (Donald Sutherland) of The Hunger Games, its one sequel and its two half-sequels sold separately, is a crafty, ill-tempered old despot who rules the dictatorship of Panem. It’s made fairly clear in the world of the original novels that Panem is a totalitarian technocratic nation that encompasses North America, and while Snow’s hands remain clean in a literal sense, they are figuratively soaked in blood—thus earning him a nod.
No such list could be complete without an honorable mention for the peerless action film Equilibrium (2002), a breathlessly silly shoot-’em-up in which a totalitarian government has conquered the whole world and imposed emotion-deadening drugs upon the populace to suppress dissidence. The film culminates in a “gun kata” kung fu gun battle between hero Christian Bale and dictator Angus Macfadyen. He’s technically a head of state, I assume his regime includes what was once America, and nobody who appreciates thoroughly implausible combat prowess in a fictional public figure should miss this film.
Lastly, Jack Nicholson’s turn as a grinning used-car salesman of a president in Mars Attacks! (1996) doesn’t really feature the president actually fighting, but he does preside over a disastrous war effort, and Nicholson’s last-ditch attempt at diplomacy—in which he delivers a greasy soliloquy imploring the Martians to set aside their warlike ways—ends so bizarrely (if predictably) that it deserves recognition.
Those exceptions given their due credit, whether thrust into an extended, slapstick assassination attempt or inexplicably leading a fighter wing against an alien invasion, here are the best President movies in which the commander-in-chief gets his own hands dirty:
Idiocracy (2006)
In a future where the average human intelligence level has dropped precipitously, everyman Army test subject Luke Wilson awakens to find he is now the smartest man in the world. An unjustly overlooked and under-marketed film, Idiocracy is another gem that I bring up because of the eerie real-world resonance it may have today, especially in the character of President Dwayne Elizondo Mountain Dew Herbert Camacho (porn superstar and five-time ultimate smackdown wrestling champion).
Camacho orders Wilson to use his world-class brains to end a food crisis. Played by Terry Crews with the same delightful, heedless, game physicality he brings to pretty much every role, Camacho may not fight or kill anybody in the film, but he does enforce silence during his State of the Union address by spraying automatic gunfire in the air. When the bar is so low that voters can’t even process concepts like delayed gratification, the glitziest candidate is bound to win.
Is it November 9 yet?
G.I. Joe: Retaliation (2013)
I have to hand it to this film in just one respect: having Zartan impersonate the president of the United States is the kind of plot you might see in the cheesy cartoon series. Unfortunately, not even Jonathan Pryce’s villainous swagger can save an otherwise terrible film, but his insidious presidency is notable for letting loose the highest payload to the least effect. In a climactic scene, Zartan, impersonating the president, fires off the country’s entire nuclear arsenal in a massive bluff to trigger mutually assured destruction with the other nuclear nations, then initiates the missile self-destruct sequences to call the whole thing off in a headache-inducing ploy to disarm the entire world for plot reasons I can’t be bothered to remember.
The Joes thwart Cobra’s scheme, with traitorous ninja Storm Shadow taking down Zartan by throwing a katana through his chest.
Escape from New York (1981)
John Carpenter’s grungy B-movie masterpiece Escape from New York features none other than Donald Pleasence running the White House. A thwarted assassination attempt forces President Pleasence to air-drop over New York City—which has been converted into an enormous free range prison for the violent and other societal castoffs in this dystopian police state. Amoral convict Snake Plissken (the role that broke Kurt Russell out of his spotless Disney-kid mold) is blackmailed into a rescue attempt, but the president has already been abducted by a violent gangster known as the Duke of New York.
Pleasence turns the tables at the end, though, making it to a machine gun in time to gun down the Duke. The movie is worth Pleasence’s unhinged performance as he releases the anger and fear he suffered at the Duke’s hands earlier. It’s a great turn that shows you who this president really is: helpless and weak when he’s captive, but sadistic and vengeful when the tables are turned. In one moment, Carpenter shows us why we should be rooting for Snake to burn the whole system down.