The 10 Best Movies on Redbox Free On Demand (June 2021)

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The 10 Best Movies on Redbox Free On Demand (June 2021)

Redbox, known best for its quick-and-easy rentals of new and classic movies, has also launched its own free streaming platform: Redbox Free On Demand. Following the strategy of its rental offerings (the best of which you can find here), the commercial-driven streamer has plenty on offer—spanning everything from indie fare to the kind of horror and action films that’ll please hardcore genre devotees. Now that the service has launched desktop support (it was mobile-only at launch), it’ll be even easier to check out. This list is up to date as of June 2021.

Supplementing our larger free and On Demand lists, the former of which collects plenty of other AVOD (ad-based video on demand) services, this Redbox streaming list highlights the best of what the streamer has to offer if sitting through a few advertisements is more worth it to you than paying a rental fee. And it couldn’t be easier to start watching, with no account sign-up necessary. You can access Redbox Free On Demand on Roku, iOS, Android mobile and TVs, and Vizio devices—with LG, Xbox, Samsung, and Google Chromecast support on the way.

In addition to Redbox Free On Demand content, you can also check out our guides to the best movies on Netflix, Amazon Prime, HBO Max, Hulu, Disney+, Showtime, and Cinemax. Or visit all our Paste Movie Guides.

Here are the 10 best movies on Redbox Free On Demand:

1. His Girl Friday

his-girl-friday-poster.jpg Year: 1940
Director: Howard Hawks
Stars: Cary Grant, Rosalind Russell, Ralph Bellamy
Rating: PG
Runtime: 92 minutes

Watch on Redbox Free On Demand

Special effects have become so sophisticated that many of us have probably forgotten how much pure amazement you can wreak with a great story and a script that doesn’t let up for one second. This amazing, dizzyingly paced screwball comedy by Howard Hawks stars Cary Grant and Rosalind Russell, and takes us back into two of the decade’s hallmark preoccupations: The “remarriage comedy” and the intrigue and obsessiveness of the newspaper world. The minute Russell’s Lindy Johnson stalks into the newspaper office run by her ex-husband Walter Burns (Grant), you know it’s to tell him she’s getting remarried and leaving journalism to raise a family, and you know that’s not how it’s going to end. No high-suspense mystery here. What puts you on the edge of your seat in this film is how you get there. Hilariously acted and expertly filmed, His Girl Friday derives much of its comedic impact from the incredibly clever and lightning-fast banter of the characters. Don’t even think about checking your phone while you’re watching this. In fact, try to blink as little as possible. —Amy Glynn


2. Battle Royale

battle-royale.jpg
Year: 2000
Director: Kinji Fukasaku
Stars: Tatsuya Fujiwara, Aki Maeda, Tarô Yamamoto
Rating: R
Runtime: 114 minutes

Watch on Redbox Free On Demand

It’s OK to compare Battle Royale to The Hunger Games movies—or, rather, to find how the lasting accomplishments of the latter franchise were essentially done better and with so much more efficiency by the former—because you probably will anyway. Battle Royale, like the immensely successful four-film crash course in crafting an action star who is really only a symbol of an action star, chronicles a government-sanctioned battle to the death between a group of teens on a weird, weapon-strewn island. (There are even regular island-wide announcements of the day’s dead as the sun sets on the remaining children.) Yet, Battle Royale is so lean in its exposition, so uninterested in dragging out its symbolism or metaphor, that one can’t help but marvel at how cleanly Fukasaku (who had a full career behind him when he made this, only three years before he died) can lend depth to these children, building stakes around them to the point that their deaths matter and their doomed plights sting. What the director can do with such a tenuous premise (which The Hunger Games takes multiple films to do, and without a single ounce of levity) is astounding—plus, he wrangled Beat Takeshi Kitano to play the President Snow-type character, which Kitano does to near-perfection. That Battle Royale II sets out to up the stakes of the first film, especially given the first film’s crazy success in Japan, is to be expected, but stick to the first: Battle Royale will make you care about kids murdering each other more than you (probably) would anyway. —Dom Sinacola


3. Ghost in the Shell

ghost-in-the-shell.jpg Year: 1995
Director: Mamoru Oshii
Stars: Mimi Woods, Richard George, William Frederick
Rating: R
Runtime: 82 minutes

Watch on Redbox Free On Demand

It’s difficult to overstate how enormous of an influence Ghost in the Shell exerts over not only the cultural and aesthetic evolution of Japanese animation, but over the shape of science-fiction cinema as a whole in the 21st century. Adapted from Masamune Shirow’s original 1989 manga, the film is set in the mid-21st century, a world populated by cyborgs in artificial prosthetic bodies, in the fictional Japanese metropolis of Niihama. Ghost in the Shell follows the story of Major Motoko Kusanagi, the commander of a domestic special ops task-force known as Public Security Section 9, who begins to question the nature of her own humanity surrounded by a world of artificiality. When Motoko and her team are assigned to apprehend the mysterious Puppet Master, an elusive hacker thought to be one of the most dangerous criminals on the planet, they are set chasing after a series of crimes perpetrated by the Puppet Master’s unwitting pawns before the seemingly unrelated events coalesce into a pattern that circles back to one person: the Major herself. When Ghost in the Shell first premiered in Japan, it was greeted as nothing short of a tour de force that would later go on to amass an immense cult following in the states. The film garnered the praise of directors such as James Cameron and the Wachowski sisters (whose late-century cyberpunk classic The Matrix is philosophically indebted to the trail blazed by Oshii’s precedent). Everything about Ghost in the Shell shouts polish and depth, from the ramshackle markets and claustrophobic corridors inspired by the likeness of Kowloon Walled City to the sound design, evident from Kenji Kawai’s sorrowful score, to the sheer concussive punch of every bullet firing across the screen. Oshii took Shirow’s source material and arguably surpassed it, making an already heady science-fiction action drama into a proto-Kurzweilian fable about the dawn of machine intelligence. Ghost in the Shell is more than a cornerstone of cyberpunk fiction, more essential in this day and age than it was over 20 years ago: a story about what it means to craft one’s self in the digital age, a time where the concept of truth feels as mercurial as the net is vast and infinite. —Toussaint Egan


4. Nightbreed


nightbreed poster (Custom).jpg
Year: 1990
Director: Clive Barker
Stars: Craig Sheffer, Anne Bobby, David Cronenberg, Charlie Haid, Hugh Quarshie, Hugh Ross
Rating: R
Runtime: 99 minutes

Watch on Redbox Free On Demand

Nightbreed is an odd duck of a movie, stranded somewhere between legitimate horror film and dark fantasy story. Clive Barker directs, only a few years after Hellraiser, but here his ambition perhaps got the best of him. It’s pretty clear that he wanted Nightbreed to be something akin to a horror epic, a movie with a profound message about identity, acceptance and community. In execution, though, it has a hard time picking what tone it’s supposed to be emanating. Sometimes it’s darkly humorous. Sometimes it’s legitimately spooky. Other times you’re not sure whether you’re supposed to be taking the action on screen seriously or not. One thing that is spectacular throughout is the art direction, sets, costuming and makeup. Some of the character designs may come off as “silly,” but just as many of them are likely to end up in your nightmares. Nightbreed is a mixed bag, a would-be inspiring story about monsters trying to build a safe community to peacefully live their lives, but lacking the iconic nature of Barker’s most famous creations. —Jim Vorel


5. But I’m a Cheerleader

22-but-im-a-cheerleader-best-youtube.jpg Year: 1999
Director: Jamie Babbit
Stars: Natasha Lyonne, Clea DuVall, RuPaul
Rating: R
Runtime: 85 minutes

Watch on Redbox Free On Demand

In our current climate, it feels strange to have a gay conversion therapy camp serve as the backdrop for a love affair between two young women. Especially now that we know the devastating psychological effects that those practices can have on the people sent to be “changed.” But the core message of this late ’90s gem is clear: our LGBT+ brothers and sisters were born this way and they deserve love just as much as we do. Luckily for our heroine Megan (Natasha Lyonne), she finds that love with Graham (Clea DuVall), another kid sent by her parents to be converted to heterosexuality. Their connection and chemistry is immediate, given life by the understated and thoughtful performances by the two leads. —Robert Ham


6. Killer Klowns From Outer Space

killer klowns poster (Custom).jpg Year: 1988
Director: The Chiodo Brothers
Stars: Grant Cramer, Suzanne Snyder, John Allen Nelson, Royal Dano, John Vernon
Rating: R
Runtime: 88 minutes

Watch on Redbox Free On Demand

Stephen, Charles and Edward Chiodo are a trio of siblings who have spent most of their careers working in practical movie effects, on everything from Critters to Pee-Wee’s Big Adventure, but to horror fans they’ll always be known as those guys responsible for Killer Klowns From Outer Space. The titular monsters are actually aliens—it appears to be a series of incredible coincidences that everything about them is related to clowns. As in, their spaceship is a giant circus tent. Or the fact that they turn people into cotton candy before eating them. Or the fact that they’re all wearing floppy shoes and red ball noses. Coincidences, beautiful coincidences. The movie is a darkly comic story that never legitimately attempts to frighten—it’s saccharine faux-horror fun as silly and colorful as the clowns themselves. Today, it’s mostly worth seeing for the impressive makeup and FX work that the Chiodos managed to pull off on a small budget. Particularly memorable is the “shadow puppets” sequence, wherein one of the clowns uses what can only be described as Clown Magic to create a shadow T-Rex that first entertains, then devours, a crowd of onlookers. —Jim Vorel


7. Black Christmas

black-christmas-poster.jpg Year: 1974
Director: Bob Clark
Stars: Olivia Hussey, Keir Dullea, Margot Kidder, John Saxon, Art Hindle, Andrea Martin, Marian Waldman
Rating: R
Runtime: 98 minutes

Watch on Redbox Free On Demand

Fun fact: Nine years before he directed holiday classic A Christmas Story, Bob Clark created the first true, unassailable “slasher movie” in Black Christmas. Yes, the same person who gave TBS its annual Christmas Eve marathon fodder was also responsible for the first major cinematic application of the phrase “The calls are coming from inside the house!” Black Christmas, which was insipidly remade in 2006, predates John Carpenter’s Halloween by four years and features many of the same elements, especially visually. Like Halloween, it lingers heavily on POV shots from the killer’s eyes as he prowls through a dimly lit sorority house and spies on his future victims. As the mentally deranged killer calls the house and engages in obscene phone calls with the female residents, one can’t help but also be reminded of the scene in Carpenter’s film where Laurie (Jamie Lee Curtis) calls her friend Lynda, only to hear her strangled with the telephone cord. Black Christmas is also instrumental, and practically archetypal, in solidifying the slasher trope of the so-called “final girl.” Jessica Bradford (Olivia Hussey) is actually among the better-realized of these final girls in the history of the genre, a remarkably strong and resourceful young woman who can take care of herself in both her relationships and deadly scenarios. It’s questionable how many subsequent slashers have been able to create protagonists who are such a believable combination of capable and realistic. —Jim Vorel


8. Nosferatu

nosferatu-murnau-poster.jpg Year: 1929
Director: F. W. Murnau
Stars: Max Schreck, Alexander Granach, Gustav von Wangenheim
Rating: NR
Runtime: 63 minutes

Watch on Redbox Free On Demand

F.W. Murnau’s sublimely peculiar riff on Dracula has been a fixture of the genre for so long that to justify its place on this list seems like a waste of time. Magnificent in its freakish, dour mood and visual eccentricities, the movie invented much of modern vampire lore as we know it. It’s once-a-year required viewing of the most rewarding kind. —Sean Gandert


9. The Proposition

proposition.jpg
Year: 2005
Director: John Hillcoat
Stars: Guy Pearce, Ray Winstone, Emily Watson, John Hurt
Rating: R
Runtime: 104 minutes

Watch on Redbox Free On Demand

If you’ve ever sat and wondered what Hell might look like, check out John Hillcoat’s The Proposition, in which Hell happens to look an awful lot like the Australian outback. You may not anticipate that shifting locales from one arid and unforgiving ecosystem to another would lend that much impact to a film’s visual texture, but The Proposition feels like a distinctly Aussie production even before you hear the accents. Nationality isn’t what makes the picture feel so utterly accursed, though; it’s the sheer unrelenting brutality. There’s a thematic nugget at The Proposition’s core that links it to John Ford’s The Man Who Shot Liberty Valance, a movie about lawful men trying against all good sense to tame wild lands and civilize lawless men. But Ford’s film never even tries to ascend the peaks of barbarity that The Proposition comes to rest upon through its final moments, where blood is answered with more blood and violent action can only be stopped by a violent response. —Andy Crump


10. Cube

cube-poster.jpg
Year: 1998
Director: Vincenzo Natali
Stars: Maurice Dean Wint, Nicole de Boer, Nicky Guadagni, David Hewlett, Wayne Robson, Andrew Miller
Rating: R
Runtime: 90 minutes

Watch on Redbox Free On Demand

Cube is a quintessential cult horror film, with all that the descriptor implies: The film has a great premise, a fun (yet imperfect) execution, a scrappy underdog factor, and an unexpected franchise that follows in its wake. The strange geometry of the multi-room jail holding the film’s characters are filled with dangerous traps. Is it truly a cube? Or is that just what whoever’s captured them wants them to think? As the characters give in to paranoia and claustrophobia, one of the more creative and bare-bones indie horror movies to implement (and actually pull off) sci-fi elements finds its rhythm. Tense and scary, with the same kind of intentionally small scope as movies like Saw, Cube is one of those perfect video store movies that you rent based on the cover alone and come away satisfied. —Jacob Oller

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