Born Ruffians’ Luke Lalonde Talks Dads, Death and David Bowie
Inside the Paste studio, Lalonde explained the "thing with threes" on Uncle, Duke & The Chief

On Born Ruffians’ new record Uncle, Duke & The Chief, death isn’t a tragedy, but a triumph. Jubilant album opener “Forget Me” is wistful and aching, but when Luke Lalonde sings of following a “white light,” he doesn’t greet it with fear or trepidation — he throws on a pair of shades. “Someday you’ll get older,” he croons, his sentiment all-too comforting. “I’ll be right behind you.”
Uncle, Duke & The Chief, Born Ruffians’ fifth full-length release, marks a homecoming for the veteran indie band, formed over a decade-and-a-half ago in Midland, Ontario. In his recent live studio session with Paste, frontman Luke Lalonde discussed the mature themes that inspired the record, including love, friendship, and death as a unifying force.
For the album’s visual components, Born Ruffians collaborated with Peter Dreimanis and Leah Fay, members of the Toronto band July Talk. Dreimanis and Fay directed a stirring video trilogy — “Love Too Soon” (Act I), “Forget Me” (Act II), and “Miss You” (Act III)” — that connect a tale of heartbreak, loss, and redemption. Lalonde stars alongside a dummy the crew nicknamed “Dorito.” According to him, the “non-human” was a “better emotional outlet” on which to project intense emotions.
“There’s definitely a thing with threes that we have,” Lalonde admitted. “[Debut record] Red, Yellow & Blue, Uncle, Duke & The Chief… it wasn’t a conscious thing to try and tie things back to that record. There was the feeling that this record had a kinship with our first record, though… that probably had quite a bit to do with the dynamics within the band. Coming back to really feeling like the three of us were stronger than ever… and closer than we had been since we did that first record.”