The second season of Amazon’s original series Mozart in the Jungle is officially streaming, and if you haven’t been watching this Golden Globe-nominated television series, then now’s the time to start. The show is a delightful look at what happens behind-the-scenes of a fictional New York orchestra, beginning with the fallout after an older conductor (played by Malcolm McDowell) is pushed out in favor of younger blood—in new, long-haired, yerba mate-drinking conductor Rodrigo (who naturally goes by first name only). The second season finds Rodrigo trying to stay at the top of his game, while bringing the orchestra to top form. Classical music purists probably pooh-pooh the bad form and faux-playing of the actors portraying professional musicians, but most of the audience won’t notice because the characters are entertaining, intriguing and get to speak well-crafted and witty dialogue.
Here are five more reasons to start watching Mozart in the Jungle.
1. Gael García Bernal’s creative genius is more endearing than tormented.
We’ve seen enough of the tortured, slightly misanthropic creative geniuses on TV for awhile. While Dr. Gregory House (Hugh Laurie) on House, Patrick Jane (Simon Baker) on The Mentalist, Sherlock Holmes (Jonny Lee Miller) on Elementary and Rainn Wilson from the short-lived Fox series Backstrom, were captivating, their rough edges sometimes wore thin. Bernal’s “Rodrigo” is just as creative and intriguing as the aforementioned antiheroes, but so far, the mad conductor is free of the depressing emotional baggage. The character still has his issues and a weird past life, but Rodrigo walks the fine line between creativity and crazy. To the actor’s credit, he keeps Rodrigo’s eccentricities in check, and the character remains endearing and relatable to the audience—even when he’s conversing with the long-dead composers (Mozart, Beethoven, etc.) who pop-up from time to time. We’re not the only ones to notice his excellent performance; Bernal is up for a Golden Globe for Best Actor in a Musical or Comedy.
2. Mozart exposes the underbelly of classical music.
The Amazon show is based on oboist Blair Tindall’s memoir Mozart in the Jungle: Sex, Drugs, and Classical Music. She spent several decades with the New York Philharmonic, the San Francisco Symphony as well as in the orchestral pits on Broadway, and pulled back the curtain on the gray-haired, fuddy duddy facade that’s generally associated with the classical music world. In addition to introducing audiences to the basics of classical music with Mozart and Mahler, the show also features and discusses lesser-known composers like Jean Sibelius and John Cage. The series naturally plays up stories of sexual relationships between the players (along with the accompanying drugs and the party life) but also adds a dash of real-world issues facing orchestras everywhere. There are eye-opening scenes of musicians dealing with carpal tunnel syndrome and arthritis, union negotiations concerned with pay, bathroom breaks and health care, as well as fundraising lunches, patron receptions and the myriad other ways orchestras beg for survival by way of donations from the one percenters.