Why “Conan In Armenia” Was One of the Greatest TV Moments of 2015
There’s a moment in “Conan in Armenia” where late-night host Conan O’Brien and his assistant Sona Movsesian catch a glimpse of Mt. Ararat against the horizon. They didn’t know if they would see the mountain, the legendary final stop for Noah’s ark, and when they do, it’s a solemn moment. Mt. Ararat is a powerful symbol for the Armenian people and, while one might be able to see it on a clear day, it is just out of reach for Armenians, as it stands across the Turkish border. Conan explains that Mt. Ararat “used to be part of Armenia, now it’s not.” Sona is silent as she stares into the distance.
The whole situation is complicated, but that’s the case for Armenia in general. The modern nation has only existed since the fall of the Soviet Union, but the history of Armenia is ancient. That Sona proudly identifies as Armenian, but has never visited the country before this trip is understandable. Like Sona, I’m of Armenian descent, but have never traveled to the country and call Los Angeles home. For those of us who share this heritage, Armenia is a destination, maybe not to live, but definitely to visit. It is a physical homeland for a people who were nearly wiped off the earth during the 1915 Genocide.
For reasons I’ll never fully understand, the country is not a destination for people who aren’t part of the diaspora; travel hosts like Anthony Bourdain and Andrew Zimmern don’t have Armenia episodes, but reality star Kim Kardashian does. That Conan O’Brien chose to take Sona to Armenia is a big deal for those of us are Armenian, something my own family discussed over a San Fernando Valley Thanksgiving table while eating turkey and pilaf. But it also made for great television that could appeal to anyone.
“Conan in Armenia” essentially tells two, intertwined stories. There’s the story of Conan, who is entering both a culture and a place that is foreign to him, and the story of Sona, who has grown up with the culture, but hasn’t been to the place of its origins. Much of the episode plays out like a buddy comedy—Conan goofs off, Sona plays it straight, but gets a few deadpan zingers in here and there. They go on a series of very short adventures. Conan takes Sona to a matchmaker to find an Armenian husband. The two try to work as shepherds. They meet up with Armenian fans who were originally from Syria, but relocated because of the war. They drink vodka and learn how to make the thin, flat bread called lavash.