TV Rewind: The Beautifully Meditative, Hopeful Rectify Is the Perfect TV Show for Our Time
Photo Courtesy of Sundance TV
Editor’s Note: Welcome to our TV Rewind column! The Paste writers are diving into the streaming catalogue to discuss some of our favorite classic series as well as great shows we’re watching for the first time. Come relive your TV past with us, or discover what should be your next binge watch below:
Living through a pandemic over this last year has been a strange and terrifying experience for many of us. Stuck inside for months on end without physical contact from anyone outside our household has been an immense strain on our lives and relationships. We’re mentally exhausted from watching death tolls climb higher and higher. Many of us have lost jobs and loved ones, while many more have attempted to achieve a work and home life balance that seems to always be just out of reach. We’ve collectively experienced a once-in-a-century trauma that has left an indelible mark on each of us, and it’s still going on.
Seeking comfort and answers has, at times, felt like an exercise in futility this past year. Like many people, I’ve felt lost and have found myself turning to the arts to cope; reading books and watching television has always been a form of solace, a distraction from the real world that is comforting in its solitude. But it wasn’t until I rewatched the brilliant but slow-moving Rectify, a Sundance TV drama from Ray McKinnon about a man released from prison after 19 years on death row, and the experience he goes through to find himself and meaning in his life in the months after his release, that I was able to understand much of what was happening to us. And more importantly, that we’ll eventually get through it.
Rectify was, among other things, concerned with the passage of time—how it moves, how it gets distorted, and how it can distort events itself. After a year separated from family and friends, we’re all a little bit like Daniel Holden (the extraordinary Aden Young) is at the beginning of the show, albeit to a lesser extent. The series chronicles the character’s reentrance into society after DNA evidence clears him of the rape but not the murder of his former girlfriend, Hanna Dean. Physically free but with the threat of another investigation and potential prison sentence hanging over his head, Daniel is locked up in almost every other way. He struggles to find clarity and an identity in a small Georgia town that is unwilling, or perhaps unable, to move on from what happened nearly two decades before.
While there’s no real comparison for the physical, emotional, and psychological experience of being in solitary confinement on death row for nearly 20 years, the truth remains that we’ve all been trapped in time, living in stasis, for the last year of our lives. Unable to grow or move forward, we’ve been existing without necessarily living. We’ve lost a year already and haven’t yet begun to comprehend what this lost time means for our relationships, our education, our careers, our mental health, our sense of self, our future. Many of us have anxieties we didn’t have before. Many more are angry and sad and confused and impulsive in ways they weren’t a year ago. Rectify’s quiet and thoughtful exploration of time and tragedy, of grief and acceptance, and of spirituality and identity as Daniel seeks answers after losing half his life to prison feels like a perfect, if admittedly extreme, encapsulation of the world we’re living in right now.