5 Reasons Fox Should Renew The Exorcist, One of the Fall’s Most Underrated Series
Fox
In 1973, William Friedkin’s The Exorcist initiated an interest in possession, demonic entities, and poltergeists that’s since spread from horror movies to reality TV shows. Based on the novel by William Peter Blatty, the film continues to shake new generations of viewers to the core—and now, Fox has taken on the bold task of creating an elaborate TV sequel to the original, nearly half a century later. Despite a cult following, the series, which debuted in September, has suffered in ratings for most of its first season. But I speak as Archbishop of The Exorcist’s congregation when I say: This show is awesome. Here’s why it deserves to be saved:
1. The Characters Are Well-Developed
Having been on the inside of church politics and clerical matters myself, I can attest to the realism of the show’s protagonists, Father Tomás (Alphonso Herrera) and Father Marcus (Ben Daniels). Not only is the celibacy/sexuality issue that has plagued the church in recent decades confronted head-on, the two fathers are well-rounded humans on all levels, complete with the same frailties and flaws that the rest of us face.
More importantly, they are all likable. Father Tomas—whose background reads like a good Latino boy becoming a priest to please Grandma and later realizing the uncertainty he has in his vocation—turns out to be something of a skeptic. He wants to tell Angela Rance (Geena Davis), whose daughter has been exhibiting strange behavior, that her problems are probably not of the supernatural kind. A few coincidences and soul-searching sessions later, though, and he opens his mind to the possibility of possession. Still, he continues to exhibit doubts about God, shows wariness towards church authorities, and can’t quite get along with Father Marcus at first. None of these patterns are uncommon for priests, but that’s the point. The series’ writing neither exalts nor ridicules religion, but it does favor honesty.
2. Women Have the Most Holy Power
We might not have gotten our first female president, but a small consolation might be the spiritual strength of the nuns in The Exorcist. In all seriousness, the addition of feminine spirituality to the series’ depiction of the historically patriarchal church is the drama’s most innovative component. An entire new method of exorcism is introduced, and while I’ve watched my share of possession movies, I’ve never seen the tactic of loving a demon back to its proper place as a means to conquer it. Indeed, the “yin” component of divine power is displayed beautifully by a group of nuns, who through acceptance, patience and compassion lull demons out of their hosts with forgiveness. The priests’ process, of compelling and vanquishing, is revealed to have its limits in spiritual warfare, and when Father Marcus needs a renewal of his craft, the nuns introduce him to their apparently more effective method.