The Sinner Anthology Continues to Quietly Deliver One of TV’s Most Intriguing Crime Dramas

Each season, USA’s The Sinner opens with a crime whose perpetrator is immediately revealed. The question is never a whodunnit, but instead asks why. And that, really, is at the core of why many of us enjoy crime dramas so much. The unraveling of the mystery is the thing, but The Sinner makes it all about the psychology of the crime; the mystery to unravel is embedded in the past of the person who committed this heinous act.

In its first season, The Sinner was based on German crime writer Petra Hammesfahr’s novel of the same name. Though it was meant to be a miniseries, the central conceit was too interesting to leave behind (that is, the why-dunnit of it all). All three anthology seasons so far are connected only through a single beleaguered detective, Harry Ambrose (Bill Pullman), as he investigates why a woman murders a man on a beach and has no recollection of the crime (Season 1, starring Jessica Biel), why a young boy poisons his parents while on vacation (Season 2, starring Carrie Coon as a cultist), and why a man left his friend to die at the scene of a car accident (Season 3, starring Matt Bomer).

Working backwards to uncover the trauma that causes people to snap, Ambrose is so tired and grizzled he’s barely upright. He rattles around this new season essentially dragging himself from scene to scene, which is almost comical. And yet, Pullman makes him grounded and genuine enough that we can understand how these troubled souls all come to open up and even rely upon him to help unlock their own mysteries. And in the tradition of all great crime dramas, Ambrose has his own history of trauma that both fuels him and helps him deeply commiserate with those he is seeking to bring to justice.

In the new season—the first three episodes of which were made available to critics—Jamie Burns (Bomer) is an improbably handsome school teacher living in the suburbs of Dorchester, New York, whose wife (Parisa Fitz-Henley) is about to have a baby. This serene domestic veneer is almost immediately punctured by the arrival of Jamie’s college friend Nick Haas (Chris Messina), a moody and troubled man who makes Jamie uncomfortable by alluding to a complicated shared past. That night, the two are involved in a car wreck on a lonely stretch of road leading to the house of a painter (Jessica Hecht) with whom there is no obvious connection. Jamie lives, Nick does not, and while the scene looks like a tragic accident, Ambrose’s instincts push him to investigate it as a murder.