Salute Your Shorts is
a weekly column that looks at short films, music videos, commercials or any
other short form visual media that generally gets ignored.
For any longtime fans of Dan Harmon’s work, Community is a surprise. Not the fact that it’s good, no, that’s something that we could all be pretty sure of. It’s that the show, a relatively conventional sitcom, could come from the avant-garde co-founder of Channel 101, whose prior claim to fame involves shows such as Computerman and Laser Fart. He’s long been a superstar for a relatively niche group of Los Angeles filmmakers and comedians, but his confrontational style and overall weirdness has made his crossover success come from pretty far off the radar, except when under closer examination.
After learning the ropes of improv comedy, Dan worked with the other
creator of Channel 101, Rob Schrab, on the unsuccessful television
pilot Heat Vision and Jack. Some time passed and Schrab
challenged friends to make short films to be shown in his living room.
This is documented on Channel 101’s website as “Rob Schrab makes a
series of home movies about eating poop and having sex with babies. Dan
Harmon, not to be outdone, makes a movie about Chris Tallman coming
back from the dead and raping him in the ass.” A year later, Schrab
challenged friends to perform predictions for Jaws 4’s storyline, which soon led to another short film and, eventually, more video contests.
Gradually, these grew out of Schrab’s house and became a barebones
film festival called “Super Midnight Movie Show,” which lasted until
Harmon asked one of the employees where it was being screened why she
was “being such a cunt.” Again, it’s a big surprise his comedy has ever
made it onto legitimate television.
But out of the ashes of Harmon’s comment came a reorganization of
the festival, which was starting to grow too large anyhow. The pair set
down guidelines where short films would be run like television shows,
with shows being voted on for continuation by a live audience. Every
month five new shorts would compete with five continuing shows for the
five available slots in the next month’s screening, with the new five
pulled out of all possible applicants by the previous week’s winners.
Oh, and shows had to be less than five minutes long.
Harmon’s first show, Computermanjust Harmon, but also his pal Jack Black. Black had originally starred in Heat Vision, and while that went by the
wayside, he maintained a working relationship with Shcrab and Harmon,
giving Channel 101 some much-needed publicity during its early days.
Its premise is simple: Dan’s computer comes to life in the form of Jack
Black. Soon the pair is hounded by the government in an attempt to use
Computerman for nefarious purposes.
Saying Computerman is crude is a bit of an understatement.
The short takes a stupid premise and shoots it as cheaply as possible.
Its graphics are both intentionally and unintentionally bad and its
performances over-the-top. In essence, it looks like it was knocked
together one day in someone’s basement, which it’s hard not to suspect
is actually what happened. For all of its general,
well, lousiness, though, Computerman has a lot of charm, some decent
laughs, and is hard not to enjoy. Even when the show undergoes a sort
of reconcepting as “Computerman in Space!” midway through, it’s able to
maintain interest through a good-natured but crude sense of humor and
its never-ending sense of fun and whimsy.
Harmon followed the show up with Call me Cobra, a short-lived detective show starring Drew Carrey that’s kind of like a low-rent version of Andy Barker, P.I.
The show died after Carey took over directing and was unable to get
his crew together, but its brief span is definitely worth a look. After
this came what is probably Harmon’s most famous early work, Laser Fart.
Channel 101 gives some backstory about the show, saying that it “began
as a joke submission during a light month in 2004.” Dan stars as a man
who, due to eating a microwave burrito, gains the ability to shoot
lasers when farting. Needless to say, it’s about as high-concept a show
as you can get. Dan becomes a superhero and fights for truth, justice and saving his wife from a notorious rapist who murders her in the
By this point in time a pattern appeared in Harmon’s works. Despite
their defiant lo-fi nature and frequently risky jokes, his series all
fall very neatly into already established genres. Computerman is both a buddy comedy and a parody of action movies where the protagonists are on the run. Call me Cobra is in many ways a by-the-numbers detective story, and Laser Fart is, well, it's just about a superhero with gas. By the time Lynx,
Harmon's one failed pilot came out, it was pretty clear that his story was
another take on the superhero genre, just with an even more insane hero--one who gains his superpowers by dressing up a mannequin’s leg in
pantyhose, rubbing its toe on his nipple and thinking about his ex
having sex with other men, at which point he orgasms, becomes really sad and is granted the powers of a lynx. My understanding is that
at this point in his life, Harmon was deeply depressed.
But this adherence to genre and cliché is oddly enough one of
Harmon’s strong points. His stories both lampoon and generously homage
what’s come before them. Because of this, his shows always have a strong
plot, even while they have a superhero who travels the world on laser
farts and goes back in time. A fan of Joseph Campbell, he’s interested
in telling stories correctly even if the whole thing, from premise on
down, is one big joke. His transition to sitcoms ends up making a lot
more sense with this in mind.
Harmon reached either the peak or nadir of this zero-degree
storytelling, depending on who you ask, with The Most Extraordinary Space Investigationsmore.” It’s lo-fi even by the slapdash standards of Channel 101. Also, it's incredibly funny. When Sarah Silverman joined the cast in its
second episode, MESI became a landmark show for the network, and also just about the craziest thing ever made.
During the intervening time, Harmon co-created The Sarah Silverman Show
before soon being fired (Schrab continues working on Silverman as the
show’s director). He also created a sort of network-friendly Channel
101 spin-off, Acceptable TV, where
he and some of the channel’s other all-stars would make videos of the
same sort shown on Channel 101. He never stopped attending screenings
and working for the channel, though, and his next two works both relied
largely upon parodying Channel 101 itself. Exposure is about a
director determined to get into one of 101’s screenings. Harmon plays
this director while Black plays Harmon as a drunken buffoon who’s lost
his touch due to success.
More interesting, though, was the wildly popular ChooseYourOwn SelectAVision.TV.
In an attempt to rectify the imbalance of Channel 101’s reliance upon
screenings for choosing what will be shown, Harmon and JD Ryznar set up
online voting to determine which of its mini-shorts would continue on
to the next episode. It effectively parodied the entire selection
process. As soon as this became uninteresting, as usual, Harmon changed
things up and the show became about offering even greater interactivity
in movies, first with beach balls and then laser pointers that would be
used at the screen to effectively make the audience interact with their
shorts. The show only ended because its final episode didn’t make it to
its intended screening, therefore disqualifying it from voting.
Harmon’s most recent series, Water and Power, is closest to what he’s currently doing in Community, and also probably his best. It doesn’t have the sheer creative chutzpah of ChooseYourOwn or MESI, but
its characters are well-crafted, its plotlines are tight, and its jokes
are some of Harmon’s best. Working with co-star Ryan Ridley, Dan stars
as an employee of the utility company who focuses on water while Ridley
does likewise for power. It’s a hard-nosed detective show, with the two
acting more like investigators than office workers. Everything in the
show is completely typical, but also rather insane due to upping the
drama factor. Utility bills become life or death matters and
everything is constantly on the line, for one silly reason or another.
Due to, as usual, low production values, Water and Power doesn’t look a thing like Community.
But its pacing and storytelling are similar, even if they’re culled
into five-minute blocks. Harmon’s adherence to convention is in
place, as well as his love for taking those conventions all the way to
the breaking point, illustrating how ridiculous they are while
following them nonetheless. The sheer crudeness of Channel 101’s style
may turn some people off, but any fans of the show should do themselves
a favor and check out at least this series. Here’s hoping that as soon
as Community is between seasons, Harmon throws another insane idea into
the Channel 101 festival.
Extra Credit: Not only does Harman frequently play bit roles
in other creator’s 101 shorts, he’s also thrown a few other odd short
films onto the site. Of particular note to Communityfriend of Harman’s as well, Abed Gheith. Joel McHale, Chevy Chase and
John Oliver also put in appearances in episode nine of Water and Power.