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Paste Magazine: Your Guide to the Best Music, Movies & TV Shows
Signs of Life in Music, Film & Culture
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Music Features
Paste Studio at WinterWonderGrass (Lake Tahoe)
By Josh Jackson
March 31, 2022 | 9:48am
Notes on the Nick Cave & Warren Ellis North American Tour
By Brianna Zigler
March 30, 2022 | 9:42am
The Paste 20th Anniversary Party presented by Ilegal Mezcal in Photos and Video
By Josh Jackson
March 24, 2022 | 9:00am
Stream the Paste Studio at Treefort presented by ConvertKit
By Josh Jackson
March 23, 2022 | 2:40pm
Photos: Glassjaw and Incendiary at Union Transfer
By Jade Gomez
March 23, 2022 | 1:05pm
Mattiel on
Georgia Gothic
and Willful Isolation
By Tom Lanham
March 22, 2022 | 3:30pm
"Tough Times Make Good Songs": Del McCoury on
Almost Proud
By Geoffrey Himes
March 15, 2022 | 11:18am
M3F Festival 2022: Blu DeTiger, Cautious Clay, Parcels and More
By Jade Gomez
March 10, 2022 | 2:15pm
Win a Copy of the Paste 20th Anniversary Vinyl!
By Josh Jackson
March 10, 2022 | 10:45am
Paste Studio at The New Colossus Festival
By Brad Wagner
March 8, 2022 | 2:13pm
The Joy of Scott Hardware’s Experimental Adult Contemporary
By Lizzie Manno
March 7, 2022 | 11:31am
Paste Celebrates 20 Years with a Free Four-Day Party in Austin
By Josh Jackson
March 3, 2022 | 9:30am
The Ventures, and a Time When Instrumentals Were Hits
By Geoffrey Himes
March 2, 2022 | 2:39pm
Superchunk Discuss the
Wild Loneliness
of Making a Record during a Pandemic
By Garrett Martin
February 28, 2022 | 3:13pm
Record Time: New & Notable Vinyl Releases (February 2022)
By Robert Ham
February 28, 2022 | 10:00am
Paste Studio at WinterWonderGrass
By Josh Jackson
February 25, 2022 | 11:12am
King Hannah: The Best of What's Next
By Scott Russell
February 25, 2022 | 9:00am
35 Years On,
The Cure in Orange
Is Still a Beacon of the Band's Radical Vulnerability
By Elise Soutar
February 23, 2022 | 2:32pm
Remembering Mark Lanegan, the Fierce Voice of Screaming Trees
By Robert Ham
February 23, 2022 | 1:37pm
"We Can't Run Away Anymore": Hurray for the Riff Raff Embraces
Life on Earth
By Tom Lanham
February 18, 2022 | 3:29pm
Nikki Giovanni, and What Poets and Lyricists Can Learn from Each Other
By Geoffrey Himes
February 15, 2022 | 12:32pm
Is This It?: What Should We Do About Rock and Roll?
By Erica Campbell
February 14, 2022 | 11:25am
Drumming in Spoon Still Feels Alright to Jim Eno
By Reed Strength
February 9, 2022 | 1:15pm
Paste Studio at Gem & Jam
By Paste Staff
February 5, 2022 | 9:11pm
Bastille Offer an Alternative Reality With
Give Me The Future
By Tom Lanham
February 4, 2022 | 2:45pm
What Lies Ahead for Black Country, New Road?
By Pat King
February 4, 2022 | 10:02am
The Green Sky Above, The Blue Grass Below
By Geoffrey Himes
February 1, 2022 | 11:47am
Record Time: New & Notable Vinyl Releases (January 2022)
By Robert Ham
January 31, 2022 | 9:05am
Yard Act: The Best of What's Next
By Pat King
January 18, 2022 | 12:00pm
Rico Nasty and Danny Brown Face Off in Red Bull's Chicago SoundClash
By Jade Gomez
January 10, 2022 | 9:27am
Is This It?: When Will Black Rock Artists Get to Just Be Rock Artists?
By Erica Campbell
January 7, 2022 | 8:27am
Paste Studio in New York: Jan. 4-6 & 11-12
By Josh Jackson
January 4, 2022 | 4:15pm
Record Time: New & Notable Vinyl Releases (December 2021)
By Robert Ham
December 31, 2021 | 12:38pm
Paste Studio Premiere: Gaby Moreno & Friends at Casa de la Ruina
By Josh Jackson
December 29, 2021 | 10:05am
Arguing About Old Music
By Geoffrey Himes
December 23, 2021 | 10:10am
Lindsey Buckingham on Going His Own Way
By Geoffrey Himes
December 22, 2021 | 11:10am
On
A Very Lonely Solstice
, Fleet Foxes’ Robin Pecknold Turns His Song Catalog into a Pandemic Document
By Matt Mitchell
December 21, 2021 | 3:17pm
Paste Studio in Antigua, Guatemala, Presented by Ilegal Mezcal
By Josh Jackson
December 15, 2021 | 2:10pm
"For Me? It’s Been Christmas All Year Already": Norah Jones on Her First Holiday Album
By Tom Lanham
December 15, 2021 | 9:18am
There Was Much More to Michael Nesmith Than The Monkees
By Geoffrey Himes
December 14, 2021 | 2:42pm
Is This It?: In Defense of Sad Girl Autumn
By Erica Campbell
December 7, 2021 | 12:30pm
Paste Studio on the Road: New York City (12/5-12/7)
By Josh Jackson
December 6, 2021 | 10:50am
The Three 6 Mafia and Bone Thugs-N-Harmony Verzuz as Scored by an Unbiased Music Editor
By Jade Gomez
December 3, 2021 | 4:45pm
Sitting in a Room with Alvin Lucier, a Visionary Composer and a Passionate Teacher
By Zach Schonfeld
December 3, 2021 | 11:17am
The Beatles: Get Back
and the Arrogant, Tragic Genius of Paul McCartney’s Leadership
By Matt Mitchell
December 3, 2021 | 10:16am
“I’ll Be Making Art as They Close the Coffin Lid”: Graham Nash on Life Behind the Lens
By Brad Wagner
December 2, 2021 | 10:58am
Hana Vu: The Best of What's Next
By Jade Gomez
December 1, 2021 | 1:28pm
Dion on
Stomping Ground
and Staying Curious
By Tom Lanham
December 1, 2021 | 8:27am
Hayes Carll: Back to the Country
By Geoffrey Himes
November 30, 2021 | 11:27am
Stephen Sondheim: An Unlikely Songwriter for Our Times
By Geoffrey Himes
November 29, 2021 | 3:24pm
Exclusive Photos: Bruiser Thanksgiving 2021
By Jade Gomez
November 29, 2021 | 3:00pm
Record Time: New & Notable Vinyl Releases (November 2021)
By Robert Ham
November 25, 2021 | 10:06pm
As
The Last Waltz
Lives On, Its Rendition of “Helpless” Remains Eternal
By Matt Mitchell
November 25, 2021 | 8:00am
Elbow's Guy Garvey Goes Home Again
By Tom Lanham
November 22, 2021 | 4:15pm
The Jimmie Vaughan Story
and an Abridged History of the Gulf Coast Groove Blues
By Geoffrey Himes
November 18, 2021 | 12:19pm
All Are Welcome at Tim's Twitter Listening Party
By Tom Lanham
November 16, 2021 | 2:48pm
Good Morning Look Back on
Barnyard
and 10 (Or So) Years Together
By Ana Cubas
November 15, 2021 | 12:30pm
"We've Found the Formula": My Morning Jacket on the Breakup That Wasn't
By Eric R. Danton
November 15, 2021 | 10:31am
Paste Studio at the Brooklyn Folk Festival: Nov. 12-13
By Josh Jackson
November 12, 2021 | 11:57am
Rolling Loud 2021: A$AP Ferg, Joey Bada$$, Duke Deuce and More
By Jade Gomez
November 11, 2021 | 3:15pm
Nick Corbo Battles the Darkness on His Own as Spirit Was
By Pat King
November 10, 2021 | 2:24pm
Aimee Mann Isn't Afraid of the Dark
By Tom Lanham
November 8, 2021 | 11:29am
Outside Lands 2021 Was Defined by a Collective Feeling of Gratitude
By Adrian Spinelli
November 4, 2021 | 2:31pm
Maxo Kream on Carrying the
Weight of the World
By Jade Gomez
November 3, 2021 | 10:54am
Paste Studio at Sweetwater Brewing in Atlanta: Nov. 3-5
By Josh Jackson
November 2, 2021 | 5:00pm
Asleep at the Wheel: The Origin Story
By Geoffrey Himes
November 1, 2021 | 3:31pm
Geese: The Best of What's Next
By Scott Russell
October 29, 2021 | 4:26pm
The The's Matt Johnson on
The Comeback Special
and Finding a Way Forward
By Tom Lanham
October 29, 2021 | 3:26pm
Record Time: New & Notable Vinyl Releases (October 2021)
By Robert Ham
October 29, 2021 | 10:47am
Visiting Three Southern Music Festivals During the Delta Variant Surge
By Geoffrey Himes
October 19, 2021 | 3:45pm
Sam Fender on
Seventeen Going Under
and Making Sense of It All
By Tom Lanham
October 15, 2021 | 8:46am
Paddy Moloney (1938-2021): The Chieftains Founder Changed Irish Music Forever
By Geoffrey Himes
October 13, 2021 | 12:44pm
Vic Mensa Looks Back on 8 Years of
INNANETAPE
By Jade Gomez
October 12, 2021 | 2:15pm
Riot Fest 2021: Vic Mensa, Les Savy Fav, Taking Back Sunday and more
By Jade Gomez
October 7, 2021 | 4:05pm
Strand of Oaks on "Putting the Antennae up" and Receiving His New Record
By Tom Lanham
October 7, 2021 | 12:46pm
The Insidiousness of "Afro-Americana"
By Jake Blount
October 6, 2021 | 11:31am
Amyl and The Sniffers Aren't Afraid of Mistakes
By Jade Gomez
October 5, 2021 | 12:48pm
Pitchfork Music Festival 2021: The Weather Station, Waxahatchee, Andy Shauf and More
By Jade Gomez
October 1, 2021 | 6:05pm
Paste Studio on the Road: Austin (10/2-10/10)
By Josh Jackson
October 1, 2021 | 4:03pm
Militarie Gun: The Best of What's Next
By Jade Gomez
September 30, 2021 | 3:14pm
Record Time: New & Notable Vinyl Releases (September 2021)
By Robert Ham
September 30, 2021 | 10:10am
The Connells Are Still "Chasing the Dream" with
Steadman’s Wake
By Tom Lanham
September 28, 2021 | 2:01pm
"In Self-Expression, There's Nowhere to Hide": Sleigh Bells on
Texis
and Staring Down the Dark
By Tom Lanham
September 27, 2021 | 6:06pm
Songcraft and Sunshine: Enjoying Florida's Island Hopper Songwriter Fest
By Josh Jackson
September 21, 2021 | 1:21pm
Afro-Americana: The Good, the Bad and the Transcendent
By Geoffrey Himes
September 21, 2021 | 10:19am
On
Local Valley
, José González Shares His Multilingual Mind
By Eric R. Danton
September 17, 2021 | 11:00am
Paste Studio on the Road: Nashville (9/19-9/26)
By Josh Jackson
September 17, 2021 | 8:20am
Exclusive: Marian Hill Shares the Deliciously Warped Video for "it never ends"
By Jade Gomez
September 15, 2021 | 1:37pm
The Vaccines Are Right Where They Belong on
Back in Love City
By Tom Lanham
September 14, 2021 | 1:46pm
The 2021 Moon River Music Festival in Photos
By Josh Jackson
September 14, 2021 | 9:23am
Paste Studio on the Road at the Moon River Festival: 9/11-9/12
By Josh Jackson
September 10, 2021 | 10:30am
Sarah Cracknell on Saint Etienne's Resurgence and
I’ve Been Trying to Tell You
By Tom Lanham
September 10, 2021 | 9:29am
Paste Studio on the Road at Napa Valley: Sept. 3-5
By Josh Jackson
September 3, 2021 | 2:00pm
Imagine Dragons' Dan Reynolds on
Mercury - Act 1
and Embracing Vulnerability
By Tom Lanham
September 3, 2021 | 12:15pm
Laura Jane Grace on
Black Me Out
and "The Last Interview"
By Jade Gomez
September 2, 2021 | 12:35pm
Julien Baker Returns to Center Stage
By Geoffrey Himes
September 1, 2021 | 12:45pm
Record Time: New & Notable Vinyl Releases (August 2021)
By Robert Ham
August 31, 2021 | 10:45am
Martha Wainwright Finds "the Strength to Survive" on
Love Will Be Reborn
By Tom Lanham
August 27, 2021 | 3:14pm
Lecx Stacy Interrogates the Meaning of Home on
Bundok
By Jade Gomez
August 27, 2021 | 12:15pm
Paste Studio at The Green River Festival: Aug 27-29
By Josh Jackson
August 27, 2021 | 10:08am
Hand Habits' Meg Duffy Steps Out of the Background and Into Focus on
Fun House
By Matt Mitchell
August 26, 2021 | 9:00am
The Curmudgeon: There's No Rolling Stones Without Charlie Watts
By Geoffrey Himes
August 25, 2021 | 3:48pm
For Beth B and Lydia Lunch,
The War is Never Over
By Tom Lanham
August 24, 2021 | 12:01pm
Remembering Tom T. Hall: That's How He Got to Nashville
By Geoffrey Himes
August 23, 2021 | 9:15am
Reigning Country Queen Connie Smith Looks Back on a 50-Year Career
By Tom Lanham
August 20, 2021 | 2:32pm
The Joy Formidable on Welcoming Uncertainty and Moving
Into the Blue
By Tom Lanham
August 20, 2021 | 12:02pm
The Curmudgeon: James McMurtry and The Family Business
By Geoffrey Himes
August 18, 2021 | 2:47pm
The Curmudgeon: Nanci Griffith, or Emily Dickinson at the Rodeo
By Geoffrey Himes
August 17, 2021 | 11:43am
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