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Paste Magazine: Your Guide to the Best Music, Movies & TV Shows
Signs of Life in Music, Film & Culture
Latest
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Daytrotter
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Music Features
Wild Pink’s John Ross Reconnects with the Weight of Love on
ILYSM
By Pat King
October 12, 2022 | 10:30am
Editors on
EBM
and Coming Back from the Brink Transformed
By Tom Lanham
October 11, 2022 | 4:25pm
The Holistic Poetry of Field Medic
By Matt Mitchell
October 11, 2022 | 11:25am
The Complicated History of Paramore’s “Misery Business”
By Aliya Chaudhry
October 10, 2022 | 2:00pm
Panchiko and the Power of the Internet: From Message Boards to an International Tour, Two Decades Later
By Samantha Sullivan
October 9, 2022 | 10:55am
Bonny Light Horseman: Old Songs Made New, New Songs Made Old
By Geoffrey Himes
October 7, 2022 | 12:00pm
THUS LOVE Build a
Memorial
to Human Connection on Their Debut
By Elise Soutar
October 7, 2022 | 10:05am
Goofing on Elvis Without Losing Touch: How R.E.M.’s
Automatic for the People
Finds Pride in Sadness
By Matt Mitchell
October 5, 2022 | 1:30pm
On
Lonerism
, Tame Impala Arrived with the Vibes
By Grant Sharples
October 5, 2022 | 10:00am
Loretta Lynn: More Than Just a Coal Miner's Daughter
By Geoffrey Himes
October 4, 2022 | 4:45pm
The London Suede's Brett Anderson on
Autofiction
and "Loving Making Music" 30 Years On
By Tom Lanham
October 3, 2022 | 3:46pm
The Execution of All Things
Turns 20: Revisiting Rilo Kiley's Nuanced Road Map for Indie Rock's Vulnerable Future
By Natalie Marlin
September 30, 2022 | 11:15am
High Vis: The Best of What's Next
By Scott Russell
September 30, 2022 | 10:15am
Record Time: New & Notable Vinyl Releases (September 2022)
By Robert Ham
September 30, 2022 | 9:54am
At Americanafest and Bristol Rhythm & Roots Reunion, a Cross-Section of Americana
By Geoffrey Himes
September 28, 2022 | 3:35pm
"This Is What Freedom Feels Like": Marcus Mumford on
(self-titled)
and Seeing Songwriting Anew
By Tom Lanham
September 27, 2022 | 11:45am
"I've Always Got Demons": Ozzy Osbourne on
Patient Number 9
By Tom Lanham
September 19, 2022 | 11:30am
Walking the
Asphalt Meadows
with Ben Gibbard
By Tom Lanham
September 15, 2022 | 10:30am
FME Brings Ambitious Rock Music to the French-Canadian Wilderness
By Ted Davis
September 8, 2022 | 11:30am
Susan Tedeschi, Derek Trucks and The Myth of Layla
By Geoffrey Himes
September 6, 2022 | 1:35pm
10 Years Later, The xx’s
Coexist
Stands on Its Own
By Grant Sharples
September 5, 2022 | 10:00am
Record Time: New & Notable Vinyl Releases (August 2022)
By Robert Ham
August 31, 2022 | 2:29pm
Foals Frontman Yannis Philippakis on
Life Is Yours
and "Art That Endures"
By Tom Lanham
August 31, 2022 | 9:30am
Rachika Nayar: The Best of What's Next
By Paste Staff
August 26, 2022 | 9:00am
John Darnielle on the Action Movies That Inspired the Mountain Goats' Hard-Boiled
Bleed Out
By Pat King
August 18, 2022 | 12:05pm
The Last Survivors of a Bygone Blues Age
By Geoffrey Himes
August 11, 2022 | 11:00am
Exclusive: Listen to OSEES' New Album,
A Foul Form
By Pat King
August 11, 2022 | 9:00am
Rolling Loud Miami 2022 Recap: Kevin Gates, Duke Deuce, Three 6 Mafia and More
By Jade Gomez
August 2, 2022 | 3:10pm
Florist Find Comfort in Connection
By Samantha Sullivan
August 2, 2022 | 11:30am
Jessica Hopper,
Women Who Rock
and Subverting the Ways We Tell Women’s Stories
By Paste Staff
July 31, 2022 | 1:30pm
Record Time: New & Notable Vinyl Releases (July 2022)
By Robert Ham
July 29, 2022 | 2:24pm
Chat Pile: The Best of What's Next
By Pat King
July 27, 2022 | 1:00pm
Paste Studio to Livestream at the Underground Music Showcase in Denver This Weekend
By Brad Wagner
July 27, 2022 | 11:00am
The Drive-By Truckers Confront Their "Wilder Days" on
Welcome 2 Club XIII
By Geoffrey Himes
July 26, 2022 | 11:45am
Taylor Goldsmith Talks Reimagining Dawes on
Misadventures of Doomscroller
By Tom Lanham
July 22, 2022 | 11:00am
Joe Pug on Revisiting
Nation of Heat
with an Older, Wiser Voice
By Paste Staff
July 20, 2022 | 12:00pm
Mamalarky Announce Sophomore Album
Pocket Fantasy
, Share Sunny New Single "Mythical Bonds"
By Samantha Sullivan
July 20, 2022 | 10:00am
Katy J Pearson Defines Success for Herself on
Sound of the Morning
By Tom Lanham
July 19, 2022 | 2:00pm
At Montreal Jazz Festival, a New Generation of Jazz Masters Takes the Stage
By Geoffrey Himes
July 19, 2022 | 11:45am
"We Just Have to Keep Invading Those Spaces": Big Freedia on Independent Venues, Empowerment and Pride
By Jade Gomez
July 15, 2022 | 7:30pm
black midi Rage on as
Hellfire
Rises
By Matt Mitchell
July 15, 2022 | 11:30am
The Kids Aren't Alright: Inside Gen Z's Chaotic Introduction to Live Music
By Leila Jordan
July 14, 2022 | 11:00am
How Illumination Keep the Motion Picture Soundtrack Tradition Fresh
By Paste Staff
July 13, 2022 | 11:00am
Insomniatic
at 15: Aly & AJ’s Pop-Rock Triumph Still Feels Fresh
By Anna Govert
July 11, 2022 | 2:30pm
Metric's Emily Haines on Finding Hope in
Formentera
By Tom Lanham
July 11, 2022 | 1:15pm
Momma Prove to Be the Rock Stars This Generation Needs on
Household Name
By Samantha Sullivan
July 1, 2022 | 2:30pm
10 Essential Screwed Up Click Albums
By Jade Gomez
June 30, 2022 | 3:30pm
The Poetry of John Darnielle's Blue Guitar
By Aaron Belz
June 30, 2022 | 11:00am
10 Classic Recording Sessions and the Studios that Shaped Them
By Steve Labate
June 30, 2022 | 10:30am
Nick Drake: Out from the Shadows
By Andy Whitman
June 30, 2022 | 10:00am
20 Years of Paste Magazine: Issues #8-13 (2004)
By Josh Jackson
June 30, 2022 | 9:30am
"
Arkhon
Was My Way of Healing on a Psychic Level": Zola Jesus, Transformed
By Tom Lanham
June 29, 2022 | 2:10pm
Everything I Need to Know I Learned from Steely Dan
By Aaron Belz
June 29, 2022 | 10:00am
20 Years of Paste Magazine: Issues #3-7 (2003)
By Josh Jackson
June 29, 2022 | 9:30am
20 Years of Paste Magazine: Issue #2
By Josh Jackson
June 28, 2022 | 9:30am
Miranda Lambert: Always Wandering, Never Lost
By Geoffrey Himes
June 28, 2022 | 9:15am
Uncurling: Vigilantes of Love's Bill Mallonee Goes Solo
By Andy Whitman
June 27, 2022 | 1:00pm
Chuck Prophet on
No Other Love
By Josh Jackson
June 27, 2022 | 12:30pm
Patty Griffin on
1000 Kisses
By Tim Regan-Porter
June 27, 2022 | 12:00pm
Darkness & Redemption: Damien Jurado and David Bazan
By Josh Jackson
June 27, 2022 | 11:30am
Q&A with Speech
By Nick Purdy
June 27, 2022 | 11:00am
Paste Magazine Issue #1 - All the Signs Are There
By Josh Jackson
June 27, 2022 | 10:30am
Desert Music: Victoria Williams & Mark Olson at Home in the Arid Wilderness
By Josh Jackson
June 27, 2022 | 10:00am
20 Years of Paste Magazine: Remembering Issue #1
By Josh Jackson
June 27, 2022 | 9:30am
Something in the Water 2022 Recap: Chloe x Halle, Pusha T, Saba and More
By Jade Gomez
June 24, 2022 | 10:30am
Trombone Shorty and The New, New Orleans Funk
By Geoffrey Himes
June 23, 2022 | 1:30pm
The Idler Wheel
Turns 10: Fiona Apple’s Song of Herself, a Decade On
By Elise Soutar
June 20, 2022 | 11:45am
Governors Ball 2022 Recap: Clairo, Denzel Curry, Soccer Mommy and More
By Jade Gomez
June 17, 2022 | 3:00pm
Wherever Pete Yorn Goes, There He Is in
Hawaii
By Tom Lanham
June 17, 2022 | 2:45pm
Record Time: New & Notable Vinyl Releases - RSD Drops 2022 Edition
By Robert Ham
June 17, 2022 | 10:00am
Perfume Genius on
Ugly Season
, "Unfolding" and Finding Harmony in the Body
By Natalie Marlin
June 15, 2022 | 12:00pm
Enumclaw: The Best of What's Next
By Jade Gomez
June 15, 2022 | 10:00am
Bartees Strange on
Farm to Table
and the Joy of Community
By Matt Mitchell
June 13, 2022 | 12:30pm
Vince Staples' Song Remains the Same in
Limbo Beach
By Jade Gomez
June 9, 2022 | 1:55pm
Exclusive Photos: Syd at Brooklyn Steel
By Jade Gomez
June 7, 2022 | 3:50pm
Solid Sound Festival 2022 Recap: Neko Case, Japanese Breakfast, Wilco and More
By Pat King
June 6, 2022 | 3:45pm
Mary Gauthier on the Pieces That Make up
Dark Enough to See the Stars
By Tom Lanham
June 6, 2022 | 2:45pm
A Beginner’s Guide to Kate Bush for
Stranger Things
Fans
By Elise Soutar
June 1, 2022 | 3:32pm
The Quiet, Raging Magic of Kathryn Joseph’s
for you who are the wronged
By Elise Soutar
June 1, 2022 | 10:55am
Exclusive Photos: TURNSTILE at Brooklyn Steel
By Jade Gomez
May 31, 2022 | 3:55pm
Record Time: New & Notable Vinyl Releases (May 2022)
By Robert Ham
May 31, 2022 | 10:00am
The 8Ball & MJG and UGK Verzuz as Scored by an Unbiased Music Editor
By Jade Gomez
May 28, 2022 | 11:00am
"I Was Just the Kid That Showed Up": Steve Earle on
Jerry Jeff
and Learning from Its Namesake
By Tom Lanham
May 27, 2022 | 6:14pm
Paste Studio at DelFest, May 26-29
By Paste Staff
May 26, 2022 | 10:14am
Karen Dalton and The Overlooked Heroines of '60s Folk
By Geoffrey Himes
May 25, 2022 | 2:08pm
Exclusive Photos: Knotfest Roadshow at Barclays Center
By Jade Gomez
May 24, 2022 | 3:45pm
Randy Newman’s
Sail Away
Remains a Timeless Indictment of Humanity’s Ugliness on Its 50th Anniversary
By Pat King
May 23, 2022 | 12:35pm
Roland Orzabal on Tears for Fears'
Tipping Point
By Tom Lanham
May 20, 2022 | 4:46pm
Say Hello to Cola, Wave Goodbye to Ought
By Pat King
May 19, 2022 | 11:14am
Craig Finn and The Spoken Story
By Geoffrey Himes
May 17, 2022 | 1:29pm
Finding Healing at Rina Sawayama's Mother's Day Show
By Jade Gomez
May 16, 2022 | 1:45pm
Exclusive Photos: Baby Tate at Hammerstein Ballroom
By Jade Gomez
May 9, 2022 | 1:37pm
Sadurn: The Best of What's Next
By Scott Russell
May 9, 2022 | 12:15pm
Music Festivals Are Growing Up and Bear Shadow Is Showing the Way
By Nick Purdy
May 5, 2022 | 3:03pm
The Smoker's Club Festival 2022 Recap: Larry June, Danny Brown, Rico Nasty and More
By Jade Gomez
May 5, 2022 | 1:15pm
Watch Puddles Pity Party Cover Ozzy Osbourne's "Crazy Train"
By Paste Staff
May 2, 2022 | 11:37am
Good Looks: The Best of What's Next
By Scott Russell
April 29, 2022 | 9:04am
Wilco’s John Stirratt on 20 Years of
Yankee Hotel Foxtrot
and the Return of Solid Sound Festival
By Pat King
April 28, 2022 | 12:15pm
Tomberlin Takes a Leap of Faith on
i don’t know who needs to hear this
By Gabriel Aikins
April 27, 2022 | 11:30am
Record Time: New & Notable Vinyl Releases - Record Store Day 2022 Edition
By Robert Ham
April 22, 2022 | 8:00am
Watch and Listen to Lizzo at Daytrotter Through the Years
By Paste Staff
April 19, 2022 | 11:31am
The Delines on Finding Rock ‘n’ Roll Fiction in Working-Class America
By Geoffrey Himes
April 19, 2022 | 10:04am
Big Ears Festival Uplifts Musicians Pushing Past the Ordinary
By Geoffrey Himes
April 7, 2022 | 3:15pm
Scott Kannberg Revisits Pavement’s Final Album for Massive
Terror Twilight: Farewell Horizontal
Reissue
By Pat King
April 7, 2022 | 10:30am
Peter Doherty on Finding Salvation with Frédéric Lo in
The Fantasy Life of Poetry and Crime
By Tom Lanham
April 5, 2022 | 11:46am
2022 Grammys: Who Will and Should Win
By Scott Russell
April 2, 2022 | 8:15pm
Fana Hues: The Best of What's Next
By Jade Gomez
March 31, 2022 | 1:12pm
Record Time: New & Notable Vinyl Releases (March 2022)
By Robert Ham
March 31, 2022 | 10:32am
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