The Best Concerts of the Year: The Weeknd at Soldier Field
Photos by Bina Zafar
There was no artist who better executed onstage theatrics in 2022 than The Weeknd. His After Hours Til Dawn tour was highly anticipated for two reasons. First, it enveloped his most recent eras that were-like everything else-delayed because of Covid for the last several years. Second, it was my fourth attempt to see him live since catching the Worcester stop on his 2015 Beauty Behind The Madness tour.
It was that particular album that made me feel connected to his music on a visceral level. “The Hills,” which I played ad nauseam much to the chagrin of my friends, captivated me from the very first second I heard it. I had the pleasure of placing it as the best song in his discography on a “list”: I wrote for Entertainment Weekly:
“Tesfaye’s trauma has always been challenging to navigate, but in ‘The Hills,’ it reaches horror-movie levels. His depravity and disillusion don’t stem just from the lyrics on the track, which fully disclose his coldness. It’s his throaty and deeply pensive delivery of verse after verse. Its ominous and dreary nature implies that ‘The Hills’ isn’t just a place—it’s a feeling of hollowness that he may never be able to fill.”
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