Box Brown Lights Up a Discussion on Cannabis: The Illegalization of Weed in America
Art by Box Brown
This is the second time I’ve had a conversation with cartoonist Box Brown, and if you want to learn more about how and why he got into comics, you can go read the results of the first one. His new book from publisher First Second, Cannabis: The Illegalization of Weed in America, could easily be pigeonholed as media for stoners, but it’s a lot more interesting and well-informed than that. If you’ve thought about legalization but never considered the complexities of why cannabis use is against the law in the first place, this is the read for you. Brown lays out the race-based fear that fueled the effort not only to make cannabis illegal in the United States, but around the world, with plenty of interesting anecdotes along the way. He answered questions over email about the current state of reversing that illegalization, what made him interested in the topic and how junk science affects the conversation.
Cannabis: The Illegalization of Weed in America Cover Art by Box Brown
Paste: Why focus on cannabis for this book?
Box Brown: I’ve had a pretty long personal history with cannabis, was arrested as a teenager. I found myself watching the Pennsylvania congress debate the law surrounding medical cannabis a few years back, and it was like watching a bunch of people that had never seen baseball before try to umpire a game. I think people are now viewing legalization very favorably and seeing dollar signs everywhere. There is even money in opposing cannabis legalization coming from lobbying groups. It’s quickly become a totally unwieldy cash grab. But almost no one understands the history behind cannabis. Legalization isn’t just an opportunity, it’s righting an 80-plus-year wrong. It’s a story that’s so absurd I couldn’t write it as fiction.
Paste: What’s different about creating a book focused on a more general topic as opposed to a biographical nonfiction project?
Brown: Since I build story from characters, I often place the inanimate object in the role of central character. When I was working on Tetris: The Games People Play, I often thought of the game itself as the main character. In Cannabis, I tried to portray cannabis as the main character, and it’s a sad story really. Of course, there is a hopeful ending, not to give too much away.
Paste: How do you decide what to draw when you’re laying out what might be seen as pretty dry facts?
Brown: It’s something that I think I just feel out. After many years of daily comic-making, a lot of it is pure muscle memory. But to me all of this stuff isn’t dry, and I hope my enthusiasm for these little details plays out for the reader. I got really interested in drawing dirt in this book. This is all the joys of making comics!
Paste: What country do you think has the best cannabis laws?
Brown: Well, Canada has national federal legalization with homegrow. I cannot overstate the importance of allowing homegrow. It is our only defense from what has become a corporate takeover of an industry. The East Coast of the United States is pretty much under the thumb of a few massive cannabis corporations that have formed on the West Coast. The politicians are ushering in these monopolies and letting them write the laws basically. They always eschew homegrow right away. Cannabis is an easy-to-grow, plentiful natural resource. If they take away homegrow, they make it scarce. Then only these few out-of-state companies control every bit of cannabis in the market. Once the U.S. passes a federal legalization law, these few companies will move to the cheapest place to grow and distribute.
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