Catching Up With… Damien Jurado
A Pacific Northwest indie staple, Damien Jurado has amassed a huge following regionally but has yet to receive widespread recognition. Although his career began in Christian hardcore, he’s since put out albums under his own label, then with Sub Pop, and most recently with Indiana-based Secretly Canadian. His dabblings in folk, found sound, rock and pop recently led him home to his signature ballad style, which features prominently in the new album. He’s known as a storyteller, but has rarely delved into the lyrical realm of confessionalism. Until now.
Jurado hopes his new album, Caught in the Trees, will be the one “to gain a whole bigger audience, as I’ve been feeling so stagnant in the last few years being where I’m at,” he told Paste from his home in Seattle, where he was enjoying a few days’ rest before the American leg of his tour. “I hope that with every record.”
Paste: I understand you were recording Caught in the Trees for about a year, the longest you’ve spent working on any album. What was different about this creative process?
Jurado: It was more of a collaborative effort than any other record I’ve ever done. So when you have more people involved, it takes longer. Plus I just wanted to take my time. I didn’t want to rush anything.
Paste: Brian Howe, whose review of Caught in the Trees appears in the November issue of Paste, writes “With his pair of friends and regular bandmates [Eric Fisher an Jenna Conrad] by his side, Jurado sounds less alone than ever before.” How has the evolution of the band worked to create this fuller sound?
Jurado: It was really important to have them with me because a lot of the subject matter I was thinking about, because it comes from a real personal standpoint this time around, which I’d never done before. And they were around for most of that happening so having them contribute the way that they did was really important. And also, like, collaborating more, I think, on songs with Jenna–I had never really done much collaborating before with songwriting, so there were even points when I thought to myself, “I’d just rather have her sing, like, half the record.” You know?