The Week in Music: Paste’s Favorite Songs, Albums, Performances and More
Let's review: Old Crow Medicine Show, Lucy Dacus, Lake Street Dive, Half Waif...
Photo: Danny Clinch
It was an exciting week here in the New York offices of Paste Music. We interviewed one of our favorite young songwriters, Lucy Dacus, dove into Record Store Day, and hosted a handful of amazing artists in our studio including Lake Street Dive, Nels Cline, Julian Lage and Half Waif. We also loved new tracks by Courtney Barnett and Laura Jane Grace, and raved about the new albums by Old Crow Medicine Show (pictured above) and Rival Consoles. Catch up with what we’ve been writing about and listening to for the past seven days.
BEST ALBUMS
Joshua Hedley: Mr. Jukebox
With his voice as centerpiece, Joshua Hedley spends all of Mr. Jukebox exploring the basic forms of his chosen field. Most of these songs are about love, or more precisely, the end of love. “Counting All My Tears” is a classic heartbreak ballad built on a subdued piano part and embellished with choral vocals. Harmonica and tic-tac bass color “These Walls,” a paean to a stumble-home bar by “a man who can’t move on” from a woman. In “This Time” and “Don’t Waste Your Tears,” on the other hand, it’s the man who’s ending the relationship. But that’s where the similarity ends: the former is a twangy traditional country song, while the latter is one of the album’s highlights, thanks to its heavy dose of steel guitar and high string-section drama. —Ben Salmon
Old Crow Medicine Show: Volunteer
While some outfits might opt to broaden their base and alter their approach, Old Crow Medicine Show took the opposite option, choosing instead to go back to basics. Consequently, Volunteer is an album that projects its rustic references, all etched with nostalgia and songs that offer reasons for return to the pleasures of front porch existence. “Child of the Mississippi,” “Dixie Avenue” and “A World Away” celebrate the joys of home and the hearth, and the sheer celebration that comes with knowing there’s a place where one belongs.—Robert Ham
Rival Consoles: Persona
The evolution of Rival Consoles, the solo electronic project of producer Ryan West, has been a steep one. After a pair of albums that played around with acid house elements, he began shifting gears into more expansive and lusher compositions. The dancefloor throb and wobble was still there, but laid into a cottony bed of enveloping synth drones and melodies that felt suspended in midair. For his latest album Persona, West nuzzles deeper into these soft, billowy ideas while slowly, happily pulling on a stray thread in his work that is helping to unwind his aesthetic. His interest in ambient is starting to come in to focus with stray echoes of his arpeggiated past still swimming into view on tracks like the gorgeous “Untravel” and the fluttering ungrounded pulse of “Be Kind.” —Robert Ham
BEST SONGS
Laura Jane Grace: ‘Park Life Forever’
Against Me! frontwoman, author and activist Laura Jane Grace shared on Thursday a lighthearted new song called “Park Life Forever.” Recorded alongside the musician’s eight-year-old daughter Evelyn, “Park Life Forever” is a loving new tune that captures the relationship between this dynamic mother-daughter team. The slice-of-life song follows the duo as they explore the park on a summer day.—Abdiel Vallejo-Lopez
Courtney Barnett: City Looks Pretty’
“City Looks Pretty” takes Barnett’s new album, Tell Me How You Really Feel, in an entirely new direction than the past two singles have suggested. Barnett’s rhythmic guitar speeds through the first half of the song, leading into an exhilarating hook. This dynamic drive continues until the song’s false ending—afterwards, Barnett slows the tempo down, with her smooth vocals preceding a guitar solo that’s worthy of raising up a cigarette lighter. —Abdiel Vallejo-Lopez