Netflix’s The Diplomat isn’t the sort of political drama that cares too much about the inner workings of state bureaucracy or that gets overly idealistic about the people who populate the global halls of power. Instead, it treats politics as something deeply personal, an extension of the lives of those who serve, and a reflection of the choices (for both good and often very ill) they must make along the way. The show is full of intelligent banter and surprising twists — very few of which would likely ever actually happen in the real world — but what makes it stand out has always been the characters at its center and the messy relationships they share. Which is why it’s so frustrating that, in its third season, The Diplomat so frequently foregrounds plot concerns over emotional depth.
Season 3 picks up moments after the shocking events of the previous finale, which saw Ambassador Kate Wyler (Keri Russell) inform Vice President Grace Penn (Allison Janney) that she was aiming to replace her due to her involvement in a false flag attack on U.K. soil, a chat that took place just as President Rayburn (Michael McKean) dropped dead. Suddenly, Kate and her former diplomat husband Hal (Rufus Sewell) are two of the only people who know the treasonous truth about a woman who just so happens to have ascended to the most powerful position on Earth. Drama immediately ensues on a global scale, as the Wylers manuever to salvage their individual and collective relationships with Grace, protect themselves professionally, and figure out what the fallout from Rayburn’s death means for both their public lives and their marriage.
If that seems like a very vague description of events, well. It is. There are many aspects of the new episodes that critics are forbidden from discussing, including a twist that reshapes both the season and the series in such a way that’s almost impossible to talk around. (So I’m not even going to try.) But suffice it to say that, yes, The Diplomat remains as bonkers as ever in its third season when it comes to foreign affairs and steadily escalating geopolitical intrigue. Impossible weaponry is referenced. Multiple world leaders are petty AF! Ill-advised grudges are held! Incredibly dumb choices are made that may or may not threaten world peace! People are rude at dinner parties! But when it comes to character work, the season’s eight episodes (all of which were available for review) are a bit more uneven—and much more exasperating.
Part of the problem is that several huge choices—that happen to be key narrative and emotional drivers of much of the season!—unfold in ways that feel almost completely out of the blue. There’s little justification behind them beyond the fact that, for the season’s arc to unfold a certain way, people have to make specific decisions, regardless of whether they make sense for their personal arcs, relationships, or the basic facts where we left things at the end of Season 2. (A big shift in the Wylers’ marriage is particularly head-scratching given where we left them at the end of last season!) And much of the season’s twisty fun comes at the cost of the emotional depth of many of the series’ characters, who either aren’t given enough screentime for their choices to be fully explored, or whose reasoning for the choices they make is simply never mentioned.
This is doubly disappointing because The Diplomat has always been forthright that even the best relationships are complicated ones, and delighted in showing the ways that love and power are frequently tightly intertwined in the world of politics. On paper, the series pretends that it’s about Kate, a talented political mind and dedicated public servant, making the best of a posting to London she never asked for and didn’t want. And that is true, to a certain degree, but the real emotional and narrative engine behind The Diplomat is her marriage.
After all, we’ve seen a billion shows about geopolitical intrigue of one stripe or another on television in recent years, tackling everything from terrorists to spy rings and trade wars. The Wylers’ rocky but weirdly relatable relationship is what gives this series its heart, a constantly furious, sexy, cruel, and downright entertaining negotiation between whipsmart people with their own personal and professional goals and agendas. Their love is both dangerously toxic and strangely romantic, and The Diplomat certainly doesn’t shy away from showing us how awful they can be to one another. Yet, the series doesn’t work without them. Every scene Russell and Sewell share crackles with energy, and the show’s an order of magnitude stronger when they’re together onscreen.
The addition of Grace’s husband, Todd (Bradley Whitford), as the new First Gentleman to the mix is a welcome one, offering us an additional perspective on the new president that isn’t filtered through Kate or Hal’s feelings. The Todds’ relationship, fraught as it is in its own way, also serves as an intriguing mirror to the Wylers’ marriage, offering something that feels like a road map and a cautionary tale by turns. It certainly doesn’t hurt that former West Wing stars Janney and Whitford have a delightfully lived-in chemistry born of years of working together previously, and if anything, this season might have been better had the pair of them actually been in more episodes. (This is a problem Season 4 thankfully already appears to be trying to correct.)
Unfortunately, if you’re not particularly interested in the arcs of these four characters, you’re going to find The Diplomat’s third season hard going. After a second outing that gave both plenty of screentime with Kate and their characters significant arcs outside of their relationships with her, both Deputy Chief of Mission Stuart (Ato Essandoh) and CIA station chief Eidra (Ali Ahn) have painfully little to do this season, and David Gyasi’s Dennison is virtually a nonentity. Nana Mensah fares a bit better, given that Billie essentially has to take over as Grace’s chief of staff while still trying to process Rayburn’s death, and the addition of the purposefully handsome Aidan Turner is a fun treat for those of us (read: me) who love Rivals.
But this season shines brightest when it’s willing to directly confront Kate’s ambition. This season is simultaneously more forthright than ever that what its heroine really wants is power, or at the very least proximity to and influence on power, and less willing than it’s ever been to interrogate what that really means in terms of who she is. The Diplomat is a show about morally compromised people who work in a morally compromised system that requires them to frequently make impossible choices on the regular, but it refuses to look too closely at the fact that Kate’s no better than her husband is (or Grace or Todd or anyone else on its canvas) when it comes to the things she’s willing to do to get what she wants.
Here, she’s at her most interesting when she’s at her worst, running the gamut from professional jealousy and personal resentment to petty competitiveness and overt manipulation. Everyone else on this canvas gets the chance to embrace their worst selves in the purported name of their better angels; just because she’s the show’s titular character doesn’t mean Kate should be held to any higher standard. Season 3 ends with yet another twist that leaves both Wylers in a new and potentially difficult position. Here’s hoping the show balances the emotional and political fall of it a bit more deftly next time around.
The Diplomat Season 3 premieres October 16 on Netflix.
Lacy Baugher Milas writes about TV and Books at Paste Magazine, but loves nerding out about all sorts of pop culture. You can find her on Twitter and Bluesky at @LacyMB
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