With Romantasy on the Rise, Why Is Fantasy TV Suddenly So Sexless?

With Romantasy on the Rise, Why Is Fantasy TV Suddenly So Sexless?
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While the fantasy genre has long been popular with film audiences and readers around the world, the last decade has also seen the genre booming on television screens. With the debut of HBO’s Game of Thrones in 2011, fantasy TV reset its sights from power fantasies and adventures of the week and borrowed some lessons from prestige TV to target a more mature and adult audience. Thrones wanted to portray an earthier, more human fantasy world, one that didn’t shy away from graphic depictions of sex, which previous adult-aimed ventures like Lord of the Rings never did. The series’ reputation in how it engaged with sex wasn’t necessarily positive, though. Instead of showcasing sexuality in a meaningful way, the show used sex scenes for shock value, often to debase its female characters with sexual violence—scenes that, in many cases, were not present in George R.R. Martin’s novels which the series was based on. 

Except for between a few characters, sex in Game of Thrones was rarely a spontaneous act of genuine connection. Instead, it was used as a means for male characters to degrade women in this universe, or even for the show’s writers David Benioff and D. B. Weiss to demean them to the highest degree. Because of this, it seems as if the end of Thrones ushered in a completely sexless era of fantasy television. This seems to have come to a head with the release of the series’ prequel, House of the Dragon, in 2022. Before the show even premiered, then-writer and showrunner Miguel Sapochnik made it clear that the series would “pull back” in regard to the amount of sex it would showcase. 

That same year, this was contrasted with the premiere of AMC’s Interview with the Vampire, which transformed Anne Rice’s subtextual examination of human sexuality into actual text. In the opening episode of the series, Louis (Jacob Anderson) and Lestat (Sam Reid) float in the air while Lestat sucks at Louis’ neck, hips mashed into his companion’s buttocks. With this first episode, it felt like on-screen gay sex was being filmed and portrayed in a bolder way than it ever had been before. Despite this fantastic opening and a sexually-charged first season, the series’ second season in 2024 was nearly devoid of sex. While each interaction in the series is erotically charged, the second season lacked the sensuousness that made the first feel so fresh. 

With romantasy quickly becoming the most popular book genre of the decade, it seems strange that on-screen fantasy stories are becoming less willing to showcase sexual acts. The genre, which consists of novels set in fictional lands where romance is a central element to the plot (almost more so than thorough world building or magic systems), is undeniably the reason for sales of science fiction and fantasy books increasing by 41.3% between 2023 and 2024. These novels often engage with sexuality and sexual acts in a way that occasionally borders on erotica, coined by some Booktokers as “spice.”

Fantasy has never truly been an overtly sexual genre when it comes to literature. Just as Thrones transformed television, George R.R. Martin’s book series that inspired it was also ahead of its time. Unafraid to go into detail regarding sexual relations his characters had, Martin’s work is also incredibly romantic in language, emulating the writers who were gone long before he came into prominence, and breathing some life back into the genre. While fantasy is mostly known for its shields and swords, at its core is a genre that is meant to explore interpersonal relationships between characters, often those who are romantically attracted to each other. If anything, it feels like romantasy and its readers are simply catching up with the sexual fluidity that Martin had a hand in infusing the genre with once again. 

With romantasy on the rise, why then is fantasy television nearly devoid of sex? As stated in The Economist, sexual content in film has dropped 40 percent since 2000. While television hasn’t been examined as thoroughly, there is no doubt that a decline can be found in this medium as well. Although this spans across all genres, fantasy feels like one of the main victims here, especially when examining the drastic change from the sex-boom Game of Thrones ushered in in the 2010s, to the overall sexlessness of fantasy television in the 2020s. While it can be argued that the lone sex scenes featured in shows like Prime’s The Wheel of Time and House of the Dragon are perhaps more graphic than sex scenes were in previous decades, they’re lacking any real intimacy and devotion.

This burgeoning conservatism isn’t exclusive to fantasy television. Despite the rise of romantasy, the most successful novels in the genre more often than not focus on the same heterosexual and white protagonists that have dominated the fantasy sphere for decades. And the most popular series in particular, Rebecca Yarros’ Fourth Wing and Sarah J. Maas’ Crescent City, lack any thorough engagement with either relationship or sexual dynamics. There’s not much depth there. While fantasy literature may be getting “spicier” the genre and the audience it cultivates maintains a fundamentally conservative attitude towards sexuality. 

At least romantasy has a discernible attitude towards sexuality, though—unlike fantasy on TV. It’s undeniable that there is a disconnect between the growth of fantasy literature and the growth of fantasy television. While novels are becoming a place where readers are able to delight in the sexual relationships of its characters, fantasy viewers are left with a genre that has become a shell of one that once pushed boundaries. Television adaptations of popular fantasy novels lack any meaningful engagement with sex at all, and even the romantic relationships that were once seen as the pillars of these original works rarely make a full transition to the screen. Save for Interview with the Vampire, which remains a staggering gothic-romance despite its lack of sex in its second season, fantasy television has become stagnant. 

While the inclusion of sex in something like Game of Thrones isn’t what made the show the success that it was, it’s hard not to examine how the fantasy TV genre has regressed six years after that show’s end. We live in a world where studio executives and general audiences alike don’t understand the value of well-crafted sex scenes, and it’s now becoming a plight of one of television’s most important genres. Instead of shaping the TV landscape, fantasy television is now feeling more apt to play it safe than give viewers the complicated stories they deserve. Instead, the genre is regressing into a sheltered version of itself, succumbing to the growing puritanism that threatens to swallow this medium whole.


Kaiya Shunyata is a freelance pop culture writer and academic based in Toronto. They have written for Rogerebert.com, Xtra, The Daily Dot, and more. You can follow them on Twitter, where they gab about film, queer subtext, and television.

For all the latest TV news, reviews, lists and features, follow @Paste_TV.

 
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