Queer storytelling has gone through an incredible shift in the past decade. What started as the first inklings of representation through Will & Grace, and fleeting mentions in ‘80s classics like The Golden Girls, has now blossomed into queer stories infiltrating nearly every genre. However, a majority of those stories over the years have featured an abundance of queer pain, often through the use of rejection and homophobia as the core wounds inflicted on LGBTQ+ TV characters.
Only recently has TV stepped away from solely causing its queer characters pain, allowing representation to become more than just coming out stories and tales of the closet. With so much queer representation to choose from now, it’s easy to be overwhelmed by choice, but if you’re in the market for heartwarming queer stories, we’ve got you covered. Whether you’re looking for wholesome high school romance or juicy college flings, there’s something for everyone in the burgeoning feel-good category of LGBTQ+ representation.
Heartstopper
Unless you’ve been living under a rock, you’ll know that there’s no bigger viral hit right now than Heartstopper, Netflix’s queer rom-com that follows the love story of outcast Charlie Spring (Joe Locke) and rugby-star Nick Nelson (Kit Connor). The tagline for the series says it all: “Boy meets boy. Boys become friends. Boys fall in love.” And fall in love they do, in eight half-hour long episodes across a vast array of classic high school scenarios. Heartstopper has gotten across-the-board praise for its depiction of queer joy, especially through its diverse ensamble cast featuring lesbian characters Tara (Corianna Brown) and Darcy (Kizzy Edgell), and trans character Ellie (Yasmin Finney). It has resonated deeply with audiences, too, as its uniquely heartwarming story gives a whole new meaning to feel-good TV.
The series, based on the graphic novel of the same name by Alice Oseman, has taken the internet by storm, setting the record for most time at the top of Variety’s Trending TV chart with five consecutive weeks. The popularity of this Netflix Original feels only comparable to Squid Game’s all-consuming popularity from the fall of 2021, securing the streamer a binge-watch that’s actually withstood the test of time. Netflix has renewed the show for two more seasons already, assuring fans that there’s plenty more wholesome queer storytelling on the way.
The Owl House
The Owl House is Disney’s most unique and brilliant animated series since Gravity Falls; its heartwarming tale of found-family and acceptance makes it the perfect feel-good binge. The show comes from the mind of Dana Terrace and has become somewhat of a cult classic since its premiere in 2020. The show follows Luz (Sarah-Nicole Robles) after she stumbles upon a magical world, stumbling into the arms of the eccentric Owl Lady Eda (Wendie Malick), who promises to teach her how to use magic when she’s unable to return to her home. From the beginning, the series is a genuine delight, filled with incredible heart and just enough cheese to remind you it’s still kids’ programming.
Featuring Disney’s first animated same-sex kiss between leading characters, The Owl House is a trailblazer for LGBTQ+ representation in animation. Following in the footsteps of Netflix’s She-Ra, the storyline between Luz and her girlfriend Amity (Mae Whitman) is nothing short of adorable. The Owl House’s queer storytelling has always been central, since the beginning, but to see Luz and Amity get together before the series is even over (an unfortunate rarity) is incredibly important, truly paving the way for the next wave of animated LGBTQ+ representation. Despite the target audience being on the younger side, The Owl House’s storylines are surprisingly mature and enjoyable for all ages.
High School
What could possibly be more gay than a show about Canadian band Tegan and Sara, based on their lives growing up queer, co-created by Clea DuVall? Not much, and Amazon Freevee’s High School proves that in spades. Offering what can best be described as a grittier, lesbian-focused Heartstopper, High School is an intimate and grungy look at the quiet aspects of a queer youth. The series smartly staves off the actual songwriting until half-way through the season, which allows for the characters to become fully formed before they transform into something more resembling the Tegan and Sara we know and love. Starring TikTok stars and TV newcomers Railey and Seazynn Gilliland as Tegan and Sara, respectively, (and quasi-gay icon Cobie Smulders as the twins’ mother), High School’s heartfelt portrayal of teenage girlhood and the loneliness that accompanies queerness, along with its stellar directing, makes this series one to watch.
Love, Victor
Based in the world of the groundbreaking 2018 film Love, Simon, Love, Victor is just as charming and important. The series follows Victor Salazar (Michael Cimino) as he navigates coming to terms with his sexuaity in the midst of the rigors of high school. With a conservative family to consider and his own personal insecurities to reconcile, Love, Victor doesn’t skimp on the heart or the heartache. In spite of its heavier moments, the series remains a funny and joyful look into the lives of queer kids in high school today.
Similarly to Heartstopper, Love, Victor subjects its characters to the heartache of homophobia and the pressures surrounding coming out, but those elements never eclipse any characters’ journey, including Victor, Benji (George Sear), Rahim (Anthony Kayvan), or Lucy (Bebe Wood). There’s so much more life left to live after coming out, which is what’s often missing from media solely focused on telling that story, but Love, Victor is the perfect example of a series going all-in on what happens afterwards. The series delivers a hopeful message about life and love over the backdrop of high school cliches, making it a good, gay time.
Charmed
The CW’s Charmed reboot is, for lack of a better word, endlessly charming. Despite having to deal with major shifts both in front of and behind the camera in its short four-season life, Charmed always found the magic in the madness, delivering whimsical fun and sisterly shenanigans. Throughout its four seasons, Charmed delivered queer representation in spades, while allowing each of its various LGBTQ characters to live in a world free of homophobia. While the representation isn’t perfect, it’s a delight to watch Mel’s (Melonie Diaz) messy love life unfold during Season 1, to bare witness to the bisexual shenanigans Abigael (Poppy Drayton) gets up to during Seasons 2 and 3, and to watch the newest Charmed One, Kaela Danso (Lucy Barrett), provide even more bisexual representation during Season 4. And to top it all off, guest star Mareya Salazar provides great trans representation through the Charmed Ones’ cousin, Joséfina Reyes. Even though Charmed met its untimely end with The CW’s wave of cancellations, the series as a whole is still worth seeking out, especially if you’re in the mood for magic and mystery that feels akin to the original Charmed, just with a touch of modern flair.
DC’s Legends of Tomorrow
There might not be a show more queer than Legends of Tomorrow. In its cut-short seven-season run, the series saw multiple lesbian, bisexual, gay, and asexual characters arrive through the Waverider’s revolving doors. Originally assembled by Rip Hunter (Arthur Darvill), the Legends started as a group of heroes from The CW’s Arrowverse whose disappearance from the present would have no impact on the historical timeline; in other words, Rip Hunter gathered up all the nobodies he could find, put them on a time-ship, and turned that rag-tag group into bonafide time-traveling superheroes. The show’s first season is notoriously rocky, trying too hard to capture the same essence as its predecessors Arrow and The Flash, but in the show’s second season and beyond, Legends of Tomorrow embraces the weirdness.
In spite of its wackiness, or maybe because of it, the show found its home in the hearts of queer superhero fans across the globe, and then rewarded them by continually adding more and more LGBTQ+ characters until there were 5 queer series regulars at one single time, and they were just a fraction of the total representation seen on the show. Co-captains Sara Lance (Caity Lotz) and Ava Sharpe (Jes Macallan), affectionately known as Avalance, were even about to have a baby together before the show was unceremoniously canceled. Despite the cancelation, Legends of Tomorrow’s focus on telling joyful stories with their abundance of queer characters makes it a stand out in both the superhero genre and in queer representation.
Dickinson
You’ve never seen a biopic quite like Dickinson, Alena Smith’s weird and wonderful Apple TV+ series based on American poet Emily Dickinson (Hailee Steinfeld). The series follows the events of Emily’s youth as she explores her relationship with her voice, her work, and her sister-in-law Sue Gilbert (Ella Hunt). Dickinson is one of the few Emily Dickinson biopics to actually acknowledge the long-debated romantic relationship between the poet and Sue, analyzing her poetry and bringing the true meaning to the forefront. The show is also no slouch when it comes to historical accuracy, as wacky as it may be, with elements of the now-completed series even ending up in the Emily Dickinson Museum in Amherst, Massachusetts.
Dickinson embraces both its queer audience and queer lead, ensuring that the oft-treaded period-typical homophobia storyline is notably absent. In fact, the more reasonable barrier comes in the form of Austin Dickinson, who is married to Sue and is also Emily’s brother. In Season 3 in particular, the show becomes a celebration of Emily’s queerness as she embraces her love for Sue and morphs into the poet we’re all familiar with. Dickinson proves that queer joy can be found even in the darkest of ages, subscribing to the idea that, even though it’s based in the past, its queer leads never have to suffer for it.
