Racism, Corruption and The 5 Best Moments from UnREAL‘s Season Two Premiere
(Episode 2.01, "War")

In the first thirty seconds of last night’s Season Two UnREAL premiere, “War,” the pecking order for the new guard of Everlasting was immediately established. Rachel (Shiri Appleby) and Quinn (Constance Zimmer) brand their skin with a statement of purpose that reads: “Money. Dick. Power.” They’re on top of the world, fresh
off taking a victory lap with equally sleazy network heads, and scheming their next massive ratings takeover with the help of an all-star quarterback.
But it’s anything but a clean break after last season. Rachel has taken her rightful place as Everlasting’s showrunner, even as she crumbles under the pressure of last season’s multiple implosions with former suitor Adam (Freddie Stroma), ex Jeremy (Josh Kelly), and her own fragile sanity. The show is about to be ground zero in a power struggle between Quinn and her grubby ex-lover/boss Chet (Craig Bierko). And even the most morally compromised minions are starting to rediscover their conscience confronted with the scorched earth philosophies of Quinn and Rachel.
In “War,” the mind games and its consequences are no longer surprises. The facade of a fancy mansion and preening host have faded away to reveal the claustrophobic machinations of puppet masters tucked away behind monitors and earpieces. It’s a vicious start to the season, but one that’s already unfolding new layers to a show that’s long thrived on the juxtapositions between genuine emotion, behind-the-scenes conspiracies, and acidic social commentary.
1. A New Suitor
The best place to start with the new season is the new suitor. Like last season’s Adam, Darius Hill (B.J. Britt) is another hapless celebrity who’s forced into damage control mode after an unfortunate incident. But UnREAL is too bold to merely play with the caricature of a playboy pro athlete—Beck’s a star quarterback with a squeaky clean image, with the exception of that one time he lost his cool with a female reporter on national television. He’s levelheaded, and transparently sincere, but it’s clear he’s in over his head, faced with the master tacticians who are engineering the next nine weeks of his life.
But Beck’s celebrity is so peripheral for the savvy manipulators of Everlasting—his selling point has always been his race. As Quinn colorfully argues, “He’s not black, he’s football black” to a panicked network exec in a defining summation of the character’s general glibness about political correctness.
Quinn and Rachel are hedging that millions of viewers will tune in to see a black man in the white monopolized world of reality television. From the word, “go,” Rachel and Quinn are working every cynical angle from luring black activists away from graduating college with the promise of larger platforms, to enlisting a young woman whose greatest claim to fame is a viral Instagram where she sports a Confederate flag bikini. But aside from setting up these potentially explosive conflicts between contestants with differing ideals, or just straight up racists, UnREAL’s treatment of race informs the dialogue with a very different gravity.
Last season, the Faith storyline offered a strong, understated treatment of LGBT issues like repression, coming out, and the manicured media treatment of same-sex relationships, but that storyline was also tangential to the main storyline. This premiere refuses to make race merely a part of the story, setting the table for multiple branching storylines that are completely based on arbitrary racial clashes, and racial perception.