Catching Up With… Noah and The Whale
Noah and The Whale has never been a band lacking in inspiration. Its name is a play on director Noah Baumbach’s 2005 film The Squid and The Whale. Its sophomore effort First Days of Spring was spurred on by a painful breakup, not only between songwriter Charlie Fink and back-up vocalist Laura Marling, but between Marling and the band as well. The album itself served as the inspiration for a Fink-directed film of the same name that runs the entire course of the album.
Now with its third LP Last Night on Earth, Noah and Whale are moving forward once again, exploring new territory. We recently spoke to Charlie Fink during the band’s tour to discuss the new album, inspiration and the end of the world.
Paste: You’re last album was a break-up record. So, certainly there was plenty of emotion and inspiration to draw from there. How did the theme for Last Night on Earth come about, and what did you draw from?
Charlie Fink: Well this one is definitely a much more outward-looking album and really character based.
Paste: This album has a noticeably more upbeat feel to it that First Days of Spring. What prompted that?
Fink: Many things. I never think when I make a record that I’m committing myself to that sound forever. I like to be investigative and don’t feel the need to repeat myself with my music.
Paste: Do you consider Last Night on Earth to be a concept album?
Fink: I think it has a thread to it. All the songs are in some way about change and often the nighttime. I think that’s important to a record, though, to at the very least have a consistent mood, lyrically and musically.
Paste: Does the way you envisioned the album affect the way you incorporate the
material into your live performances? Or do you just intersperse the individual songs throughout the set?
Fink: With a live show its more about the pace. So albums blend into one another a little. There’s also some thematic crossover between records.