Audience Members Are Vomiting, Fainting, Getting in Fights at Broadway Adaptation of 1984

If you’re going to see Robert Icke and Duncan Macmillan’s Broadway adaptation of George Orwell’s 1984, you might want to have a light dinner. Critics have said the play “verge[s] on torture porn” and is a “grim, sphincter-clinching sit,” with audience members reportedly fainting, vomiting due to overstimulation and even engaging in fistfights.

Those familiar with the novel from their high school required reading remember that it acts as somewhat of a warning against an all-powerful government, known in the book as “Big Brother.” Set in a dystopian future in which our protagonist Winston Smith (played with conviction by Tony Award nominee Tom Sturridge) rewrites history as his job. He eventually begins rebelling against the fascist society and engages in a forbidden love affair with fellow rebel Julia (played by Olivia Wilde, in her Broadway debut).

The story culminates in a violent display of power from the government; even its description in the novel is enough to make you squirm in your chair. The realism of Icke and Macmillan’s recreation of the brutality Winston undergoes, combined with the “strobe lights” and “jackhammer sounds,” has proven too much for some audience members to bear.

Although the play is age-restricted, warning ticket buyers that the production contains “flashing lights, strobe effects, loud noises, gunshots, smoking and graphic depictions of violence and torture” and that no one under 13 will be admitted, it appears that adults are equally affected by the torture Sturridge endures so believably. He even broke his nose during rehearsal; Wilde, a good sport, broke her tailbone and split her lip.