The 75 Best TV Shows on Netflix (Fall 2016)

TV Lists
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25. Daredevil
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Creator: Drew Goddard
Stars: Charlie Cox, Deborah Ann Woll, Elden Henson, Rosario Dawson, Vincent D’Onofrio
Original Network: Netflix
Marvel and DC have both tried to leverage their movie dominance onto the small screen many times over, but so far, the only beloved TV show based on a comic book has come from indie publisher Image with The Walking Dead. That may change with Netflix’ new offering Daredevil. The Hell’s Kitchen of Matt Murdoch’s world is much grittier than that of his Marvel cohorts on ABC’s Agents of S.H.I.E.L.D.—no surprise since the show was created by Drew Goddard, director of Cabin in the Woods. Goddard, who’s written episodes of Buffy the Vampire Slayer, Alias and Lost is also no stranger to the comics world, having written a few issues of the Buffy comics. The fight scenes are riveting (and often bloody), and the hero and his companions are well-developed, but it’s Vincent D’Onofrio complicated turn as the crime boss Wilson Fisk that elevates the show into something special. Both Fisk and Murdoch want to clean up the city, and will go to great lengths to do it. The difference between hero and villain is just a matter of ends-justify-the-means degrees. Not since Rick Grimes tangled with the Governor or Walter White went up against Gus Fring has there been a protracted battle this gripping on television. Your move, DC.—Josh Jackson

24. It’s Always Sunny in Philadelphia
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Creator: Rob McElhenney
Stars: Glenn Howerton, Charlie Day, Rob McElhenney, Kaitlin Olson, Danny DeVito
Original Network: FX
The idea behind Sunny is simple yet brilliant—bring together the most narcissistic and cruel characters imaginable and let them wreak havoc on the world. Dennis, Dee, Mac, Charlie, and Frank all run Patty’s Pub together, though that endeavor never seems to keep them occupied for long. To entertain themselves, the group hatches one scheme after another. “The D.E.N.N.I.S. System,” for example, is Dennis’ foolproof method for manipulating women’s emotions so that they’ll fall in love with him. To give you an idea of how it works, the strategic acronym begins with “Demonstrate value” and ends with “Separate entirely.”—Riley Ubben

23. Bob’s Burgers
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Creator: Loren Bouchard
Stars: H. Jon Benjamin, Dan Mintz, Eugene Mirman, Kristen Schaal, John Roberts
Original Network: Fox
It’s weird to think that Bob’s Burgers, a show centered around a constantly failing business and the proprietor’s eccentric and unpopular children, has become a bit of an institution. Despite this fact, it’s barely beginning to show its age, and rather than becoming by-the-numbers Bob’s Burgers has become stranger and more willing to step away from the Simpsons-esque format that’s always centered its storytelling. The show’s cast keeps getting more distinct as time goes on, and as a result the humor has veered away from the inevitable broadening that’s occurred for just about every other animated show Fox has aired. There’s no attempt at making the Belchers into an every-family, and while that might explain the show’s declining ratings, it’s also kept its jokes and episodes remarkably consistent six years in.—Sean Gandert

22. Lost
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Creators: J.J. Abrams, Jeffrey Lieber, Damon Lindelof
Stars: Matthew Fox, Evangeline Lilly, Naveen Andrews, Michael Emerson, Terry O’Quinn, Josh Holloway, Jorge Garcia, Yunjin Kim, Daniel Dae Kim
Original Network: ABC
When J.J. Abrams first marooned his plane-crash survivors on a remote island, no one realized the show’s name was a double entendre: It took crowd-sourced blogs to make sense of all the hidden clues, relevant connections, time shifts and intertwined storylines, and each season has given us far more questions than answers. But there’s something refreshing about a network TV show that trusts the mental rigor of its audience instead of dumbing everything down to the lowest common denominator. Sometimes it’s good to be a little lost.—Josh Jackson

21. The Fall
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Creator: Allan Cubitt
Stars: Gillian Anderson, Jamie Dornan, Valene Kane, Séalinín Brennan, Colin Morgan, Bronagh Taggart, Niamh McGrady, Sarah Beattie, John Lynch
Original Network: BBC
Let it be known that before he was Christian Grey, Jamie Dornan proved his acting chops and charisma as a disturbingly undisturbable murderer in this superb psychological thriller. Dornan’s mild-mannered husband, father and grief counselor (!) is among the most terrifying onscreen serial killers in recent memory. Paul Spector is a stalker, as exacting and methodical as his eventual pursuer. Enter Gillian Anderson’s Stella Gibson, a British detective superintendent called to Belfast to look into a spate of gruesome murders. As the cat-and-mouse game intensifies, Anderson’s characterization is its own triumph: analytical, uncompromising, reserved, but brazenly sexual on her own terms, entirely unfazed by the politicking and dick-swinging of her male colleagues. That we know the identity of the killer from the show’s first frames, and yet can’t take our eyes off the screen is a testament to the stealth creep with which The Fall operates.—Amanda Schurr

20. Bojack Horseman
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Creator: Raphael Bob-Waksberg
Stars: Will Arnett, Aaron Paul, Amy Sedaris, Paul F. Tompkins
Original Network: Netflix original
 BoJack Horseman is one of the most underrated comedies ever made, and it almost pains me that it doesn’t earn more praise. Right from the title sequence, which documents BoJack’s sad decline from network sitcom star to drunken has-been—set to the beautiful theme song written by the Black Keys’ Patrick Carney—this is one of the most thoughtful comedies ever made. Which doesn’t mean it’s not hilarious, of course. Will Arnett is the perfect voice for BoJack, and Paul F. Tompkins, who is in my mind the funniest man on planet Earth, could not be better suited to the child-like Mr. Peanut Butter. This is a show that isn’t above a visual gag or vicious banter or a wonderfully cheap laugh, but it also looks some very hard realities of life straight in the eye. There are times when you will hate BoJack—this is not a straight redemption story, and the minute you think he’s on the upswing, he will do something absolutely horrible to let you down. (There’s a special irony in the fact that a horse is one of the most human characters on TV, and the unblinking examination of his character makes “Escape from L.A.” one of the best episodes of TV this year.) So why isn’t it loved beyond a strong cult following? Maybe it’s the anthropomorphism that keeps people away, or maybe it’s the animation, but I implore you: Look beyond those elements, settle into the story, and let yourself be amazed by a comedy that straddles the line between hilarious and sad like no other on television.—Shane Ryan

19. Twin Peaks
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Creators: David Lynch, Mark Frost
Stars: Kyle MacLachlan, Michael Ontkean, Mädchen Amick, Dana Ashbrook, Richard Beymer, Lara Flynn Boyle, Joan Chen, Eric Da Re, Sherilyn Fenn
Original Network: ABC
At its heart, Twin Peaks was a detective story, with Dale Cooper (Kyle Maclachan), a stalwart, by-the-book FBI agent, descending upon the small logging town of Twin Peaks to investigate the murder of a young woman. But since this was a TV series conceived using the weird and wonderful visions of David Lynch, it wound up being so much more. Like its nearest antecedent, Blue Velvet, it explores the weirdness that lies beneath the surface of Anytown, U.S.A., including a lot of soap opera-like psychosexual drama and assorted oddball characters like The Log Lady (Catherine Coulson) and agoraphobic Harold Smith (Lenny Von Dohlen). The horror of the show came in with the supernatural underpinnings of this storyline, with the killer of Laura Palmer (Sheryl Lee) potentially being an otherworldly force that goes by the name of Bob. Through Lynch’s lens and through the guise of actor Frank Silva, that spirit haunted every last scene in the show, no matter how outlandish and far-reaching it got. With the help of Angelo Badalamenti’s haunting score and the atmosphere created by the set designers, you spent the entirety of the two seasons waiting for something terrible to happen to everyone on screen. And it only made those moments—when things did go sour—feel that much worse. Lynch and company have a lot to live up to with their companion series, set to air next year on Showtime.—Robert Ham

18. Unbreakable Kimmy Schmidt
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Creators: Tina Fey, Robert Carlock
Stars: Ellie Kemper, Tituss Burgess, Jane Karkowski, Carol Kane, Lauren Adams, Sara Chase
Original Network: Netflix
NBC has made any number of mistakes over the years, but few bigger than shelving Tina Fey and Robert Carlock’s 30 Rock follow-up, before punting it over to Netflix. Unbreakable Kimmy Schmidt wound up becoming one of the highlights of a great year for TV comedy. The fast-paced and flip sitcom featured breakout performances by Office vet Ellie Kemper as the titular former “mole woman” trying to make it on her own in New York, and Tituss Burgess as her flamboyant and put-upon roommate, Titus Andromedon. (NBC has recently tried to make it up to Kemper for dropping the ball on this by planting her in the guest host chair at Today—too little, too late, peacock peddlers.) Throughout the first season’s run, some writers and critics seemed dead set on finding some kind of flaw to pounce on with the show, zeroing in on how the minority characters are represented. This may be a wild generalization, but I think this was a natural reaction to one of the most overtly feminist sitcoms ever produced. Kimmy Schmidt is most certainly upsetting the natural order of your typical network sitcom. The show’s titular character is defining her life on her own terms and by her own standards. For some reason that still freaks some people out so they dismiss it or find some way to poke holes in the vehicle for that idea. That is what makes the prospect of a second season so exciting. Just as the show can go in a myriad of different directions, so too can Kimmy Schmidt. Now that she has put the awful time in the bunker to bed, she can face a new day with that infectious smile, bubbly attitude, and enthusiastic embrace of life experience. Sorry nitpickers and network executives; Kimmy Schmidt is going to make it after all.—Robert Ham

17. The X-Files
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Creator: Chris Carter
Stars: David Duchovny, Gillian Anderson, Robert Patrick, Annabeth Gish, Mitch Pileggi
Original Network: Fox
Today, after more than 200 episodes, two feature films, a spinoff and two-plus decades of history, being an X-Files fan is a lot like being a fan of a long-running comic book. Namely, there are peaks and valleys in writing quality, the continuity becomes a convoluted mess if you stop to think about it for even a second and—in spite of whatever monumental changes occur—the story always seems to revert back to a certain status quo. And yet there’s no question that what initially started as creator Chris Carter’s take on Kolchak: The Night Stalker has since become an indelible cornerstone in the history of television. Long before the likes of Buffy or Lost, The X-Files legitimatized the viability of serialized genre storytelling. Alongside stand-alone case episodes, the series incorporated ongoing arcs involving vast government conspiracies, alien invasions and the mystery surrounding a missing loved one. Perhaps more impressive than its long-term thinking, however, was the flexible tone the creative team established as a template for its various installments. Episodes could be scary, funny, surreal, emotional—sometimes all in the same hour. In the world of The X-Files, a horror-filled hour centered on deformed cannibals could fit right alongside a hilarious take-off on Cops. Writing and directing aside, what really tied everything together and made it pop was the legendary chemistry between David Duchovny’s Fox Mulder and Gillian Anderson’s Dana Scully. At the risk of courting controversy, those who simply reduce the two’s dynamic to a simple “will they, won’t they?” are being somewhat reductive. What Mulder and Scully had was more than simple sexual tension; it was a loving and respectful partnership between two intelligent individuals whose differing attributes perfectly complemented one another. It assured us that, despite all the monsters and aliens at play, there was an inherent humanity rooted firmly at the show’s center.—Mark Rozeman

16. West Wing
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Creator:   Aaron Sorkin
Stars: Allison Janney, John Spencer, Bradley Whitford, Martin Sheen, Janel Moloney, Richard Schiff, Dulé Hill, NiCole Robinson, Melissa Fitzgerald, Rob Lowe, Joshua Malina, Stockard Channing, Kim Webster, Kris Murphy, Timothy Davis-Reed
Original Network: NBC
Television’s quintessential political drama began in the Clinton era, soldiered on through Bush and 9/11, and ended in the earliest days of the Age of Obama. Weirdly, the show’s political climate was more stable than reality itself. And maybe that was its appeal. The West Wing showed us government not as it was, but as it could be—a White House run by quippy, tireless, big-hearted public servants who believed in governing with decency. President Josiah Bartlet would give any of his real-life counterparts a run for their money.—Nick Marino

15. Cheers
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Creator: James Burrows, Glen Charles, Les Charles
Stars: Ted Danson, Shelley Long, Kirstie Alley, Rhea Perlman, Nicholas Colasanto, John Ratzenberger, Woody Harrelson, Kelsey Grammer, George Wendt
Original Network: NBC
It was more than a bar where everybody knows your name. It was a lifestyle. Cheers rarely left the confines of the bar, but was able to weave slapstick comedy, romance and drama into the 11 seasons it was on the air. It started as the worst-rated series (74 out of 74) but climbed its way to the top 10 during the third season. Two casting changes couldn’t even slow it down. The ensemble cast all won awards in acting, as well as the show winning four Outstanding Comedy Series awards. Unlike many sitcoms that touch on serious social issues, the show never felt like an after-school special. Everything was done with sophisticated humor.—Adam Vitcavage

14. Jessica Jones
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Creator: Melissa Rosenberg
Stars: Krysten Ritter, David Tennant, Rachael Taylor, Mike Colter, Carrie-Anne Moss, Eka Darville, Erin Moriarty, Wil Traval, Susie Abromeit
Original Network: Netflix
Marvel’s first team-up with Netflix, the excellent Daredevil early in 2015, took the shiny Marvel Cinematic Universe and rubbed much needed dirt on it. Jessica Jones furthers the trend with a psychological thriller that is, somehow, more brutal and dark than its Hell’s Kitchen contemporary. Unlike Daredevil, Jones not only redrew the lines for a Marvel production, but redefined what a comic book show could be. The emphasis is not on the physical, but instead the mental destruction caused by Kilgrave (the phenomenal David Tennant), a sociopath with mind-control powers. Netflix’s binge model is used to its full-effect, each episode’s conclusion begging the viewer to let the train roll on. And, like a victim of Kilgrave, its impossible not to abide. Jessica Jones keeps the viewer guessing, leaving them suspended in a state of fear and anxiety for 13 perilous, but wonderful hours.—Eric Walters

13. 30 Rock
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Creator:   Tina Fey
Stars: Tina Fey, Alec Baldwin, Tracy Morgan, Jane Krakowski, Jack McBrayer, Scott Adsit, Judah Friedlander
Original Network: NBC
The spiritual successor to Arrested Development, 30 Rock succeeded where its competition failed by largely ignoring the actual process of creating a TV show and instead focusing on the life of one individual in charge of the process, played by show creator Tina Fey. 30 Rock never loses track of its focus and creates a surprisingly deep character for the its circus to spin around. But Fey’s not the only one that makes the series. Consistently spot-on performances by Tracy Morgan—whether frequenting strip clubs or a werewolf bar mitzvah—and Alec Baldwin’s evil plans for microwave-television programming create a perfect level of chaos for the show’s writers to unravel every week. 30 Rock doesn’t have complex themes or a deep message, but that stuff would get in the way of its goal: having one of the most consistently funny shows on TV. Suffice to say, it succeeded.—Sean Gandert

12. Sherlock
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Creator: Steven Moffat, Mark Gatiss
Stars: Benedict Cumberbatch, Martin Freeman, Mark Gatiss, Rupert Graves
Original Network: PBS
One has only to look at the sterling track record of Steve Moffat to witness a showrunner god in the making. The guiding hand behind such English hits as Press Gang and Coupling, Moffat has gained the most attention for resuscitating Dr. Who into the Anglo-Saxon ambassador of science fiction. But Moffat and frequent collaborator Mark Gatiss transcended their best work with Sherlock, the BBC drama that hijacks Sir Arthur Conan Doyle’s iconic sleuth into the present with awe-inspiring intelligence and style. Calling Sherlock a television show is a tad deceptive, though; the series has produced two seasons consisting of three 90-minute episodes each. In other words, the Sherlock team has averaged a feature film every three months since the Summer of 2010. The immaculate second season dug deeper into the psychological fault lines of Holmes, played with sterile arrogance by Benedict Cumberbatch (or as Seth Meyers noted on SNL, the only man with a name more ridiculous than Sherlock Holmes). When the audience wasn’t trying to piece together the mystery of the week, we were finding fleeting clues to the guarded humanity of London’s finest “Consulting Detective,” usually to the chagrin of long-suffering accomplice John Watson (Martin Freeman) and volatile love interest Irene Adler (Lara Pulver).—Sean Edgar

11. Buffy the Vampire Slayer
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Creator:   Joss Whedon
Stars: Sarah Michelle Gellar, Nicholas Brendon, Alyson Hannigan, Charisma Carpenter, David Boreanaz, Seth Green, Marc Blucas, Emma Caulfield, Michelle Trachtenberg, Amber Benson, James Marsters, Anthony Stewart Head
Networks: The WB, UPN
 Buffy the Vampire Slayer had it all: Romance, drama, tragedy, suspense. The show took the teen-soap formula and elevated it to an art. It was a unique combination of tragic romance, apocalyptic fantasy and the clincher—emotional realism. It also featured the most serious and realistic depiction of human loss ever witnessed on the small screen (in “The Body,” dealing with the death of Buffy’s mom by natural causes). Humor? The writers understood the campy sheen that must accompany any show named Buffy. They also knew how to use snappy dialogue and uncomfortable situations to full effect. Complex characters? You’d be hard pressed to find another program that had the same range and consistency of character development. Everyone matured (or devolved) at his or her own realistic rate. As some feminist writers have argued, TV had never before seen the complexity of relationships among women that you saw with the likes of Buffy, Willow, Joyce and Dawn. Plot? The writers employed elaborate multi-episode, multi-season story arcs. People and events of the past always had a way of popping back up, the way they do in real life. Philosophy? Series creator Joss Whedon was all about the “meta”—the ideas and story behind the story. Each season had a driving concept, and he explored an astonishingly wide range of topics. Quick asides referencing Sartre or Aquinas were as at home as the pop-culture references. The show even spawned an active academic community around it. Whedon wanted his heroine to be iconic and succeeded, creating a WB/UPN show that bears closer resemblance to the works of Dostoevsky and Kafka than 90210 or Dawson’s Creek.—Tim Regan-Porter

10. Orange is the New Black
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Creator: Jenji Kohan
Stars: Taylor Schilling, Laura Prepon, Michael J. Harney, Michelle Hurst, Kate Mulgrew, Jason Biggs
Original Network: Netflix
 Orange is the New Black is perfectly suited for the Netflix delivery system, if only because it would have been agonizing to wait a week for a new episode. But there’s more; the construct felt cinematic and compared to your average show, and I couldn’t help but feel that the all-at-once release plane freed the creators to make something less episodic and more free-flowing. Taylor Schilling stars as Piper Chapman, a woman living a content modern life when her past rears up suddenly to tackle her from behind; a decade earlier, she was briefly a drug mule for her lover Alex Vause (the excellent Laura Prepon), and when Vause needed to plea her sentence down, she gave up Piper. The story is based on the real-life events of Piper Kerman, whose book of the same title was the inspiration, but the truth is that the screen version is miles better. Schilling is the engine that drives the plot, and her odd combination of natural serenity mixed with the increasing anger and desperation at the late turn her life has taken strikes the perfect tone for life inside the women’s prison. Over the first few episodes, prison is treated like an almost-quirky novelty she’ll have to experience for 15 months, and the wisest choice director Jenji Kohan made (and there are many) was to heighten the stakes so that what begins as an off-kilter adventure soon takes on the serious proportions prison life demands. And as great as Schilling and Prepon are together, the supporting cast is so universally excellent that it almost beggars belief. There are too many characters who make gold with their limited screen time to mention individually, but suffice it to say that there’s enough comedy, pathos and tragedy here for a dozen shows. The fact that they fit so successfully into one makes OITNB a defining triumph for Netflix.—Shane Ryan

9. Stranger Things
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Creators: The Duffer Brothers
Stars: Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, Matthew Modine
Original Network: Netflix
The only question viewers tend to ask about the quality of Netflix’s Stranger Things isn’t “Is this a fantastically entertaining show?” but “Does it matter that the show is so homage-heavy?” Our take: No. Since springing into the cultural consciousness immediately with its release a month ago, Stranger Things has been hailed as a revival of old-school sci-fi, horror and ‘80s nostalgia that is far more effective and immediately gripping than most other examples of its ilk. The influences are far too deeply ingrained to individually list, although imagery evoking Amblin-era Steven Spielberg, John Carpenter and Tobe Hooper films drips from nearly every frame. With a stellar cast of child actors and several different characters whose hidden secrets we desperately want to see explored, Stranger Things hits every note necessary to motivate a weekend-long Netflix binge. As questions now swirl about the direction of Season Two, following the first season’s explosive conclusion, we’re all hoping that the same group of characters will be able to re-conjure the chilling, heart-pumping magic of a perfectly constructed eight-episode series. Please, TV gods: Don’t let Stranger Things go all True Detective on us.—Jim Vorel

8. The Office (U.S., U.K.)
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Creators: Ricky Gervais, Stephen Merchant
Stars: BBC: Ricky Gervais, Martin Freeman, Mackenzie Crook, Lucy Davis, Oliver Chris, Patrick Baladi, Stacey Roca, Ralph Ineson, Stirling Gallacher; NBC: Steve Carell
John Krasinski, Rainn Wilson, Jenna Fischer, B. J. Novak, Oscar Nunez, Brian Baumgartner, Angela Kinsey, Ed Helms, Creed Bratton, Phyllis Smith, Leslie David Baker, Kate Flannery, Mindy Kaling, Paul Lieberstein
Original Networks: BBC, NBC
Ricky Gervais’ immortal Britcom deserves full marks for establishing this comedy franchise that killed the laugh track and introduced us to a hilarious bunch of paper-pushing mopes. Defying expectations that it would pale in comparison, NBC’s Office became an institution unto itself. At its best, the American version was just as awkward as its predecessor, while showing a lot more heart than the gang could muster in sooty old England. Both the original and the American update are currently available on Netflix Instant.—Nick Marino

7. Friday Night Lights
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Creator: Peter Berg
Stars: Kyle Chandler, Connie Britton, Taylor Kitsch, Jesse Plemons, Aimee Teegarden, Michael B. Jordan, Jurnee Smollett
Original Network: NBC
Who ever thought football, a sport infamous for its meat-heads and brute force, could be the cornerstone of one of television’s most delicate, affecting dramas? Heart-rending, infuriating, and rife with shattering setbacks and grand triumphs—Friday Night Lights is all of these, and in those ways it resembles the game around which the tiny town of Dillon, Texas, revolves. “Tender” and “nuanced” aren’t words usually applicable to the gridiron, but they fit the bill here, too. Full of heart but hardly saccharine, shot beautifully but hyper-realistically, and featuring a talented cast among which the teenagers and parents are—blessedly—clearly defined, the show manages to convince episode after episode that, yes, football somehow really is life.—Rachael Maddux

6. Master of None
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Creator: Aziz Ansari, Alan Yang
Stars: Aziz Ansari, Noél Wells, Eric Wareheim, Lena Waithe, Kelvin Yu, H. Jon Benjamin
Original Network: Netflix
Like its creator and star, Master of None is stylish, smart and clever—a half-hour comedy that ranks as one of Netflix’s best efforts in original programming. Following the trend set by Louie, Transparent, You’re the Worst and many other modern sitcoms, Aziz Ansari and Alan Yang built a show that doesn’t mind the occasional laugh hiatus. Instead of pushing the joke quota to astronomical levels, Master of None is content to find poignancy amid the humor, and if the former outshines the latter, so be it. The result is a show that is fun to watch, emotionally satisfying and thought provoking. It’s also been paramount in furthering the discussion about race and representation on television, both with its own casting and the topics it addresses. There is so much to say about this show, and these few hundred words are a pathetic attempt to do it justice. Master of None is not only one of the best shows of 2015, but one of the most important in a long, long time.—Eric Walters

5. Arrested Development
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Creator:   Mitch Hurwitz
Stars: Jason Bateman, Will Arnett, Portia de Rossi, Tony Hale, David Cross, Michael Cera, Jeffrey Tambor, Jessica Walter, Alia Shawkat, Ron Howard
Original Networks: Fox, Netflix
Mitch Hurwitz’ sitcom about a “wealthy family who lost everything and the one son who had no choice but to keep them all together” packed a whole lot of awesome into three short seasons. How much awesome? Well, there was the chicken dance, for starters. And Franklin’s “It’s Not Easy Being White.” There was Ron Howard’s spot-on narration, and Tobias Funke’s Blue Man ambitions. There was Mrs. Featherbottom and Charlize Theron as Rita, Michael Bluth’s mentally challenged love interest. Not since Seinfeld has a comic storyline been so perfectly constructed, with every loose thread tying so perfectly into the next act. Arrested Development took self-referencing postmodernism to an absurdist extreme, jumping shark after shark, but that was the point. They even brought on the original shark-jumper—Henry Winkler—as the family lawyer. And when he was replaced, naturally, it was by Scott Baio. Each of the Bluth family members was among the best characters on television, and Jason Bateman played a brilliant straight man to them all. And after years of rumors, the show returned to Netflix for a fourth season—different in both construction and tone, but nevertheless, a gift to fans who had to say goodbye to the Bluths all too soon.—Josh Jackson

4. Parks and Recreation

Creators: Greg Daniels, Michael Schur
Stars: Amy Poehler, Nick Offerman, Aziz Ansari, Adam Scott, Rob Lowe, Chris Pratt, Aubrey Plaza, Rashida Jones
Original Network: NBC
 Parks and Recreation started its run as a fairly typical mirror of The Office, but in its third season, the student became the master. As it’s fleshed out with oddballs and unusual city quirks, Pawnee has become the greatest television town since Springfield. The show flourished this year with some of the most unique and interesting characters in comedy today. With one of the greatest writing staffs of any show, Parks and Recreation is only got better with time.—Ross Bonaime

3. Freaks and Geeks
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Creator:   Paul Feig
Stars: Linda Cardellini, John Francis Daley, James Franco, Samm Levine, Seth Rogen, Jason Segel, Martin Starr, Busy Philipps, Becky Ann Baker, Joe Flaherty
Original Network: NBC
We’ve had more than a decade to come to terms with Freaks and Geeks’ untimely cancellation, and while the axe’s blow still smarts, in some ways the series’ scant 18 episodes have proved an ideal offering. Like a musty old yearbook, the short run preserved one gloriously specific time in the lives of McKinley High’s do-gooders and reprobates, and now we remember the trials and tribulations of Lindsay and Sam Weir, Daniel Desario, Bill Haverchuck and the whole gang like those of so many long-lost high-school friends of our own. Despite the intervening years (and starring roles in raunchier Judd Apatow fare), we remember the characters precisely as they were then, in 1980—sweetly fraught, awkward, hilarious and unsullied by the harsh realities of post-graduate life (or trite plot-lines, forced love triangles or sweeps-week shenanigans).—Rachael Maddux

2. Breaking Bad

Creator:   Vince Gilligan
Stars: Bryan Cranston, Anna Gunn, Aaron Paul, RJ Mitte, Giancarlo Esposito
Original Network: AMC
One of the things that made Breaking Bad one of the all-time greats was that the writers did a phenomenal job introducing complex themes, plot lines and ideas, and then weaving them all together for an extremely satisfying conclusion. It’s not an easy thing to do, especially when the show asks the audience to hold on until the end to see where it’s all going. In that way it’s reminiscent of The Wire, a show that didn’t hammer its audience over the head constantly with flashy moments, but asked for patience as all the plot threads slowly untangled. And with Breaking Bad’s narrower focus, the stakes and emotional ties we have with the story and characters can be much higher.—Brent Koepp

1. Mad Men

Creator: Matthew Weiner
Stars: Jon Hamm, Elisabeth Moss, Vincent Kartheiser, January Jones, Christina Hendricks, Bryan Batt, Michael Gladis, Aaron Staton, Rich Sommer, Robert Morse, John Slattery
Original Network: AMC
Look, you don’t need us to tell you that Mad Men is one of the greatest TV dramas of all time; you have the entire Internet for that, and frankly, that’s time you could be spending watching more Mad Men. But with his tale of 1960s (and eventually, early ‘70s) ad men and women and the American Dream, Matthew Weiner has done something truly extraordinary: proven that there’s drama in everyday life. Unlike pretty much every other TV drama, this one doesn’t deal with cops, doctors or lawyers; there are no mafia dons or drug lords going down in a hail of bullets. It’s just a bunch of people working together in an office, trying to push forward and navigate one of the most compelling decades in American history. Sure, it’s glamorous and brilliantly written, and the fact that Jon Hamm and Elisabeth Moss have not yet won Emmys for it is criminal, but ultimately, it’s oddly relatable, and that’s what great TV is supposed to do—show us ourselves.—Bonnie Stiernberg