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Signs of Life in Music, Film & Culture

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Music Reviews

Live at the Roxy Captures The Tragically Hip as Hungry Upstarts on a Mission By Saby Reyes-Kulkarni June 23, 2022 | 12:15pm
Young Guv Nails the Psych-Pop Vibe on GUV IV By Ben Salmon June 23, 2022 | 9:15am
On Sometimes, Forever, Soccer Mommy Excel Outside Their Comfort Zone By Eric Bennett June 22, 2022 | 12:30pm
Zola Jesus Finds Resolve Amid Uncertainty on Arkhon By Max Freedman June 22, 2022 | 10:25am
Whimsy Meets Philosophy on Regina Spektor’s Home, before and after By Ellen Johnson June 21, 2022 | 4:15pm
Horse Jumper of Love Turn Little Moments into Magic on Natural Part By Samantha Sullivan June 17, 2022 | 11:44am
Perfume Genius Journeys Far Beyond Expectation with Ugly Season By Pat King June 16, 2022 | 11:16am
Flasher Find Clarity in Spurts and Bursts on Love Is Yours By Max Freedman June 15, 2022 | 9:00am
Mother Nature Embody Soulful Sensuality on New Mixtape Nature's World By Candace McDuffie June 14, 2022 | 3:15pm
Bartees Strange Is Only Getting Started on Farm to Table By Grant Sharples June 13, 2022 | 10:00am
Bloomsday Open Up on A Place to Land By Emily Price June 10, 2022 | 2:42pm
American Aquarium’s New Album Is a Heartbreaking but Muted Effort By Paste Staff June 9, 2022 | 10:36am
The Dream Syndicate Roam Free on Ultraviolet Battle Hymns and True Confessions By Eric R. Danton June 8, 2022 | 2:28pm
On Big Time, Angel Olsen Bares Her Solemn Country Heart By Matt Mitchell June 2, 2022 | 10:44am
Horsegirl Showcase Their Fun Punk Mindset on Versions of Modern Performance By Devon Chodzin June 1, 2022 | 10:05am
Stars Look Back and Aim Forward on From Capelton Hill By Annie Parnell May 27, 2022 | 5:42pm
Dehd Make Indie Rock Fun Again on Blue Skies By Ellen Johnson May 26, 2022 | 10:27am
Wilco Get Back to Basics on Cruel Country By Ben Salmon May 25, 2022 | 11:02am
Just Mustard Break Noise-Rock Ground on Heart Under By Max Freedman May 25, 2022 | 10:11am
With And Those Who Were Seen Dancing, Tess Parks Reimagines Psychedelia for the Present Day By Saby Reyes-Kulkarni May 23, 2022 | 2:02pm
SOAK Gets Reckless on If I Never Know You Like This Again By Paste Staff May 20, 2022 | 9:32am
Craig Finn Shifts His Focus on A Legacy of Rentals By Eric R. Danton May 20, 2022 | 8:42am
Harry Styles’ Third Album Harry’s House Is a Soul-Baring, Yet Groovy Confessional By Lex Briscuso May 19, 2022 | 2:35pm
Porridge Radio Take a Leap of Faith on Waterslide, Diving Board, Ladder to the Sky By Eric Bennett May 18, 2022 | 2:34pm
Kendrick Lamar Tears Down the Persona on Revealing Opus Mr. Morale & The Big Steppers By Josh Svetz May 18, 2022 | 12:45pm
The Smile’s A Light for Attracting Attention Is a Heady, Groove-Filled Debut for Radiohead Veterans By Zach Schonfeld May 12, 2022 | 9:30am
All of Kevin Morby’s Sounds Converge on This Is a Photograph By Ellen Johnson May 11, 2022 | 4:00pm
On Preacher’s Daughter, Ethel Cain’s Jarring, Beautiful Vision Comes to Life By Paste Staff May 11, 2022 | 1:02pm
Florence + The Machine Cry Freedom on Dance Fever By Eric Bennett May 9, 2022 | 3:31pm
Sharon Van Etten Returns with Potent Set of Songs on We’ve Been Going About This All Wrong By Eric R. Danton May 4, 2022 | 2:33pm
On WE, Arcade Fire Recapture Their Former Glory By Grant Sharples May 4, 2022 | 9:12am
Dana Gavanski Revives Her Voice on When It Comes By Paste Staff April 29, 2022 | 12:15pm
Kelly Lee Owens Soothes and Disorients on LP.8 By Pat King April 29, 2022 | 11:45am
Palomino Is the Latest Excellent Step in Miranda Lambert’s Neverending Journey By Ben Salmon April 28, 2022 | 1:15pm
On Forgiveness, Girlpool Refuse to Narrow Their Scope By Eric Bennett April 26, 2022 | 1:28pm
On i don't know who needs to hear this..., Tomberlin Offers Solace to the Void By Eric Bennett April 25, 2022 | 10:15am
My Idea Laugh Through the Tears on CRY MFER By Jack Meyer April 22, 2022 | 10:30am
Spiritualized Suit Up for Another Breathtaking Voyage with Everything Was Beautiful By Pat King April 20, 2022 | 12:25pm
Hatchie Upsizes Her Sound on Giving the World Away By Ellen Johnson April 19, 2022 | 1:32pm
Kurt Vile Keeps Dancing to His Own Drumbeat on (watch my moves) By Scott Russell April 15, 2022 | 3:47pm
James Krivchenia Collages the Unwatched Beauty of YouTube on Blood Karaoke By Matt Mitchell April 14, 2022 | 1:25pm
Two Decades on, Pavement’s Terror Twilight Remains an Exquisitely Artful Snapshot of a Band Who Had Already Unraveled By Saby Reyes-Kulkarni April 8, 2022 | 11:06am
Renata Zeiguer Finds the Light by Embracing the Shadows on Picnic in the Dark By Elise Soutar April 8, 2022 | 10:18am
Chloë and the Next 20th Century Is Father John Misty Like You've Never Heard Him Before By Steven Edelstone April 8, 2022 | 9:00am
PENDANT Paints a Cathartic Portrait of Grief on Harp By Jason Friedman April 7, 2022 | 11:36am
Jack White Emphasizes Volume on Fear of the Dawn By Eric R. Danton April 6, 2022 | 11:10am
The Red Hot Chili Peppers Recapture Their Youthful Spirit on Unlimited Love By Jade Gomez April 6, 2022 | 9:14am
THE UNRAVELING OF PUPTHEBAND Pairs Consistent Songwriting with Confounding Production By Paste Staff April 5, 2022 | 3:18pm
Wet Leg Are Sharp and Funny on Self-Titled Debut LP By Eric R. Danton April 4, 2022 | 12:46pm
On Diaspora Problems, Soul Glo Emerge as Hardcore's Promised Future By Pat King March 29, 2022 | 2:16pm
Wallows Stay Consistent on Tell Me That It’s Over By Carli Scolforo March 29, 2022 | 10:29am
Genesis of Genius Sheds Light on Ornette Coleman's Ineffable Muse By Saby Reyes-Kulkarni March 28, 2022 | 2:15pm
Barrie Rushes Into Love and Its Challenges on Barbara By Max Freedman March 25, 2022 | 12:00pm
Aldous Harding Breaks the Mirror on Warm Chris By Annie Parnell March 25, 2022 | 11:16am
Camp Cope Celebrate the Storm on Running with the Hurricane By Ellen Johnson March 25, 2022 | 9:04am
Midlake Remain Picturesque But Guarded on For The Sake of Bethel Woods By Candace McDuffie March 21, 2022 | 2:20pm
Charli XCX Follows Her Pop Passion on the Uneven CRASH By Eric Bennett March 18, 2022 | 9:01am
Yumi Zouma Find Momentum on Present Tense By Eric R. Danton March 16, 2022 | 10:55am
On Broken Equipment, BODEGA Offer Dance-Punk Anthems for New Yorkers Living on the Edge By Pat King March 10, 2022 | 9:46am
MICHELLE Grow Up, but Stay Connected on AFTER DINNER WE TALK DREAMS By Clare Martin March 4, 2022 | 10:31am
Things Are Great Is Band of Horses' Best Album in More Than a Decade By Ben Salmon March 4, 2022 | 9:25am
On Delusion Spree, Eades Debut with Consistency and Bittersweet Emotion By Paste Staff March 4, 2022 | 8:27am
With Black Radio III, Robert Glasper Continues to Expand His Sonic Universe By Saby Reyes-Kulkarni February 28, 2022 | 10:46am
String Machine Level up with Open-Hearted Grandeur on the Triumphant Hallelujah Hell Yeah By Pat King February 24, 2022 | 8:46am
SASAMI’s Squeeze Is a Metallic Urn for the Ashes of Rage By Max Freedman February 23, 2022 | 9:45am
Sarah Shook & The Disarmers' Nightroamer Is an Enlightened Kind of Tough By Annie Parnell February 18, 2022 | 10:17am
Leon Bridges and Khruangbin's Texas Moon Takes the Scenic Route By Carolyn Droke February 17, 2022 | 11:30am
Hurray for the Riff Raff Finds New Life on Earth By Andy Crump February 16, 2022 | 1:30pm
Alice Glass Works Through Her Trauma Objectively on PREY//IV By Max Freedman February 16, 2022 | 8:00am
Beach House Make Their Grandest Statement Yet with Once Twice Melody By Ellen Johnson February 14, 2022 | 9:42am
Shamir Transcends Tired Notions of Identity on Heterosexuality By Clare Martin February 11, 2022 | 9:16am
Empath Clean Up Their Noise Pop (But Not Too Much) on Visitor By Ben Salmon February 10, 2022 | 11:36am
Spoon Return in Top Form with Lucifer on the Sofa By Eric R. Danton February 8, 2022 | 9:28am
Big Thief Sprawl in Every Direction at Once on Their Glorious New Double Album By Zach Schonfeld February 7, 2022 | 10:33am
Cate Le Bon Contemplates Modern Isolation Through Classicism on Pompeii By Matt Mitchell February 4, 2022 | 10:33am
Animal Collective Rekindle the Light on Time Skiffs By Jason Friedman February 4, 2022 | 9:15am
Black Country, New Road Sidestep Expectations on Ants From Up There By Eric Bennett February 3, 2022 | 9:29am
Mitski's Laurel Hell Succeeds in Spite of Its Identity Crisis By Caitlin Wolper February 2, 2022 | 11:19am
Pinegrove Find Comfort in the Struggle on 11:11 By Ben Salmon January 28, 2022 | 8:12am
Amber Mark Digs Three Dimensions Deep and Finds Enlightening Answers By Clare Martin January 27, 2022 | 9:48am
Anaïs Mitchell Swaps Lore for Personal History on Her New Self-Titled Solo Album By Ellen Johnson January 26, 2022 | 9:46am
Take a Trip to The Alien Coast with St. Paul & The Broken Bones By Andy Crump January 25, 2022 | 2:47pm
Yard Act's The Overload Is a Nuanced Document of Our Discontent By Jason Friedman January 25, 2022 | 11:04am
Boris Show They May Never Run Out of Ideas on Experimental Shoegaze/Pop Hybrid W By Saby Reyes-Kulkarni January 24, 2022 | 2:45pm
On Archive Material, Silverbacks Expand Even While Documenting Constrictive Times By Scott Russell January 21, 2022 | 10:55am
Earl Sweatshirt Sees a Bigger Picture on SICK! By Jayson Buford January 21, 2022 | 8:25am
Pedro the Lion Reflect on Adolescence on Havasu By Eric R. Danton January 20, 2022 | 8:00am
FKA twigs Is Reborn on Her Vibrant Mixtape CAPRISONGS By Candace McDuffie January 18, 2022 | 2:34pm
Elvis Costello and The Imposters Show Their Fangs on Fiery Return to Form The Boy Named If By Pat King January 12, 2022 | 9:28am
Dawn FM Is The Weeknd’s Grandest Synth-Pop Gesture and a Thoughtful Rumination on Mortality By Matt Mitchell January 7, 2022 | 12:44pm
No Album Left Behind: Erika de Casier Finds a Quiet Confidence on Sensational By Ana Cubas December 31, 2021 | 2:15pm
No Album Left Behind: You’re in Good Hands with Soda Blonde’s Small Talk By Clare Martin December 30, 2021 | 12:14pm
No Album Left Behind: ’90s Cult Favorites Failure Make a Career-Defining Statement with Wild Type Droid By Saby Reyes-Kulkarni December 30, 2021 | 8:28am
No Album Left Behind: Rodrigo Amarante Stuns on Drama By Steven Edelstone December 29, 2021 | 10:45am
No Album Left Behind: Way Down in the Rust Bucket Is an Essential Look at Neil Young & Crazy Horse's Fearless Peak By Pat King December 28, 2021 | 3:18pm
No Album Left Behind: Le Ren Explores a Landscape of Intimacy and Motherhood on Leftovers By Matt Mitchell December 22, 2021 | 3:27pm
No Album Left Behind: Alan Vega Revels in Gritty Atmospherics on Mutator By Eric R. Danton December 17, 2021 | 1:47pm
No Album Left Behind: Sinner Get Ready Is Lingua Ignota's Revenge Opera Against Abusers Hiding in the Shadows By Pat King December 17, 2021 | 12:45pm
No Album Left Behind: L’Rain’s Fatigue Is a Breathtaking, Ever-Changing Exploration of Human Emotion By Max Freedman December 16, 2021 | 12:32pm
No Album Left Behind: QRTR’s infina ad nausea Is Club Music Designed for Spiraling By Max Freedman December 15, 2021 | 1:14pm
No Album Left Behind: GAMI GANG Catches Origami Angel in Their Moment By Grant Sharples December 14, 2021 | 1:46pm
No Album Left Behind: Jame Remover's Frailty Is an Electrifying Work of Unpredictability By Grant Sharples December 8, 2021 | 2:00pm
Julie Doiron Starts over Again on I Thought of You By Pat King November 26, 2021 | 7:36am
Flying Dream 1 Is Elbow’s Loveliest Album Yet By Steven Edelstone November 19, 2021 | 3:51pm
The Wonder Years’ Dan Campbell Goes Folk on Other People’s Lives By Paste Staff November 19, 2021 | 8:27am
Fuzz-Pop Cult Faves Ovlov Scale Back the Squall a Bit on Buds By Ben Salmon November 18, 2021 | 10:49am
Stars, Schedules Align on Robert Plant and Alison Krauss’ Raise the Roof By Eric R. Danton November 17, 2021 | 9:06am
Silk Sonic Showcase Their Natural Cool on An Evening with Silk Sonic By Candace McDuffie November 15, 2021 | 3:54pm

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Editors' Picks

Best New Albums: This Week's Records to Stream By Paste Staff August 29, 2025 | 2:00pm
Watch Dave Eggar & Bristol Lightning's Paste Session Recorded Live at Bristol Rhythm & Roots Reunion By Brad Wagner January 16, 2025 | 1:38pm

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