• movies Serving Straight Time with Dustin Hoffman and Ulu Grosbard By Mitchell Beaupre March 17, 2023 | 2:00pm
• movies Blue Collar: How Paul Schrader’s First Film Was Almost His Last By Mitchell Beaupre February 10, 2023 | 11:30am
• movies How Jackie Brown Gave Robert Forster His Second Wind By Mitchell Beaupre February 10, 2023 | 9:00am
• movies The Best Movies of the Year: Kimi's Riveting, Respectful Redefinition of On-Screen Autism By Mitchell Beaupre December 12, 2022 | 9:15am
• movies The Familiar Familial Fractures of The Savages By Mitchell Beaupre November 28, 2022 | 11:30am
• movies Justice for Halle Berry’s Die Another Day Spin-Off By Mitchell Beaupre November 22, 2022 | 9:00am
• movies Before the Devil Knows You’re Dead Sent Sidney Lumet Out on a High Note By Mitchell Beaupre October 26, 2022 | 10:30am
• movies The Search for Hope in Paul Schrader's Light Sleeper By Mitchell Beaupre August 22, 2022 | 12:30pm
• movies Kentucky Fried Carnage: The Twisted Delights of Killer Joe By Mitchell Beaupre July 27, 2022 | 10:00am
• movies Fat City at 50: John Huston's Ode to the Down-and-Outers By Mitchell Beaupre July 26, 2022 | 10:00am
• movies How 4:44 Last Day on Earth Helped Me Process My Mortality By Mitchell Beaupre March 23, 2022 | 12:30pm
• movies The Death of Love in Michelangelo Antonioni’s La Notte By Mitchell Beaupre February 19, 2022 | 11:30am
• movies The Controlled Chaos of Dennis Hopper By Mitchell Beaupre February 8, 2022 | 1:09pm
• movies This Is America: How The Good Shepherd Examined the Rot at the Core of a Country By Mitchell Beaupre December 22, 2021 | 9:00am
• movies Elaine May Perfected Dudes Rock Cinema 45 Years Ago with Mikey and Nicky By Mitchell Beaupre December 21, 2021 | 12:45pm
• movies The Hard Part’s Getting Away: The Versatility of Gene Hackman, as Seen through His Five 2001 Films By Mitchell Beaupre November 8, 2021 | 10:45am