Dan Croll Would Like You to Call Him
Pop craftsman's new album, Emerging Adulthood, is here for you.
Image: Dan Croll
Scrolling through social media these days, it seems like everyone has something to say about millenials. They’re lazy; they’re overwhelmed; they’re more connected than ever; they’re isolated and lonely—the list of paradoxes goes on and on. Twenty-seven-year-old British pop singer-songwriter Dan Croll just wants to talk to them. On his new album Emerging Adulthood (it shares its title with a book by Jeffrey Jensen Arnett, “the originator of the theory of emerging adulthood”), Croll dives into how the internet has rewired our circuits and how easy it is to feel adrift in the cacophony—not that he has all the answers. With its mix up of bubble-gum pop, darker rock and playful electronics, it’s the perfect soundtrack to a quarter-life crisis.
At once brash and vulnerable, the bespectacled Croll describes his own sound best when he calls it “pop music, but with honesty and real, personal issues.” He can seamlessly blend new-wave guitars and gooey harmonies, as on the jumpy “One of Us.” On “Bad Boy,” he gets heavy, imploring a trapped listener to just relax. “Stuck in a city unable to travel / you want your head to unravel and a feel a loosening of the chains you feel / society has placed on the path it chose ahead of you.” But the synth sheen, big ‘80s beat and Croll’s soaring falsetto give it all the sweetness you need to make it through.
“There’s this generation that have been born and brought up on social media,” Croll said recently. “I feel like my fans always feel like they’re missing out or that they’re not leading exciting enough lives because they’re always looking at someone else’s on a screen. I think that’s quite sad, and I have a duty as a musician with a decent fan base to be there for them. Now more than ever there are going to be more people dealing with anxiety and occasionally depression. Nothing is ever so bad that it can’t be fixed. It’s about telling people that and being there for them.”
“Nothing is ever so bad that it can’t be fixed. It’s about telling people that and being there for them.”
Croll is no stranger to forks in the road. Once an aspiring professional rugby player, a broken leg brought his dreams to a screeching halt and forced him to look elsewhere for direction. It was only then that he embraced his love for music and managed to reinvent himself. But even after his debut album, 2014’s Sweet Disarray, found some success with its synth-driven hooks and tight harmonies, Croll wasn’t sure he could stick with the grind of writing music, recording and then going back out on the road.