14 Things You Need to Know About The Good Wife‘s New Spinoff, The Good Fight
CBS
Picking up a year after The Good Wife’s slap heard ’round the world, CBS’ new series, The Good Fight, follows Christine Baranski’s liberal feminist badass, Diane Lockhart, as she gets sucked back into the life of a high-powered attorney—just when she thought she was free to retire. But it’s also about much more.
“The Good Fight is a show that is basically feeding off where The Good Wife ended and following some of the characters and what happens to them next,” Robert King, who co-created both series with his wife, Michelle, said Monday at the Television Critics Association’s winter press tour in Pasadena, Calif. “But it’s also about a change in the environment that we’re all going through—the whole political environment, [the] legal [environment], and how we all discuss the truth.”
The first two episodes of The Good Fight, the first original scripted series to air on CBS’ All Access digital platform, will become available on February 19 at 8 p.m., with the remaining eight episodes slated to be released, one at a time, on Sundays thereafter. The first episode will also air at 8 p.m. on February 19 on CBS.
In plotting The Good Fight, Baranski and the Kings discussed Diane’s life in the year that’s gone by since the end of The Good Wife.
“We did speak about how she processed what happened to her, particularly in that final episode, and where her life was when the new show began, in terms of her marriage and her position in the firm,” Baranski says. “She’s estranged from her husband, but she’s on top of her [career] game when this show starts. But halfway into the pilot, she loses everything… The Good Fight jumps off where The Good Wife ended in a very interesting way that turns dramatic very quickly.”
Diane gets a new job.
“Michelle had this epiphany of, ‘Why don’t we send Diane to work in an all-African American law firm?’” Robert says. “Suddenly you saw that you could have all the old tropes of The Good Wife in a completely different cultural setting.”
The firm is one that takes on a lot of police brutality cases. “We loved this idea of there being this weird difficulty of representing police brutality but also making money off of it,” Robert adds. “In regards to the murder rate in Chicago, that will be addressed, [but] when you’re making a TV show, you’re exploiting the situation, too.”
Despite The Good Wife’s political bent, The Good Fight is not just going to be “anti-Trump, anti-Trump, anti-Trump.”
“The Good Wife was a satire toward a liberal mindset because [the show’s setting of] Chicago is such a liberal town,” Robert says. “One of the things we’re looking at in The Good Fight is how the environment changes… It’s also looking at how liberals are reacting. It’s also how the culture changes and the confusion between what’s real and what’s not new. The legal parts of the show are not really about finding the truth there.”
Still, the presidential election gave the Kings “the spine of the show.”