St. Paul and the Broken Bones: Young Sick Camellia

Three albums in, St. Paul & The Broken Bones have helped redefine the modern sound of rhythm and blues and repurposed it into a contemporary context. They aren’t the only ones who have dipped into that formula of late with Mike Farris, Nathaniel Rateliff & The Night Sweats and The War & Treaty reviving and rebooting that seminal sound and helped bring it a new wave of populist appeal.
Young Sick Camellia will likely allow St. Paul & The Broken Bones to further etch their niche as major players in that recent renaissance of sorts. It’s an album with a heft and richness that easily makes an emphatic impression even on first hearing. The performances are first rate, underscored by Stax-sounding horn charts and a breezy delivery that would qualify for radio readiness on both pop and R&B radio charts three or four decades removed. The combination of a smooth groove and singer Paul Janeway’s emotive vocals make songs such as “Mr. Invisible” and “Nasa” excellent examples of the band’s confidence and credence.