Work, Play and Chemistry on the Sirens Set
Tucked away inside one of the cavernous, cold buildings that make up Cinespace Film Studios in downtown Chicago is the home base for Eminent Ambulance Company, the fake EMT service at the heart of the TV show Sirens. The set designers have given it a perfect lived-in, cobbled together feel. The yellow-ish couch and fake wood end tables look like they saw their best days back in the late ‘60s. The plastic dining table and chairs were likely salvaged from an estate sale. And in the kitchen, a refrigerator that can’t be a day over 40.
Your average TV viewer wouldn’t recognize the Eminent home base as readily as, say, Central Perk or the Scranton offices of Dunder Mifflin, but that could change quickly once the show’s second season gets underway on January 27th.
The half-hour sitcom, created by Denis Leary and Bob Fisher (the pair behind the acclaimed series Rescue Me), which follows the workplace triumphs and personal catastrophes of EMTs Johnny (Michael Mosley), Hank (Kevin Daniels), and Brian (Kevin Bigley), already picked up some appreciable ratings for its first 10 episodes, averaging 1.6 million viewers per episode. It was enough for parent network USA to order a second season of the fledgling series, and 13 new episodes will air during this first part of 2015.
“We feel very lucky that we got that kind of show of faith,” says Fisher, during a break in filming last October. “The show definitely got better as it went along. We’re not to the point where people are quoting lines at a wedding, but hopefully we’ll get there with this.”
Sirens is actually well poised to become a potential breakout hit. They have a prime spot on the USA schedule (Tuesdays at 10pm) and a strong promotional campaign to raise the show’s profile. It also can’t hurt that the first 10 episodes are now available for your binge watching pleasure on Netflix.
There’s also the simple fact that many great sitcoms truly take off in their second year. It’s at that point when everyone on the show starts to gel and work as a unit. Having gotten to know the cast over the course of one full season, the writers can then start playing to the actors’ strengths. The chemistry between the folks on camera also starts to spark and flow more readily. All of it lends to a feeling of comfort between everyone on set, something that becomes palpable even for the viewers at home.
“We know these characters a lot more,” says Bigley. “Bob and Denis know these characters a lot more. So we’re more comfortable in our shoes and more comfortable playing around. The first season is all about figuring out what the show is. Now that we’ve built that, it’s about picking up these characters and putting them in different situations.”
The writers sure hold true to that. While last year’s episodes had their fair share of awkward incidents (like the guys discovering a patient’s fetish for equine porn after a failed attempt to clear his browser history), the new season wastes little time tossing the trio into some odd and hilarious situations. In one episode, Brian finds himself attending a high school prom (“It sounds creepy, but it isn’t,” Bigley says with a laugh), and in a later installment, both he and Johnny end up as unwitting chaperones for a tween’s birthday slumber party. As potentially outlandish as it gets, the natural chemistry that the cast has manages to both heighten the comedy, and keep it grounded.