Adam Sandler Brings Laughter and Legitimate Tears to a Wonderful Episode of Saturday Night Live

It’s been 24 years since Adam Sandler was fired by Saturday Night Live, making his hosting gig on this weeks episode a historic occasion. Despite being the second most successful cast member in the show’s history (his movies have made $2.8 billion, while Eddie Murphy’s have made $3.8 billion), Sandler might be SNL’s most beloved living former cast member. On the heels of his return to stand-up comedy, it’s only fitting Sandler makes his way back to 30 Rock for one more round.
And here’s the best part; it’s a great episode.
Sandler is a great host for the show, even if he occasionally gets caught up on the cue cards after two decades away. From his opening monologue through each of his sketches and the show’s surprising closing number, Sandler delivered time after time. His open monologue dives headfirst into why he hasn’t been back on the show in 24 years: hard feelings over being fired.
It’s as strange today as it was back then that Saturday Night Live fired both Adam Sandler and Chris Farley at the same time. It’s only fitting Sandler returns with a song about getting fired. Along the way he brings out Chris Rock, who has a surprisingly great voice, to sing about how he too was also fired before becoming a superstar.
The monologue sets a tone for the rest of the episode, willing to traipse into darkness but never willing to wallow in it or anger. In some ways, it almost feels like a call back to the days of Sandler, delightfully stupid and even a little dirty. We get a sketch about a reporter on the scene of a military coupe trying to live stream a report via Snapchat. Unfortunately, his screen is broken, leading to a host of filters adding adorable depth to his reporting on the body count.
There’s an infomercial about a travel agency’s trips to Italy and how it’s essential to manage your expectations about the impact of a vacation. “If you’re sad now,” Sandler warns, “you might still feel sad there.” Saturday Night Live rarely goes for the throat anymore, but this sketch is vicious about the ways some people lie to themselves to escape.
But there’s also plenty of time for silliness. The sketch about a Sandler family reunion, featuring all the relatives he ripped off to develop his characters, shouldn’t work. Instead, it’s a love letter to Sandler fans, with deep cuts and obvious references alike landing with glee. The prescription buttplug commercial is juvenile and crass, but would have made me lose my mind in high school just like millions did for “Schmitts Gay.”