Tini Howard Throws Down With the Women Wrestlers of GLOW
Art by Hannah Templer & Rebecca Nalty
It’s the most wonderful time of the year for wrestling fans. No, it’s not just WrestleMania season—it’s time to get ready for the Gorgeous Ladies of Wrestling! Hailing from IDW Publishing and clocking in at 32 pages of stunning, late-‘80s Southern California neon glory, writer Tini Howard, artist Hannah Templer, and colorist Rebecca Nalty have teamed up to deliver GLOW, an absolute must-buy for fans of the Netflix series and wrestling fans in general.
We spoke to WWE comic alum (and newly minted Marvel exclusive writer) Tini Howard about the four-issue miniseries, which will follow Ruth, Debbie and the rest of the GLOW roster as they unexpectedly find themselves scheduled to step into the ring with veteran women wrestlers for a charity event. GLOW #1 hit stands on March 27th, and is available on ComiXology and in your local comic shop. Now: let’s get ready to rumble with GLOW writer Tini Howard!
GLOW #1 Cover Art by Hannah Templer & Rebecca Nalty
Paste: This is big—GLOW comics, IDW Netflix comics, Tini Howard wrestling comics! How did you, Hannah Templer and Rebecca Nalty come together with IDW for this miniseries?
Tini Howard: I am so grateful to the team at IDW for bringing me on to this project. When they first reached out I was so excited, but my schedule ramped up really quickly and I wasn’t sure if I was able to take it on. They worked with me so that I could be a part of the team, so it feels extra special—we all really wanna be there.
Hannah is a brilliant cartoonist and Rebecca a fantastic colorist. IDW brought them to the project and I could not be happier. If you don’t know them already, they’re about to be your favorites.
Paste: You’ve previously written for BOOM’s WWE comics series—how different was writing for a Netflix dramedy about a wrestling show, versus writing about a wrestling show? Or was it pretty similar?
Howard: I think the biggest difference is how we handle things like weakness and humor and failure. There’s a little less freedom in writing for WWE—you’re writing about characters that are tied to people’s weekly ongoing performances, so you can’t really shame them or hurt them or take them out of the picture. Whereas with GLOW, they’re just characters, who are kind of flawed and messy, and exploring that is even more fun than spotlighting their victories and defeats.
Paste: How does the miniseries fit into the universe of GLOW—is it something folks can read if they’re a little behind, or haven’t checked out the Netflix series yet?
Howard: It’s definitely something you can read if you’re a little behind. The [series] actually takes place in the nebulous “montage time” during Season 2, where the girls are just pumping the show out each week. This is like a lost weekend that we didn’t see during the show.