Thors by Jason Aaron & Chris Sprouse

Writer: Jason Aaron
Artist: Chris Sprouse
Publisher: Marvel
Release Date: June 17, 2015
In 2013, Jason Aaron wrote the seminal “Godbomb,” his second arc on Thor: God of Thunder with artists Esad Ribic and Butch Guice, which teamed up three Odinsons from different time periods. In the Chris Spouse-illustrated Thors, one of the most hyped corollaries of Marvel’s history-rewriting Secret Wars event, we’re given a Thor team-up that packs twice as many Mjolnir-wielders, and it turns out that the best team-up partner Thor has is… well, Thor.
Thors follows Thorlief (the Ultimate Thor) and his partner Beta Ray Thor—two members of the law-enforcing Thor Corps—as they’re given a high-profile murder case with seemingly no connective threads. While on the job, Thor and Ray interact with a number of other Thors, including Storm (formerly of the X-Men), Throg the Frog Thor and Groot-Thor. Aaron and Sprouse aren’t overthinking the premise, or even attempting to make this miniseries unnecessarily serious. Yes, it is a police procedural. Yes, there are murders. But Thors is also a book that features a bunch of norse god variants boasting about who can beat up the most Hulks, and then they get drunk and arm wrestle. Thors is a book where the main character is notoriously egotistical, and now there are hundreds of iterations of him who are all cops; there are so many opportunities to fall into genre stereotypes, yet this debut chapter never does. Instead, it revels in the inherent insanity of the idea behind it, a take-down of the macho archetype that Thor represents alongside a disassembling of the role of superheroes akin to Alan Moore and Gene Ha’s similar superhero detective dissection, Top 10.