Physical Specimens: New 4K Reviews, Including Thief and Cruising

Physical Specimens: New 4K Reviews, Including Thief and Cruising
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This week in Physical Specimens, our biweekly round-up of new physical media and 4K reviews, we assess new 4K UHD releases of Michael Mann’s first movie, one of the most controversial movies of the ’80s, and a dreamlike cult film about teen runaways from an idiosyncratic French director.

Thief

A steely, no-bullshit James Caan stars in Michael Mann’s first movie as a high-end Chicago jewel thief and ex-con named Frank who works exclusively for himself, with a clear-cut retirement plan of a wife, a home, and kids. Frank’s screwed out of $185K when his fence is murdered, and while trying to get it back he crosses paths with mob high-up Leo (Robert Prosky), who wants Frank to work for him. The initially reluctant Frank agrees to a couple of quick jobs for Leo when he realizes it’ll speed up his retirement schedule, letting him settle down with potential wife Jessie (Tuesday Weld) as quickly as possible. Leo even helps the two get a house and a kid. Almost immediately, though, things go south. Frank flew under everybody’s radar when he was unaffiliated, but as soon as he hooks up with Leo cops are spying on him and shaking him down for a cut. And then Frank’s new partners start to renege on their end of the deal…

Thief is an adult thriller that doesn’t pander to the audience like most crime or action movies made since the mid ‘80s. Mann’s own Miami Vice played a part in the flash-over-substance, MTVified dumbing down of movies like this, and although the director’s distinctive visual style is all over Thief, this is still a smart, talky film as interested in its characters’ thoughts and beliefs as in its shoot-outs and suspenseful set-pieces. 

Caan is perfectly cast as the resolute tough guy realizing he’s no longer in complete control of his life, and Prosky is memorably threatening as an avuncular, soft-spoken menace who approaches violence with business-like calm. Jim Belushi is fine in his movie debut as Frank’s partner, Willie Nelson makes an impression in his one scene as Frank’s ailing mentor in the joint, and Chicago legend Dennis Farina shows up in a bit part as a low-level thug. And Tuesday Weld is just as crucial as Caan, in a kind of role that’s typically thankless and underwritten in movies like this. Not here, though; Jessie has agency, is about as tough as Frank, and is pivotal to the story without being reduced to just the love interest or a victim. She’s on equal footing with Frank—two adults who have lived through some things still hoping for the textbook American Dream, and getting close enough to taste it before it all blows up.

And because this is Michael Mann, it all looks amazing—especially in 4K. Frank’s jobs, always at night, are a contrast between the black and blue of the Chicago skyline at night and the hard, soulless grey of the vaults and offices he’s breaking into. The iconic neon sign of the Green Mill bar has never looked lusher or more inviting than in Thief, and a brief excursion to California is a sun-kissed rejoinder to cold, hard Chicago. And Tangerine Dream’s absorbing, synth-driven score give this classic noir-ish tale an edge that somehow still feels modern more than 40 years later.

The new 4K edition uses the same restoration that was the basis for Criterion’s 2014 Blu-ray. If you’ve ever wondered what a UHD disc offers that a Blu-ray can’t, compare these two. The difference in clarity and the depth and richness of the color is immediately clear, and the UHD version has a more filmic texture than the older disc. Despite being an obvious improvement, I don’t know if it’s enough of an upgrade to buy the new one if you already own the old; if you buying Thief for the first time, though, and have a 4K TV and player, there’s only one conceivable choice here—especially since the new release has the exact same supplementary material as the 2014 set.  

Thief was Mann’s first movie, and maybe still the best of a long, storied career. If you haven’t seen it, fix that with Criterion’s new 4K release.

Thief
Original Release: 1981
Director: Michael Mann
Format: 4K UHD + Blu-ray
Label: Criterion
Release Date: March 11, 2025





Cruising

Controversy has surrounded William Friedkin’s serial killer thriller set within the gay subculture of late ‘70s New York since its release, and it’s easy to see why. On one side you have homophobes reeling at its frank depiction of gay nightlife, on the other you have entirely justified concerns within the gay community that it depicts them in a demeaning, stereotypical fashion and could incite hatred and violence against them—a fear that turned real when the Ramrod, one of the bars in the film, became the site of a mass shooting nine months after the film opened. 

Friedkin, never one inclined to feel sympathetic toward his characters or, uh, society in general, contradicted himself over the years when talking about Cruising. Whether he intended to condemn what could be viewed as the extreme hedonism of the Sexual Revolution in its final pre-AIDS days or not, Cruising has that effect. Its lengthy, debaucherous nightclub scenes are shot and edited in a way that makes everything feel malicious and confusing, like something out of a horror movie. The intentional vagueness of the murderer—whose face is never clearly seen, who seems to be played by different actors in different scenes, whose voice is obviously dubbed over, all of which gives the killer an almost otherworldly feel—and its deliberately fuzzy ending echo the ambiguity with which Friedkin approaches this milieu. It’s never clear where Cruising stands on anything outside of Friedkin’s standard cynicism, and that helps make it a hard, unsettling watch.

It’s also a vivid snapshot of a specific subculture that was about to be shattered by a slow, prolonged disaster, giving Cruising a bit of anthropological importance. And its soundtrack, featuring original music by L.A. punk titans The Germs and Canadian art-punks Rough Trade, and a sinister score by Jack Nitzsche work perfectly for the sordid tone Friedkin aims for. 

Cruising is an ugly, brutal, exploitative movie that’s indifferent at best to any anti-gay panic it might potentially incite. It’s also a fascinating, dreamlike, at times hallucinatory thriller unlike anything that’s come out of Hollywood before or since. It might be rotten at the core, but it’s as transfixing as it is provocative. It’s not really a movie that can be recommended, but it’s also probably one you’ll never forget.

Setting aside the quality of the movie itself, Arrow’s new 4K release is a masterclass in how to do a limited edition of a cult film. It’s a gorgeous restoration straight from the original 35mm negative, presented in HDR10-compatible Dolby Vision, making this the best it’s looked since it played in theaters 45 years ago. It’s packed with interviews from the cast, including a new interview with Karen Allen, and two different commentary tracks from Friedkin. It includes featurettes on its production, the controversy and the protests that tried to disrupt its shoots, as well as a separate short documentary about the protests. And it all comes packaged with a 120-page book featuring an interview with star Al Pacino, an introduction from Friedkin, and period articles from New York papers (including the Village Voice, who covered the protests in real time). It’s a fantastic commemoration of a film that may or may not deserve it.

Cruising
Original Release: 1980
Director: William Friedkin
Format: 4K UHD + Blu-ray
Label: Arrow Video
Release Date: Feb. 25, 2025



The Escapees

Speaking of dreamlike exploitation… Jean Rollin was an idiosyncratic French filmmaker with a long catalogue of surreal, cheaply made, exquisitely French horror films that often veered into softcore territory. (He also made a decent amount of hardcore pornography when work was lean.) If you’ve heard of movies like Fascination, The Shiver of the Vampires, The Lips of Blood, or The Grapes of Death, you might know his name. I’m new to the world of his very distinct work, and I’m kind of obsessed. And because it isn’t a horror film, his 1981 teen runaway film The Escapees (or, in its native tongue, Les paumées du petit matin) is a good place to start for people who like, say, David Lynch but might not be into cheapo horror or supernatural flicks.

The Escapees follows Michele and Marie, two teenagers who break out of a mental asylum for girls (played by Laurence Dubas and Christiane Coppe)—one a survivor of abuse with severe trust issues, another a survivor of abuse who is debilitatingly afraid of all people and places—and have a series of weird, vaguely unreal encounters while trying to ensure their freedom. Nothing supernatural happens, but everything’s also slightly off, from a burlesque troupe who performs in the middle of an otherwise empty field, to the bar for outcasts and misfits that becomes their temporary home. This movie about two young victims of life’s cruelty trying to avoid further exploitation starts to turn into a more standard exploitation film during its last act, which is sad to see, but ultimately Michele and Marie refuse to be victimized anymore. Its cryptic, elegiac ending is pure Rollin—like a scene from a startling, hazy dream.

Powerhouse has been gradually releasing 4K restorations of Rollin’s work as part of its deluxe Indicator series, which are among the best archival packages you’ll find in physical media today. Every Indicator release comes with a book full of essays, interviews, photos, and other material, and that’s no different with the Escapees limited edition. A set like this is catnip for collectors, and despite its melodramatic mien and meager production values, The Escapees might entrance anybody with an interest in experimental narrative films.

The Escapees
Original Release: 1981
Director: Jean Rollins
Format: 4K UHD
Label: Powerhouse Films
Release Date: Dec. 10, 2024


Notable Upcoming 4K Releases

March 25, 2025
Antiviral, 2012, Severin
Babygirl, 2024, A24
Black Sheep, 1996, Kino Lorber
Bring It On, 2000, Shout Factory
The Brutalist, 2024, A24
Choose Me, 1981, Criterion
Delicatessen, 1991, Severin
Desperado, 1995, Arrow
Don’t Torture a Duckling, 1972, Arrow
Hookers on Davie, 1984, Canadian International Pictures
Night Moves, 1975, Criterion
Night of the Creeps, 1986, Shout Factory
The Possession of Joel Delaney, 1972, Vinegar Syndrome
Suddenly in the Dark, 1981, Terror Vision
Venom, 1981, Blue Underground

April 1, 2025
Companion, 2025, Warner Bros.
A Complete Unknown, 2024, Disney / Buena Vista
Flight Risk, 2025, Lionsgate
Harbin, 2024, Well Go USA
Love Hurts, 2025, Universal
Mufasa: The Lion King, 2024, Disney / Buena Vista
Renfield, 2023, Shout Factory
Summer Wars, 2009, Shout Factory
Ugetsu, 1953, Criterion

April 3, 2025
Re-Animator, 1985, Ignite


Senior editor Garrett Martin writes about videogames, TV, travel, theme parks, wrestling, music, and more. You can also find him on Blue Sky.



 
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