Insidious: Chapter 3

More than any other genre, horror is known for churning out sequel after sequel. That’s one of the benefits of working on the cheap: All you need is one strong opening weekend and you can make a profit, and after a few installments, you can pull that off based on name recognition alone. The latest horror franchise to expand the brand is Insidious, which drops the tepid, totally generic Insidious: Chapter 3 in theaters this weekend.
Leigh Whannell, writer of the previous installments (and Saw), takes over the director’s chair from his partner-in-crime, James Wan, who has moved on to helming movies like the billion-dollar-earning Furious 7 and the upcoming Aquaman. Without so much as a short to his name, Insidious 3 marks Whannell’s directorial debut, and what he delivers is a paint-by-numbers horror offering that brings nothing fresh or even moderately appealing to the table. There is nothing particularly egregious going on, but neither is there anything of interest to be found.
A prequel set before the events of the Lambert family haunting from the first film, Insidious 3 follows Quinn Brenner (Stefanie Scott of the upcoming Jem and the Holograms adaptation). A gifted dreamer with hopes of attending a prestigious New York drama school, she turns to Elise Rainier (Lin Shaye), a reluctant psychic who can communicate with the dead, in the hopes of getting advice from her dead mother. As it turns out, Quinn has been targeted by a sinister demon that answers the call from the other side, and he torments her throughout the rest of the movie.
What follows is only scary if you’ve never seen a horror movie before in your life. Shadowy figures show up, lurking in the corner of dark rooms. Characters do things like look under the bed, seeing nothing, but when they stand up, surprise, there’s some nasty-looking demon man standing behind them. Every cliché, trope, and platitude the genre has ever produced gets trotted out. The result is that the 97-minute run time drags at a snail’s pace.