How Nugu K-Pop Group H1-KEY Found Slow-Burn Success
We caught up with the girl group to talk about their new single “Deeper,” viral 2023 hit “Rose Blossom” and the power of comfort in K-pop.
Photo courtesy of the artist
K-Pop Talk is Paste‘s monthly column featuring interviews, features, reviews and explainers dissecting Korea’s pop music scene from an American perspective.
“A rose blossoming between high-rises / Please be alive / Thrive and grow, don’t snap.” These are the opening lyrics (translated from Korean) to “Rose Blossom,” the song that launched K-pop girl group H1-KEY from nugu to star status in Korea in 2023. Seoi, the 24-year-old leader of the four-member group, thinks it was this image of a rose blossoming in the midst of a concrete cityscape that really resonated with Korean listeners. “If you think about Korean people, they’re really known for working hard,” Seoi tells Paste, via a translator and over Zoom from Seoul. “You see buildings lit up, even during nights, because people are working up until very late,” continues Seoi, thoughtfully. “They’re just trying to continue living their lives.” (At 52 hours, Korea has one of the longest standard working weeks in the world.)
“Rose Blossom” didn’t find a huge audience in Korea right away. Released in January 2023 as part of a mini-album of the same name, the mid-tempo pop track failed to place first at any of the music shows and it took over a month for it to snag the #1 spot on Hanteo’s real-time physical album chart. The eventual success, which came from a group outside of the four big companies that dominate the idol industry in Korea—YG, SM, JYP, and HYBE—was called a “miracle” by domestic press. “When we were actually promoting our song on music shows, I did not really feel that [popularity] at all,” Yel, the group’s 19-year-old singer and rapper, says. It was only when she went to stay with her parents after the promotional period that it hit. “I could hear our song being played on the streets and in grocery stores,” Yel recalls. “That was the moment that I felt, ‘Wow, this song has become known.’”
While the members of H1-KEY may see the hardiness of the Korean character in the metaphor of a flower growing in difficult conditions, some fans see the hardiness of H1-KEY. The group experienced a rocky start after “ATHLETIC GIRL,” their 2022 debut. Originally a quartet consisting of Korean members Seoi, Riina and Yel, and Thai member Sitala, Sitala left the group four months after their debut, in May 2022. Officially for “personal reasons,” the departure came following months of pushback from Thai fans regarding the alleged involvement of Sitala’s late father in supporting Thailand’s 2014 military coup. Vocalist Hwiseo came on as a new member in June 2022; her debut came after almost a decade of life spent as a trainee at various music companies, including FNC Entertainment, The Black Label and Source Music. “There wasn’t time for me to really think about joining the group,” says Hwiseo, now 21, when asked if she was nervous coming into the group post-debut. “But when I saw the members of the group, I found that I thought it would be really fun to be with them and to embark on this journey together.”
When Korean press called the success of “Rose Blossom” a miracle, it wasn’t the group’s member switch-up that they referred to. (In an industry, and fan culture that holds idols to extremely high standards, member departures are not unheard of.) Rather, it was the fact that H1-KEY hails from GLG Entertainment (in partnership with Sony Music Korea for international promotions)—aka not one of the “Big Four” K-pop giants. In 2021, artists from HYBE, SM Entertainment, YG Entertainment and JYP Entertainment accounted for 60.9% of the year’s total physical album sales. This leaves roughly 40% of the market for the hundreds of small to mid-sized music companies to fight over. (In 2023, about 238 companies had K-pop trainees.)
With anywhere from 50 to 100 K-pop groups debuting each year, it’s easy to get lost in the crowd. It’s not unheard of for artists from outside of the “Big Four” to make it to the top of the charts—of 2021’s top 20 best-selling albums, for example, one group from outside the “Big Four,” KQ Entertainment’s ATEEZ, made it onto the list—but it’s an uphill battle. This is where the term “nugu” comes in. A romanized version of “누구,” the Korean word for “who,” it is often used within Korea to refer to K-pop groups who aren’t known to the general public. Groups that, when someone brings them up in casual conversation, the other person will ask, “Who?” Classification of what makes a K-pop group “nugu” is subjective, and can differ between cultural contexts.