The Week In Music: Paste’s Favorite Songs, Albums, Performances and More

The first week of June is now over, and summer is fully in swing. This week we loved new albums from Snail Mail and Neko Case, and the latest singles from Interpol and Rolling Blackouts Coastal Fever. In the studio, we hosted a bluegrass legend and young singer-songwriters, and on the features side, we released the latest installment of our Guilty Non-Pleasures series. Check out everything you might have missed below.

BEST ALBUMS
Snail Mail: Lush
Lush is a collection of 10 lucid guitar-pop songs that show off Lindsey Jordan’s classically-trained guitar skills, structural know-how, plus an ability to express the inquisitiveness and confident insecurity of youth with a surprising sophistication. “They don’t love you, do they?” she asks during the magic-hour-esque “Intro,” her clear and comfortingly relatable voice singing the first of many questions she poses throughout the album.—Madison Desler

Neko Case: Hell-On
Hell-On is well-stocked with catchy tunes and simmering rage. On the title track, Neko Case spends three sparse verses comparing God to a “lusty tire fire” and her own voice to a garotting wire before the song suddenly blossoms into a sprightly interlude. Right at the transition point, she warns: “Don’t you tell me I didn’t warn you that that’s some gravity you ought not to play with.” —Ben Salmon

Gruff Rhys: Babelsberg
Babelsberg is a rich, nuanced pop album that feels like something French from the late ’60s. There are moments of madcap yé-yé guitar, some rumbly talk-singing, a sardonic duet and a blend of sincerity and deadpan wit, amplified by strings, brass and woodwinds that fill in the outlines of the songs with texture and color. For all the vintage-style musical forms, Rhys’ lyrics are startlingly up-to-date. Though he wrote these songs more than two years ago, he might as well be describing current events when he sings obliquely, and with grave faux-chivalry, about crossing borders on “Frontier Man,” or offers an arch take on the effects of the gig economy on “Oh Dear!” as busy string parts swirl around taut guitars.—Eric R. Danton

BEST SONGS
Interpol: ‘The Rover’
“The Rover” is a shattering first look at the Interpol’s forthcoming record. The song’s title leans into the album’s name—the roaming air of a marauder directly links to roving and wandering, which are captured in the song’s lyrics. The brash line, “You can stick to the highways and suicide,” is wrapped in the lawlessness of a marauder. —Anna Haas

Rolling Blackouts Coastal Fever: ‘The Hammer’
With only single-digit days left before the June 15 release of their much-anticipated album Hope Downs, Melbourne’s Rolling Blackouts Coastal Fever have shared one last single and announced their biggest headlining tour yet, including over a dozen new North American dates. The Aussie indie-rock quintet’s album-closing cut “The Hammer” comes on the heels of three previous singles, “Mainland,” “Talking Straight” and “An Air Conditioned Man.”.—Scott Russell