Interview with the Vampire’s Claudia Is TV’s Best Gothic Female Character
Photo Courtesy of AMC
When Kirsten Dunst stomped onto the screen as unsettling baby vampire Claudia in 1994’s Interview with the Vampire, I assumed we’d seen all there was to offer with the character. But then AMC’s TV adaptation debuted in 2022, and the series very quickly proved me wrong.
Bailey Bass’ giddy turn as the character in Season 1 of Interview with the Vampire injected new life into the child vampire, and introduced a whole new generation of fang lovers to this gloriously wicked ball of anger. Claudia stands out from the stereotypical female characters that have populated vampire stories of yore, and what truly sets her apart is her unbridled rage. Claudia is saved from a fire by Louis de Pointe du Lac (Jacob Anderson) and she emerges from the flames a monster raised to embrace her monstrosity. As a vampire, she is allowed to indulge in the most forbidden of her desires and extreme of her emotions, and it is gratifying to see a female character not only bask in her rage, but act upon it. Claudia does not allow her maker, Lestat de Lioncourt (Sam Reid), to walk all over her, but rather stabs and burns his mistress and poisons him for treating her and Louis (Jacob Anderson) so poorly. Her ferocious appetite for revenge is made even more unsettling by the image of a permanent teenager committing these vicious crimes, making for a truly horrifying—and arguably iconic—Gothic image.
There’s an element of tragedy that is inextricable from the character. Turned into a vampire against her will and cursed to live an eternity in the mind of a woman but the body of a teenager, Claudia embodies the monstrous feminine, a woman stolen of choice railing against the forces that oppress her. Her turning point comes with the death of her first love, a young boy who Claudia accidentally drains in a moment of passion. Realising that he is dying, Claudia quickly takes his body to Lestat and demands he turn him for her, upon which we discover that she has tried and failed to make herself a companion on multiple occasions. Rather than offer her comfort in this moment of utter despair, Lestat decides to turn this into a lesson, forcing her to watch as they engulf the boy’s body in flames. Her first experience of a broken heart is turned into a ritual of humiliation by her father, and her uncontrollable appetite—a consequence of her creation—is treated as nothing more than a reckless choice.