Hell on Wheels: “Chinatown”
(Episode 5.01)

When working towards a goal, it always helps to know where you want to end up. Hell on Wheels has always been heading towards the moment when the first transcontinental railroad is finished, but it’s gone on its fair share of tangents along the way. After its fourth and best season, Hell on Wheels announced that it would split its fifth and final season into two parts, bringing an end to a show that, frankly, lasted longer than I ever expected it would. The best thing that could happen to Hell on Wheels might be some serious focus to wrap up its series, and it’s currently a stronger series than it’s ever been before.
Initially, Hell on Wheels was only successful when it was at its campiest—throwing ridiculous elements in to add to its insanity levels. As I will never stop mentioning, this is the show that once featured a fist-fight between Common and a bear. And Common won. What has made these last few seasons of Hell on Wheels so fascinating, however, has been what’s risen from the ashes of that craziness. Instead of having occasional, ridiculous fun amongst a lot of bland storytelling, Hell on Wheels has transformed into a compelling show about people trying to make their own fates and recreate themselves after the horrors of the Civil War. Much like other AMC shows had their Walter Whites and Don Drapers to track this evolution, Hell on Wheels has given us Cullen Bohannan, and smartly straightened the focus on him, even if he’s not as consistent character-wise as those other AMC stars.
Much like the Season Four premiere, “Chinatown” takes us away from the eponymous camp and focuses almost exclusively on Bohannan’s current state. In the last season, he was stuck in the Mormon camp, awaiting his son to be born from his new wife—neither of which he wanted. This season, he has switched sides, now working for the Central Pacific Railroad Company he once worked so hard to try and outdo, and has been searching for the last month for the wife and child that ran from him.
When we were first introduced to the Hell on Wheels camp, it was overflowing with unnecessary characters that never quite received the attention they deserved. Another great sign of this show’s growth is how we are introduced to the town of Truckee, California, and succinctly shown the main players that are essential, rather than dealing with as many potential stories as the show can possibly toss in. This change in location is also a beautiful example of the show kicking its directing and cinematography up a notch. After four seasons of dusty shanty towns, the snow-covered mountains of this new locale are a welcome change.