Saturday Night Live Sidelines Jon Hamm During Scattered Episode
Hamm’s first time hosting SNL in 15 years reminded us why he’s a pro at the show, even if he was barely used during the live taping because of pre-recorded material and a long Weekend Update.
Photo courtesy of NBC
For the fourth time, Jon Hamm hosted Saturday Night Live last night. Hamm is one of the hosts I remember most vividly from the late 2000s, when I was really getting hooked on the show. Him appearing twice in 2010 was especially brilliant, as SNL really took advantage of his Mad Men mega-fame. Hamm, as it turned out, had a real penchant for comedy, establishing himself as one of the best hosts of the era—which makes his absence between October 2010 and now all the most puzzling. Now, granted, he’s been back to Studio 8H about 14 times in the last 15 years (he made sure to point that out in his monologue), so it’s not like Lorne Michaels dropped Hamm completely without rhyme or reason, but, still, he couldn’t have hosted once in that span? I suppose he didn’t really have a blockbuster film or show to promote, considering most of his strongest clips around then came via supporting roles in Baby Driver, Richard Jewell, and Top Gun: Maverick. Needless to say, I’m happy that Hamm is back, making a stop in NYC on his Your Friends & Neighbors press tour.
Some of my all-time favorite SNL sketches feature Hamm, especially “Vincent Price’s Halloween Special” and “Trick-or-Treat.” He and someone like Jake Gyllenhaal are cut from the same cloth: confident leading men who can play it straight and take the freakiness up a notch if the material calls for it. I imagine that writing sketches around someone like Hamm could be fruitful, as evidenced by how well the show has recently performed under the leadership of someone like, say, Pedro Pascal or Benedict Cumberbatch—serious on-screen guys with a bit of quirk in their step. And, going into last night’s episode, I was rather excited to see how this season’s team of writers would gel with Hamm’s stately, everyman energy. With a guy like him at the helm, character work could—and should—be a breeze.
Unfortunately, last night’s episode felt… off. When Hamm was on-screen, he gelled well with the cast. But there wasn’t a whole lotta “live” material to work with. Not counting the cold open and Update, we got four live sketches and three pre-recorded ones. That means Hamm was only on stage for four out of the nine segments (five out of 10, if you count his monologue). It reminded me of the Dave Chappelle and John Mulaney episodes, as the balance wasn’t quite there but the good stuff was good. Compared to last week’s Jack Black-hosted episode, last night wasn’t as consistent but the highs were far more interesting. Hamm reminded us why he’s a pro at SNL, and he has all but locked up his inevitable induction into the Five Timers’ Club. I just hope we don’t have to wait another 15 years to see him get his jacket, though I will probably wince at the inevitable cameo-infested monologue sketch forced upon us when that time does come. So let’s kiss and tell and take notes. As a wise cue card says…
“Live from New York…”
Donald Trump (James Austin Johnson) stands in-front of a frozen cast and rambles for six minutes. Where have we seen this before? Right, during the Founding Fathers cold open in January. This time, however, there are no Lin Manuel-Miranda cameos, and thank God. This edition of the sketch went far better than the last one, as Easter Sunday looms and a brief narration about the resurrection of Jesus and the cleansing of his temple quickly transitions into Trump doing a monologue about his tariff plan disaster. I’ll be honest, the bit grew stale really quickly, save for a couple of nice one-liners about eggs and four-dimensional chess.
The problem with SNL’s take on the current political climate is it’s too one-note. Their default—Trump doing off-the-cuff sermons full of tangents and digressions—is disappointing, if only because there’s no absurdity in the drama. I guess it’s a proper mirror to what’s really going on, how everything Trump does is ludicrous to the point of disbelief, but, being the broken record that I am, these sketches always leave me wanting more from JAJ’s approach. The whole “Trump is a bumbling idiot” thing doesn’t jibe with me, considering that the current administration is actively enabling a genocide and actively trying to strip its own citizens’ rights away.
But this week’s cold open was saved when he started talking directly to his castmates, much like how the cold open was saved when he started ribbing Manuel-Miranda three months ago. Trump mentions that Emil Wakim should be playing Jesus, not Mikey Day (who gets made fun of for his Great Clips commercials), before criticizing Sarah Sherman’s open mouth and referencing Ego Nwodim’s “men ain’t shit” moment during her Miss Eggy bit on Update last week. The sketch doesn’t quite break containment, though SNL rarely fails when it gets pointedly referential like this.
“You look mahvelous!”
Death, taxes, and Bowen Yang having an off-kilter sketch right after Weekend Update: These are life’s guarantees, and they delivered once again last night. “New Parents” was a delightful re-up of “We’re Trying,” which featured Adam Driver as Bowen Yang’s partner. Hamm sells the role better than Driver but still manages to let Bowen be fully in control of the bit. Every minute of this sketch was pure magic, and the hardest I laughed all night. Hamm and Bowen show up to a friend’s house with a newborn baby in tow, much to the confusion of everyone else in the room.
They all want to know where this baby suddenly appeared from, but Bowen and Hamm just want to be taken as seriously as any straight couple. They don’t want to answer any invasive questions and, given that they spent the previous night at a rave called “Bulge Dungeon,” nothing is adding up. The baby wasn’t planned, Hamm reveals, and there’s confusion about whether or not it was stolen.
The sketch is meant to be a spoof on queer tokenism (“It? You mean she/they until he tells us otherwise!” had me laughing audibly), and there’s even a funny moment where Bowen, who speaks eight languages—English, French, AP French, Na’vi, Simlish, Black-ish, Grown-ish, and Singing—calls his friends transphobic before Hamm laments there not being a word for a phobia against gay people. This was my favorite sketch of the night, and it could’ve been a contender for one of my favorite sketches of the year had the momentum not been cut down by musical guest Lizzo’s one-line cameo as the baby whose origins were in question. But the sketch is saved when Mikey Day asks how old the baby is and we get a great final quote from Hamm and Bowen: “You cannot ask women that!”
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