A Refreshingly Grounded She-Hulk: Attorney at Law Keeps the MCU’s Fun Streak Going

After wading through the seemingly never ending supply of high stakes dramas and subversive comedies that TV has to offer, it’s always nice to find something that falls more in the realm of “normal.”

It may seem odd to say that about a show focused on a woman who gains the ability to turn into a huge green monster that could easily throw a sedan halfway around the world, but it’s also true. She-Hulk: Attorney at Law follows Jennifer Walters (Tatiana Maslany) as she has to navigate her new powers as a Hulk alongside her career as a lawyer and the rest of her life in general. Instead of sending Jen on some big hero’s journey type quest, She-Hulk throws us back into her everyday life with her new identity in tow. Unlike her cousin Bruce Banner (Mark Ruffalo), she doesn’t face the same challenging, raging alter-ego that took him 15 years to tame, and she doesn’t necessarily want to be in the business of saving the world either. Regardless of what she wants, Jen’s Hulk powers are outed to the public and she has to go about her life with She-Hulk as her new normal, and that makes for a great watch.

The first 4 episodes of She-Hulk feel like a classic half-hour comedy that just happens to be set in a universe where superheroes are real. Instead of a world-spanning, complex, dramatic plot similar to Moon Knight or Loki, we get to watch a bubbly case-of-the-week lawyer show that is reminiscent of the very short-lived Powerless. Any world that contains superheroes and all the things that come with them will eventually have audiences wondering about how regular people live their lives among the mess, and She-Hulk gives us a look at that from a different angle than other Marvel properties. In a more general sense, it’s nice to have a break from the really big, world-ending consequences so much of the MCU burdens its content with. Jennifer Walters might have some heavyhitting clients and enemies, but none of their plans involve mass murder or universal destruction. In a world where some sort of massive disaster is always around the corner, it’s nice to see even the most minor consequences play out. The hardest part of creating a universe with over 30 linked movies and TV shows is making the trickle-down effects of aliens and gods and enhanced people feel real, and She-Hulk succeeds in its quest to boost the MCU’s authenticity. The franchise has always sought to be reasonably grounded, and a show that splits its time between legal drama and a superhero coming into her own is the perfect way to reinforce an already strong foundation.

As expected, Tatiana Maslany does a wonderful job, especially as she navigates the non-Hulk parts of Jen’s personal life. Orphan Black proved that she has an incredible range, and her performance reads well even when she’s fully CGI here. Outside of the whole superhero thing, Jennifer Walters comes off as super relatable, and where sometimes in these stories it can feel like you’re watching it all happen from the sidelines, She-Hulk has you fully in step with Jen. The fourth-wall breaks are a key component to this, and while they’re a consistent presence in the show, they aren’t overused at all. It’s a gimmick for sure, but Jen’s short conversations with the viewers aren’t treated as something that happens outside of everything else. She can miss something going on if she’s talking to the audience, and that just makes the bit more fun. The rest of the cast does a great job—especially Ginger Gonzaga as Nikki, Jen’s paralegal and best friend—and gives those who think that comic book shows should take a turn down the comedic route more often some ground to stand on. Not only is it great to stay out of the doom and gloom Ms. Marvel so nicely freed us from, it’s just nice to have a show with some joy in it for once.