The Blacklist: “Leonard Caul”
(Episode 2.19)

From the very beginning, The Blacklist has focused on Reddington, a well-known entity in the criminal underworld, working on the side of good and helping the FBI. His reasoning was unknown, yet this dynamic is what has fueled the show and frankly, it’s gotten boring, predictable and by-the-numbers for the most part. With “Leonard Caul,” we get the exact opposite of this concept, with Liz going into Reddington’s world of shady deals, fixers and coverups. This change in style gives us one of the best episodes of The Blacklist, with a refreshing change in atmosphere, actual stakes and an evolution of where this story might go.
No matter how often The Blacklist features a member of our main cast getting kidnapped or close to death, it rarely ever feels like these characters are in danger. The show has become so cookie cutter, we know everyone will be safe by the end, and that little-to-nothing will have changed. “Leonard Caul” gives us an actual sense of urgency and through this shake up on the show, it finally feels like there could actually be danger.
When we last saw Reddington, he was shot and bleeding out in the street while Liz and Dembe try to protect him. This week, Liz and Dembe contact Mr. Kaplan to get Reddington into surgery, while Reddington tells Liz that in order to save him, she must find a Leonard Caul. “Leonard Caul” is a vast improvement over the usual episodes by not centering on the person-of-the-week, instead making him an important puzzle piece in the mystery of the week.
Caul’s significance to the story is that he knows how to get the Fulcrum to work, so everyone can finally see what that MacGuffin was all about. Upon seeing the list that the Fulcrum contains, Liz seeks out The Director and uses the Fulcrum in the way it was meant to be used: blackmail. She blackmails The Director into stopping a secondary attack he has used to try to take out Reddington, since his first plan failed, and after mentioning that Liz looks like her mom, also points out that she has gained a whole new group of enemies.
This gunfight between The Director and Reddington’s team does give off the sensation that we could actually lose someone. Well, maybe not someone as big as Reddington, but I wouldn’t have been surprised if we saw the end of Dembe or Tom. In past episodes, I’ve never felt like anyone was in danger at all, yet “Leonard Caul” paces itself to make this danger actually seem real.