A Meandering Marvelous Mrs. Maisel Season 4 Struggles to Find Its Purpose

Like so many of its fellow established series that have been off the air for the last two pandemic years, The Marvelous Mrs. Maisel Season 4 picks up exactly where its last season left off, which means viewers are expected to recall what in fact transpired at the end of Season 3. So much has happened in our world in that time that it’s been jarring to see these shows return without having really moved forward at all, sometimes literally extending from a scene in that now long-ago finale. It’s as if we are meant to forget the gap between episodes and pretend nothing happened; it’s almost ghostly the way it tries to erase that experience and the passage of time.

But if viewers feel adrift, that’s something we share with Miriam Maisel (Rachel Brosnahan), who was unceremoniously dumped from a big-deal European tour to end Season 3 because she nearly outed the headliner at the Apollo. Her set killed, as she notes while having a breakdown on the way from the airport, but she was once again speaking out about things that weren’t sanctioned for her to say. And she—with trademark profanity—exclaims just that in a comedy set that bookends the first episode, declaring she will not be silenced any longer. And, she will take the reins in controlling her life and her career.

Those who have watched Mrs. Maisel over the years will know that things are never that simple, and indeed once again they are not. Midge had taken a loan from her father-in-law Moishe (Kevin Pollak) in order to buy back her old lavish apartment, based on the fact that she was about to make some very good money. The premiere is largely concerned with how that money thusly gets moved around, after Midge’s manager Susie (Alex Borstein) gambled it away and then tries to borrow it short-term from Midge’s ex-husband Joel (Michael Zegen), all while she waits for the check from the insurance fraud she and her sister Tess (Emily Bergl) committed in Season 3.

This kind of madcap plotting is never the show at its best, and things come to a grating crescendo when the whole Maisel and Weissman brood go to Coney Island where Midge has to admit to her parents (Tony Shalhoub’s Abe and Marin Hinkle’s Rose) as well as her in-laws what happened. The second episode (of a mere two available for review) calms down slightly, but tries to sell us on Midge’s hardship living in a massive apartment that she can’t really pay for, and having a breakdown when the milkman won’t deliver to her because she lacks her own established credit away from her husband.

There are elements of The Marvelous Mrs. Maisel that speak to important truths of the era (that Midge’s credit is based on her husband, that she’s punished for making blue comments while male comics are praised for it, etc), but none of it quite lands because Midge is so incredibly rich and privileged. When that’s lampooned, like in the character of Sophie Lennon (Jane Lynch), it works. But if we’re supposed to feel like Midge—with her live-in housekeeper, two children she ignores, and endless rooms of expensive decor—is just a working girl doing her best to make it in this crazy city, well… that’s a harder sell.