“It’s the American Dream:” Craig Robinson Talks Snake Hunting and His New Sitcom Killing It
Photo by Skip Bolen, courtesy of Peacock
You’re forgiven for thinking a sitcom about Craig Robinson and Claudia O’Doherty hunting snakes in a swamp would be fundamentally silly. That’s the premise of Killing It, a new comedy on Peacock created by Brooklyn Nine-Nine co-creator Dan Goor and Brooklyn and 30 Rock producer Luke Del Tredici. Based on the real life Florida Python Challenge, a state-sponsored snake hunt geared to reduce the ecological impact of pythons on the Everglades, Killing It’s pedigree, cast and outlandish concept make it seem like the kind of sitcom you’d watch to unwind from the stress of daily life and forget about the real problems of the world for a half-hour or so. And then, less than three minutes into the first episode, a surprising bit of violence shatters those expectations, establishing that this is going to be a show that’s serious about trauma, loss and struggle, even as it remains a comedy first and foremost.
As the show’s lead and central force, it’s Robinson’s job to preserve that crucial balance between drama and comedy. If you only know him from The Office, Brooklyn Nine-Nine, or the Hot Tub Time Machine movies (yep, there’s more than one of ‘em), you might be surprised at how capably Robinson handles both tones. As a down-on-his-luck working stiff with unfulfilled big dreams who enters the challenge in hopes of winning the $20000 grand prize, he remains sympathetic without turning into a sad sack, retaining his drive and moral compass even as the whole world seems to conspire against him at every turn. It might be Robinson’s best role yet—and he seems to realize that.
“I relish doing dramatic parts,” Robinson told Paste at a recent junket for the show. “I love going that route. You’ve got to show some more vulnerability, which is a challenge. I love the tones [Killing It] takes on and being able to do that dance between comedy and drama.”
Despite the premise, there’s not a lot of actual snake hunting in Killing It. The contest is a backdrop for an exploration of America’s economic disparity, how society is built to further enrich the wealthy and deprive the poor, and how the gulf between classes has steadily widened over the last several decades. It’s a sitcom with a message, although not one that overpowers the actual comedy. It might make you feel bad, but at least you’ll laugh along the way.