America: The Motion Picture‘s Unfunny Historical Farce Is as Antiquated as Its Subjects

This is all entirely separate from the crude animation, rendered as a cheap-looking episode of Thompson’s own Archer. While tolerable in 20-30 minute doses, this style of animation in feature-length form renders itself unbearable as we’re simultaneously enduring over an hour-and-a-half of Jason Mantzoukas hollering guttural variations on “Yeah, so that happened!” America: The Motion Picture seems intent not only to deprive audiences of anything moderately pleasant to look at, but to consistently provide something horrific to look at. Scenes are about as busy and excruciating as a Where’s Waldo? image populated by epic sauce history dudes holding machine guns and saying “fuck,” while the derivative nature of the alt-history narrative has already been played out better and (most importantly) more briefly, on the Comedy Central series Drunk History.

Far more interesting than anything in the film itself, however, is figuring out Callaham’s place in it. His only true foray into comedic writing amounts to the poorly-received Zombieland sequel from 2019. That gives us some insight as to why America: The Motion Picture is so anti-comedy, but not as to why a guy whose writing credits include the first Expendables movie, a story credit for 2014’s Godzilla, the recent Mortal Kombat adaptation and a handful of superhero blockbusters, was brought on to write. It’s baffling as to why a writer mostly experienced in action laden with Hollywood snark would be tasked with a script clearly meant to be 90% jokes—not a single one of which is well-executed.

Perhaps it’s due to having a co-writing credit on Lord and Miller’s impending Spider-Verse sequel, but it is interesting that in between Godzilla and Double Tap, Callaham’s resume exhibits a five-year movie gap before co-penning blockbuster after blockbuster…I say, pulling taut lines of thread across a cluttered bulletin board, my eyes bloodshot red; I have not slept in days. Of course, making a film takes a village, and no single contributor can be blamed for a poor end product that drives an audience member to the brink of insanity. So, it would simply not make sense for me to reach the conclusion that screenwriter Dave Callaham made a deal with Satan in order to get bigger writing opportunities in the film industry.

In any case, this reasonable theory mostly falls apart due to the fact that Callaham served as creator and showrunner on a similarly reference-heavy, metatextual, short-lived comedy series about Jean-Claude Van Damme during the aforementioned resumé gap. All of this is beside the point, of course. America: The Motion Picture is a particularly low point among the Netflix Originals’ notoriously varying quality, and it cannot be overstated how well one would do to avoid it—Satanic involvement or otherwise.

Director: Matt Thompson
Writer: Dave Callaham
Stars: Channing Tatum, Will Forte, Andy Samberg, Olivia Munn, Jason Mantzoukas, Simon Pegg, Bobby Moynihan, Judy Greer, Raoul Max Trujillo, Killer Mike
Release Date: June 30, 2021

Brianna Zigler is an entertainment writer based in middle-of-nowhere Massachusetts. Her work has appeared at Little White Lies, Film School Rejects, Thrillist, Bright Wall/Dark Room and more, and she writes a bi-monthly newsletter called That’s Weird. You can follow her on Twitter, where she likes to engage in stimulating discussions on films like Movie 43, Clifford, and Watchmen.