Seven Delayed Sequels Worth The Wait
A decade after Men in Black II, Columbia Pictures will release the third entry in the cheeky sci-fi comedy franchise starring Will Smith and Tommy Lee Jones. Men in Black 3 may not qualify as a “long-awaited” sequel, since nobody in particular seems to have been waiting for it. Hollywood should self-impose a statute of limitations for making follow-ups to successful movies. Unless the story organically lends itself to a continuation, and features some of the original talent, a long-delayed sequel will inevitably disappoint fans of the original, and often cheapen the memory of the earlier, better film. It’s easy to find examples of superfluous follow-ups, including The Godfather III, Wall Street: Money Never Sleeps and Tron: Legacy. A handful of exceptions prove worth checking out, although none really escape the shadows of their predecessors. Here are seven delayed sequels that were actually worth the wait:
7. Psycho II (1983)
Released 23 years after Alfred Hitchcock’s prototypical slasher thriller, Psycho II is barely remembered today, but makes a game attempt to revisit the Bates Hotel. Anthony Perkins revisits his signature role as Norman Bates, who attempts to return to society after two decades in a mental institution for his crime spree. Vera Miles reprises the character of Lila Loomis, sister of one of his victims and a vocal opponent of Norman’s release. Director Richard Franklin cultivates a cheesily spooky atmosphere (and had previously proved to be a student of Hitchcock with his Australian thriller Roadgames, a loose remake of Rear Window involving motorists along a long stretch of Australian highway).
6. 2010 (1984)
Subtitled “The Year We Make Contact,” this interplanetary adventure attempts to explain the spectacular mysteries Stanley Kubrick posed with 2001: A Space Odyssey in 1968. Roy Scheider, Jon Lithgow and Helen Mirren man a space mission to learn what happened to the Discovery One, previously sent to investigate an enigmatic monolith near Jupiter. Keir Dullea reprises his role as astronaut Dave Bowman, while Douglas Rain again voices the possibly homicidal computer HAL. Based on a novel by 2001 originator Arthur C. Clarke, 2010 literalizes some concepts better left to the viewer’s imaginations, but it’s still a satisfying, middlebrow science-fiction mission that pays more attention to the realities of space exploration than Hollywood’s countless space operas.
5. The Color of Money (1986)
Paul Newman won his only Academy Award for reviving his role as “Fast Eddie” Felsen, the title character of 1961’s The Hustler. Martin Scorsese directs this gritty drama that finds a middle-aged Eddie reluctantly returning to the hustle as a mentor to Tom Cruise’s young pool shark, like a matinee idol passing the torch to the next generation. Not one of Scorsese’s classics, The Color of Money nevertheless features plenty of seedy pool-hall texture, as well as the famous scene of Cruise showing off his cue-stick wizardry while singing along to “Werewolves of London.”