The 10 Best One-Liners from The Beastie Boys’ Ill Communication

A good pithy line and a good turn of phrase, some syntactically pleasant word play—these are a few of hip-hop’s favorite things. If a masterful musical line in music can stand alone lyrically, then it adds a whole other dimension to the original composition. The Beastie Boys, for example, exemplify that lyrical prowess with a canon full of clever quips and serious political statements. The group’s fourth LP Ill Communication, which skews genre lines with punk rock and experimental influences, was released on May 31, 1994. So today, on its 23rd anniversary, we take a look at 10 of the smoothest, realest, pithiest one-liners on Ill Communication.
1. “Alright Hear This”
Line: “As we learn to breed love for one another / in these times of melding cultures / I give respect for what’s been borrowed and lent / I know this music comes down from African descent”
Sandwiched in-between lewd statements of bombastic proportions are these powerful, yet sincere lines. “Alright Hear This” shows the three Jews from Brooklyn honoring the true roots of hip-hop and the Beastie Boys.
2. “Root Down”
Line: “You know we come to get down / because I’ve got the flow where I grab my dick”
Funky, effervescent, smooth and somehow dirty, “Root Down” is perfect to pump adrenaline into the brain. The song packs a perfectly mixed sample of Jimmy Smith’s “Root Down.” While the track has a candid, sincere line about the Beasties’ love of music (“It feels good to play a little music / tears running down my face ‘cause love to do it”) Ad-Rock’s grimy contribution that wins here for its inconclusive boasting/mockery.
3. Sure Shot
Line: “Well, I’m like Lee Perry, I’m very on / Rock the microphone and then I’m gone”
“Sure Shot” opens Ill Communication with that mellifluously silky flute riff, which is a sample from jazz flautist Jeremy Steig “Howlin’ For Judy.” And for sure, this song has its share of lyrical gold. It’s hard to forget the clever line “I’ve got more action than my man, John Woo,” or MCA’s heartfelt line, “To all the mothers and the sisters and the wives and friends / I want to offer my love and respect to the end,” a lovely, powerful shout out to women.
Still, it’s this line in particular that is braggadociously outstanding. Lee “Scratch” Perry was famed Jamaican music producer who worked with Bob Marley and was famous for burning down his studio down. While the Beastie Boys didn’t literally burn down their Glendale studio after making this song, the track is a figurative burner for sure.