The 12 Best New Songs (April 13, 2023)
Photos by Dominik Friess, D'Angelo Isaac and Chris Strong
At Paste Music, we’re listening to so many new tunes on any given day, we barely have any time to listen to each other. Nevertheless, every week we can swing it, we take stock of the previous seven days’ best tracks, delivering a weekly playlist of our favorites. Check out this week’s 12 best new songs, in alphabetical order. (You can check out last week’s songs here.)
Being Dead: “Muriel’s Big Day Off”
Being Dead are the mythical, jazzed-out surf punks straight out of our greatest urban legends; as a singular machine, they’re rendered like a perfect amalgamation of King Krule, the B-52s, Parquet Courts and Devo. “Muriel’s Big Day Off” is a pastiche of vignettes showcasing the band’s immortal genre prowess. Weaving in and out of dream pop, art punk, bossa nova and jazz, Being Dead are collaging their interests into one big suite of ambition. It’s hard to not get swept up in the magic of this band’s presentation. Through great wordplay, delicious vocalizations and a gonzo theatricality, Being Dead are one of the coolest and freakiest acts around; debut LP When Horses Would Run aims to be the exact cosmos of weirdness the band evokes. —Matt Mitchell
DJ Danifox: “Ilha dos Bruxos”
The new single from Portuguese-born, London-based electronic producer DJ Danifox opens with a sound akin to a robot waking up from slumber and slowly stretching out its shiny limbs. Before too long, the sideways electro-cumbia beat pushes forward, sparking circuitry and colorful LED displays in the mind’s eye. It’s one of those perfect modern dance tracks that feels both organic and synthetic with programmed rhythms and acoustic percussion locking comfortably together and a chanted vocal sample rolling through with insistent glee. —Robert Ham
Fatoumata Diawara: “Massa Den”
Fatoumata Diawara began her career in the entertainment world as an actor, working with celebrated African directors Dani Kouyaté and Abderrahmane Sissako. It’s a fitting start for an artist who can easily adapt to fit the mood and sound of various musical styles since she began recording music back in 2011. That spirit also made her the perfect collaborator for fellow chameleon Damon Albarn, who has co-produced Diawara’s forthcoming album London Ko. Her latest single, “Massa Den,” finds her melding the caramel tones of her vocals and Afrobeat rhythms to a sparkling house beat and the contributions of a French popster known only as -M-. —Robert Ham
Girl Ray: “Hold Tight”
London trio Girl Ray’s newest single off of their forthcoming LP Prestige is a blanket of good vibes and tasty bass runs. Taking inspiration from HAIM’s Women In Music Pt. III, members Poppy Hankin, Iris McConnell and Sophie Moss have put together a triumph that re-invents R&B and baroque pop into a plucky, disco anthem. The track—and album—was produced by Ben H. Allen (Gnarls Barkley, Belle & Sebastian, MIA, Animal Collective) and oozes joy through crystalline arrangements and Hankin’s endearing vocals. —Matt Mitchell
Hayden Pedigo: “Elsewhere”
One-time Amarillo, Texas city councilman hopeful, Gucci runway model and internet goofball Hayden Pedigo aims to make good on his masterful, 2021 LP Letting Go. Drawing from a well of inspiration provided to him by pioneers like Terry Allen and Pete Drake, Pedigo constructs emotional, perfect guitar concertos that tell greater stories than lyrics ever could. New single “Everywhere” is no different, as Pedigo fashions arpeggios from a looping acoustic trill and a dreamy pedal steel. His second record from Mexican Summer, The Happiest Times I Ever Ignored, is another chapter in the fingerpicker’s ongoing archive of sun-baked Texas pastorals; “Everywhere” is another building block in the Lubbock-based maestro’s pursuit of Western divinity. —Matt Mitchell